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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 127 178 it is the complementary color RGB 90 128 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 127 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 165 127 178: RGB 170 127 173, RGB 187 145 192, RGB 204 163 211, RGB 221 181 230 and RGB 238 199 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 127 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 165 127 178: RGB 165 127 178, RGB 148 109 159, RGB 131 91 140, RGB 114 73 121 and RGB 97 55 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 29 / 0 / 30

HEX #A57FB2

RGB 165 127 178

HSL 284.71, 0.25%, 0.6%

LAB 58.41, 23.98, -21.32

 

Complementary color

CMYK 30 / 0 / 40 / 50

HEX #5A804D

RGB 90 128 77

HSL 104.71, 0.25%, 0.4%

LAB 49.67, -23.66, 23.53

 

CMYK 2 / 27 / 0 / 32

HEX #AA7FAD

RGB 170 127 173

HSL 296.09, 0.22%, 0.59%

LAB 58.73, 24.65, -17.91

 

CMYK 3 / 24 / 0 / 25

HEX #BB91C0

RGB 187 145 192

HSL 293.62, 0.27%, 0.66%

LAB 65.45, 24.02, -18.3

 

CMYK 3 / 23 / 0 / 17

HEX #CCA3D3

RGB 204 163 211

HSL 291.25, 0.35%, 0.73%

LAB 72.05, 23.44, -18.68

 

CMYK 4 / 21 / 0 / 10

HEX #DDB5E6

RGB 221 181 230

HSL 288.98, 0.49%, 0.81%

LAB 78.54, 22.91, -19.05

 

CMYK 4 / 20 / 0 / 2

HEX #EEC7F9

RGB 238 199 249

HSL 286.8, 0.81%, 0.88%

LAB 84.93, 22.41, -19.42

 

CMYK 7 / 29 / 0 / 30

HEX #A57FB2

RGB 165 127 178

HSL 284.71, 0.25%, 0.6%

LAB 58.41, 23.98, -21.32

Pantone® 521 C

CMYK 7 / 31 / 0 / 38

HEX #946D9F

RGB 148 109 159

HSL 286.8, 0.21%, 0.53%

LAB 51.54, 24.65, -21.01

 

CMYK 6 / 35 / 0 / 45

HEX #835B8C

RGB 131 91 140

HSL 288.98, 0.21%, 0.45%

LAB 44.52, 25.39, -20.7

 

CMYK 6 / 40 / 0 / 53

HEX #724979

RGB 114 73 121

HSL 291.25, 0.25%, 0.38%

LAB 37.34, 26.19, -20.37

 

CMYK 5 / 46 / 0 / 60

HEX #613766

RGB 97 55 102

HSL 293.62, 0.3%, 0.31%

LAB 29.99, 27.04, -19.97

 

CMYK 7 / 29 / 0 / 30

HEX #A57FB2

RGB 165 127 178

HSL 284.71, 0.25%, 0.6%

LAB 58.41, 23.98, -21.32

Pantone® 521 C

CMYK 3 / 29 / 0 / 30

HEX #AD7FB2

RGB 173 127 178

HSL 294.12, 0.25%, 0.6%

LAB 59.23, 26.65, -19.98

 

CMYK 0 / 29 / 2 / 30

HEX #B27FAF

RGB 178 127 175

HSL 303.53, 0.25%, 0.6%

LAB 59.65, 27.76, -17.58

 

CMYK 0 / 29 / 7 / 30

HEX #B27FA6

RGB 178 127 166

HSL 314.12, 0.25%, 0.6%

LAB 59.34, 26.08, -12.91

 

CMYK 0 / 29 / 11 / 30

HEX #B27F9E

RGB 178 127 158

HSL 323.53, 0.25%, 0.6%

LAB 59.08, 24.66, -8.71

 

CMYK 7 / 29 / 0 / 30

HEX #A57FB2

RGB 165 127 178

HSL 284.71, 0.25%, 0.6%

LAB 58.41, 23.98, -21.32

Pantone® 521 C

CMYK 7 / 29 / 0 / 10

HEX #D4A3E5

RGB 212 163 229

HSL 284.55, 0.56%, 0.77%

LAB 73.45, 29.57, -26.34

 

CMYK 8 / 28 / 0 / 90

HEX #171219

RGB 23 18 25

HSL 282.86, 0.16%, 0.08%

LAB 6.19, 3.85, -3.81

 

CMYK 8 / 29 / 0 / 70

HEX #46364C

RGB 70 54 76

HSL 283.64, 0.17%, 0.25%

LAB 25.14, 11.85, -10.78

 

CMYK 7 / 28 / 0 / 50

HEX #765B7F

RGB 118 91 127

HSL 285, 0.17%, 0.43%

LAB 42.56, 18.04, -15.98

 

CMYK 7 / 29 / 0 / 30

HEX #A57FB2

RGB 165 127 178

HSL 284.71, 0.25%, 0.6%

LAB 58.41, 23.98, -21.32

Pantone® 521 C

CMYK 0 / 29 / 27 / 30

HEX #B27F82

RGB 178 127 130

HSL 356.47, 0.25%, 0.6%

LAB 58.28, 20.19, 6.24

 

CMYK 29 / 0 / 19 / 30

HEX #7FB290

RGB 127 178 144

HSL 140, 0.25%, 0.6%

LAB 68.29, -24, 12.04

 

CMYK 7 / 29 / 0 / 30

HEX #A57FB2

RGB 165 127 178

HSL 284.71, 0.25%, 0.6%

LAB 58.41, 23.98, -21.32

Pantone® 521 C

CMYK 0 / 8 / 29 / 30

HEX #B2A47F

RGB 178 164 127

HSL 43.53, 0.25%, 0.6%

LAB 67.69, -0.75, 21.08

 

CMYK 29 / 0 / 8 / 30

HEX #7FB2A4

RGB 127 178 164

HSL 163.53, 0.25%, 0.6%

LAB 68.78, -19.86, 1.74

 

CMYK 7 / 29 / 0 / 30

HEX #A57FB2

RGB 165 127 178

HSL 284.71, 0.25%, 0.6%

LAB 58.41, 23.98, -21.32

Pantone® 521 C

CMYK 0 / 29 / 27 / 30

HEX #B27F82

RGB 178 127 130

HSL 356.47, 0.25%, 0.6%

LAB 58.28, 20.19, 6.24

 

CMYK 21 / 0 / 29 / 30

HEX #8DB27F

RGB 141 178 127

HSL 103.53, 0.25%, 0.6%

LAB 68.78, -22.23, 22.1

 

CMYK 29 / 0 / 2 / 30

HEX #7FB2AF

RGB 127 178 175

HSL 176.47, 0.25%, 0.6%

LAB 69.07, -17.38, -3.89

 

CMYK 7 / 29 / 0 / 30

HEX #A57FB2

RGB 165 127 178

HSL 284.71, 0.25%, 0.6%

LAB 58.41, 23.98, -21.32

Pantone® 521 C

CMYK 0 / 22 / 29 / 30

HEX #B28B7F

RGB 178 139 127

HSL 14.12, 0.25%, 0.6%

LAB 61.19, 13.03, 12.09

 

CMYK 21 / 0 / 29 / 30

HEX #8DB27F

RGB 141 178 127

HSL 103.53, 0.25%, 0.6%

LAB 68.78, -22.23, 22.1

 

CMYK 29 / 7 / 0 / 30

HEX #7FA6B2

RGB 127 166 178

HSL 194.12, 0.25%, 0.6%

LAB 65.75, -10.33, -10.5

 

Description

Color code: RGB 165 127 178 | qconv.com Color code: RGB 165 127 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 127 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 127 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 29 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 29% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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