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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 133 177 it is the complementary color RGB 90 122 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 133 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 165 133 177: RGB 170 133 172, RGB 187 151 191, RGB 204 169 210, RGB 221 187 229 and RGB 238 205 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 133 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 165 133 177: RGB 165 133 177, RGB 148 115 158, RGB 131 97 139, RGB 114 79 120 and RGB 97 61 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 25 / 0 / 31

HEX #A585B1

RGB 165 133 177

HSL 283.64, 0.22%, 0.61%

LAB 59.84, 20.35, -18.56

 

Complementary color

CMYK 26 / 0 / 36 / 52

HEX #5A7A4E

RGB 90 122 78

HSL 103.64, 0.22%, 0.39%

LAB 47.81, -20.41, 20.51

 

CMYK 1 / 23 / 0 / 33

HEX #AA85AC

RGB 170 133 172

HSL 296.92, 0.19%, 0.6%

LAB 60.16, 21.05, -15.18

 

CMYK 2 / 21 / 0 / 25

HEX #BB97BF

RGB 187 151 191

HSL 294, 0.24%, 0.67%

LAB 66.87, 20.48, -15.6

 

CMYK 3 / 20 / 0 / 18

HEX #CCA9D2

RGB 204 169 210

HSL 291.22, 0.31%, 0.74%

LAB 73.46, 19.96, -16

 

CMYK 3 / 18 / 0 / 10

HEX #DDBBE5

RGB 221 187 229

HSL 288.57, 0.45%, 0.82%

LAB 79.94, 19.48, -16.4

 

CMYK 4 / 17 / 0 / 3

HEX #EECDF8

RGB 238 205 248

HSL 286.05, 0.75%, 0.89%

LAB 86.31, 19.04, -16.8

 

CMYK 7 / 25 / 0 / 31

HEX #A585B1

RGB 165 133 177

HSL 283.64, 0.22%, 0.61%

LAB 59.84, 20.35, -18.56

 

CMYK 6 / 27 / 0 / 38

HEX #94739E

RGB 148 115 158

HSL 286.05, 0.18%, 0.54%

LAB 52.98, 20.96, -18.23

 

CMYK 6 / 30 / 0 / 45

HEX #83618B

RGB 131 97 139

HSL 288.57, 0.18%, 0.46%

LAB 45.96, 21.62, -17.89

 

CMYK 5 / 34 / 0 / 53

HEX #724F78

RGB 114 79 120

HSL 291.22, 0.21%, 0.39%

LAB 38.77, 22.37, -17.55

 

CMYK 4 / 40 / 0 / 60

HEX #613D65

RGB 97 61 101

HSL 294, 0.25%, 0.32%

LAB 31.39, 23.19, -17.17

 

CMYK 7 / 25 / 0 / 31

HEX #A585B1

RGB 165 133 177

HSL 283.64, 0.22%, 0.61%

LAB 59.84, 20.35, -18.56

 

CMYK 3 / 25 / 0 / 31

HEX #AC85B1

RGB 172 133 177

HSL 293.18, 0.22%, 0.61%

LAB 60.53, 22.73, -17.44

 

CMYK 0 / 25 / 1 / 31

HEX #B185AF

RGB 177 133 175

HSL 302.73, 0.22%, 0.61%

LAB 60.97, 24.05, -15.59

 

CMYK 0 / 25 / 6 / 31

HEX #B185A7

RGB 177 133 167

HSL 313.64, 0.22%, 0.61%

LAB 60.7, 22.55, -11.44

 

CMYK 0 / 25 / 10 / 31

HEX #B185A0

RGB 177 133 160

HSL 323.18, 0.22%, 0.61%

LAB 60.48, 21.28, -7.77

 

CMYK 7 / 25 / 0 / 31

HEX #A585B1

RGB 165 133 177

HSL 283.64, 0.22%, 0.61%

LAB 59.84, 20.35, -18.56

 

CMYK 7 / 25 / 0 / 11

HEX #D5ABE4

RGB 213 171 228

HSL 284.21, 0.51%, 0.78%

LAB 75.37, 25.34, -22.84

 

CMYK 8 / 25 / 0 / 91

HEX #161218

RGB 22 18 24

HSL 280, 0.14%, 0.08%

LAB 6.04, 3.12, -3.25

 

CMYK 7 / 25 / 0 / 71

HEX #46384B

RGB 70 56 75

HSL 284.21, 0.15%, 0.26%

LAB 25.68, 10.28, -9.3

 

CMYK 7 / 25 / 0 / 51

HEX #755F7E

RGB 117 95 126

HSL 282.58, 0.14%, 0.43%

LAB 43.47, 15.04, -14

 

CMYK 7 / 25 / 0 / 31

HEX #A585B1

RGB 165 133 177

HSL 283.64, 0.22%, 0.61%

LAB 59.84, 20.35, -18.56

 

CMYK 0 / 25 / 23 / 31

HEX #B18589

RGB 177 133 137

HSL 354.55, 0.22%, 0.61%

LAB 59.82, 17.47, 4.43

 

CMYK 25 / 0 / 17 / 31

HEX #85B193

RGB 133 177 147

HSL 139.09, 0.22%, 0.61%

LAB 68.41, -20.94, 10.62

 

CMYK 7 / 25 / 0 / 31

HEX #A585B1

RGB 165 133 177

HSL 283.64, 0.22%, 0.61%

LAB 59.84, 20.35, -18.56

 

CMYK 0 / 7 / 25 / 31

HEX #B1A585

RGB 177 165 133

HSL 43.64, 0.22%, 0.61%

LAB 67.98, -0.84, 18.18

 

CMYK 25 / 0 / 7 / 31

HEX #85B1A5

RGB 133 177 165

HSL 163.64, 0.22%, 0.61%

LAB 68.86, -17.26, 1.35

 

CMYK 7 / 25 / 0 / 31

HEX #A585B1

RGB 165 133 177

HSL 283.64, 0.22%, 0.61%

LAB 59.84, 20.35, -18.56

 

CMYK 0 / 25 / 23 / 31

HEX #B18589

RGB 177 133 137

HSL 354.55, 0.22%, 0.61%

LAB 59.82, 17.47, 4.43

 

CMYK 18 / 0 / 25 / 31

HEX #92B185

RGB 146 177 133

HSL 102.27, 0.22%, 0.61%

LAB 68.93, -18.94, 19.11

 

CMYK 25 / 0 / 2 / 31

HEX #85B1AD

RGB 133 177 173

HSL 174.55, 0.22%, 0.61%

LAB 69.07, -15.5, -2.75

 

CMYK 7 / 25 / 0 / 31

HEX #A585B1

RGB 165 133 177

HSL 283.64, 0.22%, 0.61%

LAB 59.84, 20.35, -18.56

 

CMYK 0 / 19 / 25 / 31

HEX #B18F85

RGB 177 143 133

HSL 13.64, 0.22%, 0.61%

LAB 62.24, 11.27, 10.16

 

CMYK 18 / 0 / 25 / 31

HEX #92B185

RGB 146 177 133

HSL 102.27, 0.22%, 0.61%

LAB 68.93, -18.94, 19.11

 

CMYK 25 / 6 / 0 / 31

HEX #85A7B1

RGB 133 167 177

HSL 193.64, 0.22%, 0.61%

LAB 66.37, -9.28, -8.98

 

Description

Color code: RGB 165 133 177 | qconv.com Color code: RGB 165 133 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 133 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 133 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 25 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 25% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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