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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 186 182 it is the complementary color RGB 90 69 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 186 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 165 186 182: RGB 170 186 177, RGB 187 204 196, RGB 204 222 215, RGB 221 240 234 and RGB 238 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 186 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 165 186 182: RGB 165 186 182, RGB 148 168 163, RGB 131 150 144, RGB 114 132 125 and RGB 97 114 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 2 / 27

HEX #A5BAB6

RGB 165 186 182

HSL 168.57, 0.13%, 0.69%

LAB 73.87, -7.97, -0.42

 

Complementary color

CMYK 0 / 23 / 19 / 65

HEX #5A4549

RGB 90 69 73

HSL 348.57, 0.13%, 0.31%

LAB 31.6, 9.72, 1.05

 

CMYK 9 / 0 / 5 / 27

HEX #AABAB1

RGB 170 186 177

HSL 146.25, 0.1%, 0.7%

LAB 74.09, -7.25, 2.67

 

CMYK 8 / 0 / 4 / 20

HEX #BBCCC4

RGB 187 204 196

HSL 151.76, 0.14%, 0.77%

LAB 80.59, -7.27, 2

 

CMYK 8 / 0 / 3 / 13

HEX #CCDED7

RGB 204 222 215

HSL 156.67, 0.21%, 0.84%

LAB 86.99, -7.31, 1.36

 

CMYK 8 / 0 / 3 / 6

HEX #DDF0EA

RGB 221 240 234

HSL 161.05, 0.39%, 0.9%

LAB 93.29, -7.34, 0.74

 

CMYK 7 / 0 / 1 / 0

HEX #EEFFFD

RGB 238 255 253

HSL 172.94, 1%, 0.97%

LAB 98.74, -5.89, -0.96

 

CMYK 11 / 0 / 2 / 27

HEX #A5BAB6

RGB 165 186 182

HSL 168.57, 0.13%, 0.69%

LAB 73.87, -7.97, -0.42

 

CMYK 12 / 0 / 3 / 34

HEX #94A8A3

RGB 148 168 163

HSL 165, 0.1%, 0.62%

LAB 67.24, -7.97, 0.21

 

CMYK 13 / 0 / 4 / 41

HEX #839690

RGB 131 150 144

HSL 161.05, 0.08%, 0.55%

LAB 60.47, -7.99, 0.87

 

CMYK 14 / 0 / 5 / 48

HEX #72847D

RGB 114 132 125

HSL 156.67, 0.07%, 0.48%

LAB 53.56, -8.02, 1.57

 

CMYK 15 / 0 / 7 / 55

HEX #61726A

RGB 97 114 106

HSL 151.76, 0.08%, 0.41%

LAB 46.47, -8.07, 2.3

 

CMYK 11 / 0 / 2 / 27

HEX #A5BAB6

RGB 165 186 182

HSL 168.57, 0.13%, 0.69%

LAB 73.87, -7.97, -0.42

 

CMYK 11 / 0 / 1 / 27

HEX #A5BAB9

RGB 165 186 185

HSL 177.14, 0.13%, 0.69%

LAB 73.95, -7.37, -1.94

 

CMYK 11 / 2 / 0 / 27

HEX #A5B7BA

RGB 165 183 186

HSL 188.57, 0.13%, 0.69%

LAB 73.16, -5.57, -3.64

 

CMYK 11 / 3 / 0 / 27

HEX #A5B4BA

RGB 165 180 186

HSL 197.14, 0.13%, 0.69%

LAB 72.35, -3.96, -4.83

 

CMYK 11 / 5 / 0 / 27

HEX #A5B0BA

RGB 165 176 186

HSL 208.57, 0.13%, 0.69%

LAB 71.28, -1.81, -6.42

 

CMYK 11 / 0 / 2 / 27

HEX #A5BAB6

RGB 165 186 182

HSL 168.57, 0.13%, 0.69%

LAB 73.87, -7.97, -0.42

 

CMYK 11 / 0 / 2 / 7

HEX #D2EDE8

RGB 210 237 232

HSL 168.89, 0.43%, 0.88%

LAB 91.73, -9.76, -0.59

 

CMYK 12 / 0 / 3 / 87

HEX #1D2120

RGB 29 33 32

HSL 165, 0.06%, 0.12%

LAB 12.31, -2.1, 0.05

 

CMYK 11 / 0 / 2 / 67

HEX #4B5452

RGB 75 84 82

HSL 166.67, 0.06%, 0.31%

LAB 34.89, -4.01, -0.05

 

CMYK 11 / 0 / 2 / 47

HEX #788784

RGB 120 135 132

HSL 168, 0.06%, 0.5%

LAB 55.06, -6.07, -0.25

 

CMYK 11 / 0 / 2 / 27

HEX #A5BAB6

RGB 165 186 182

HSL 168.57, 0.13%, 0.69%

LAB 73.87, -7.97, -0.42

 

CMYK 11 / 11 / 0 / 27

HEX #A5A5BA

RGB 165 165 186

HSL 240, 0.13%, 0.69%

LAB 68.35, 4.21, -10.77

 

CMYK 0 / 7 / 11 / 27

HEX #BAADA5

RGB 186 173 165

HSL 22.86, 0.13%, 0.69%

LAB 71.58, 3.27, 5.77

 

CMYK 11 / 0 / 2 / 27

HEX #A5BAB6

RGB 165 186 182

HSL 168.57, 0.13%, 0.69%

LAB 73.87, -7.97, -0.42

 

CMYK 2 / 11 / 0 / 27

HEX #B6A5BA

RGB 182 165 186

HSL 288.57, 0.13%, 0.69%

LAB 69.75, 10.03, -8.54

 

CMYK 0 / 2 / 11 / 27

HEX #BAB6A5

RGB 186 182 165

HSL 48.57, 0.13%, 0.69%

LAB 73.94, -1.56, 9.15

 

CMYK 11 / 0 / 2 / 27

HEX #A5BAB6

RGB 165 186 182

HSL 168.57, 0.13%, 0.69%

LAB 73.87, -7.97, -0.42

 

CMYK 11 / 11 / 0 / 27

HEX #A5A5BA

RGB 165 165 186

HSL 240, 0.13%, 0.69%

LAB 68.35, 4.21, -10.77

 

CMYK 0 / 11 / 9 / 27

HEX #BAA5A9

RGB 186 165 169

HSL 348.57, 0.13%, 0.69%

LAB 69.62, 8.32, 0.72

 

CMYK 0 / 0 / 11 / 27

HEX #BABAA5

RGB 186 186 165

HSL 60, 0.13%, 0.69%

LAB 75, -3.69, 10.65

 

CMYK 11 / 0 / 2 / 27

HEX #A5BAB6

RGB 165 186 182

HSL 168.57, 0.13%, 0.69%

LAB 73.87, -7.97, -0.42

 

CMYK 8 / 11 / 0 / 27

HEX #ABA5BA

RGB 171 165 186

HSL 257.14, 0.13%, 0.69%

LAB 68.83, 6.24, -10.01

 

CMYK 0 / 11 / 9 / 27

HEX #BAA5A9

RGB 186 165 169

HSL 348.57, 0.13%, 0.69%

LAB 69.62, 8.32, 0.72

 

CMYK 3 / 0 / 11 / 27

HEX #B4BAA5

RGB 180 186 165

HSL 77.14, 0.13%, 0.69%

LAB 74.53, -5.88, 9.93

 

Description

Color code: RGB 165 186 182 | qconv.com Color code: RGB 165 186 182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 186 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 186 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 2 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 2% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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