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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 70 148 it is the complementary color RGB 91 185 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 70 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 164 70 148: RGB 169 70 143, RGB 186 88 162, RGB 203 106 181, RGB 220 124 200 and RGB 237 142 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 70 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 164 70 148: RGB 164 70 148, RGB 147 52 129, RGB 130 34 110, RGB 113 16 91 and RGB 96 0 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 10 / 36

HEX #A44694

RGB 164 70 148

HSL 310.21, 0.4%, 0.46%

LAB 44.82, 48.74, -24.7

 

Complementary color

CMYK 51 / 0 / 42 / 27

HEX #5BB96B

RGB 91 185 107

HSL 130.21, 0.4%, 0.54%

LAB 68.01, -44.69, 31.23

 

CMYK 0 / 59 / 15 / 34

HEX #A9468F

RGB 169 70 143

HSL 315.76, 0.41%, 0.47%

LAB 45.36, 49.4, -20.79

 

CMYK 0 / 53 / 13 / 27

HEX #BA58A2

RGB 186 88 162

HSL 314.69, 0.42%, 0.54%

LAB 51.87, 48.88, -21.86

 

CMYK 0 / 48 / 11 / 20

HEX #CB6AB5

RGB 203 106 181

HSL 313.61, 0.48%, 0.61%

LAB 58.36, 48.23, -22.72

 

CMYK 0 / 44 / 9 / 14

HEX #DC7CC8

RGB 220 124 200

HSL 312.5, 0.58%, 0.67%

LAB 64.8, 47.51, -23.44

 

CMYK 0 / 40 / 8 / 7

HEX #ED8EDB

RGB 237 142 219

HSL 311.37, 0.73%, 0.74%

LAB 71.19, 46.77, -24.07

 

CMYK 0 / 57 / 10 / 36

HEX #A44694

RGB 164 70 148

HSL 310.21, 0.4%, 0.46%

LAB 44.82, 48.74, -24.7

 

CMYK 0 / 65 / 12 / 42

HEX #933481

RGB 147 52 129

HSL 311.37, 0.48%, 0.39%

LAB 38.28, 48.99, -23.49

 

CMYK 0 / 74 / 15 / 49

HEX #82226E

RGB 130 34 110

HSL 312.5, 0.59%, 0.32%

LAB 31.84, 48.68, -21.81

 

CMYK 0 / 86 / 19 / 56

HEX #71105B

RGB 113 16 91

HSL 313.61, 0.75%, 0.25%

LAB 25.67, 47.28, -19.35

 

CMYK 0 / 100 / 25 / 62

HEX #600048

RGB 96 0 72

HSL 315, 1%, 0.19%

LAB 19.86, 44.44, -15.87

 

CMYK 0 / 57 / 10 / 36

HEX #A44694

RGB 164 70 148

HSL 310.21, 0.4%, 0.46%

LAB 44.82, 48.74, -24.7

 

CMYK 0 / 57 / 20 / 36

HEX #A44684

RGB 164 70 132

HSL 320.43, 0.4%, 0.46%

LAB 44.14, 46.18, -16.06

 

CMYK 0 / 57 / 29 / 36

HEX #A44675

RGB 164 70 117

HSL 330, 0.4%, 0.46%

LAB 43.59, 44.02, -7.74

 

CMYK 0 / 57 / 38 / 36

HEX #A44665

RGB 164 70 101

HSL 340.21, 0.4%, 0.46%

LAB 43.08, 41.98, 1.36

 

CMYK 0 / 57 / 48 / 36

HEX #A44656

RGB 164 70 86

HSL 349.79, 0.4%, 0.46%

LAB 42.68, 40.34, 10.07

 

CMYK 0 / 57 / 10 / 36

HEX #A44694

RGB 164 70 148

HSL 310.21, 0.4%, 0.46%

LAB 44.82, 48.74, -24.7

 

CMYK 0 / 57 / 10 / 16

HEX #D75CC2

RGB 215 92 194

HSL 310.24, 0.61%, 0.6%

LAB 58.03, 60.48, -30.53

 

CMYK 0 / 55 / 9 / 96

HEX #0B050A

RGB 11 5 10

HSL 310, 0.38%, 0.03%

LAB 1.82, 2.27, -1.34

 

CMYK 0 / 58 / 10 / 76

HEX #3E1A38

RGB 62 26 56

HSL 310, 0.41%, 0.17%

LAB 15.74, 22.42, -11.62

 

CMYK 0 / 58 / 10 / 56

HEX #713066

RGB 113 48 102

HSL 310.15, 0.4%, 0.32%

LAB 30.84, 36.21, -18.48

 

CMYK 0 / 57 / 10 / 36

HEX #A44694

RGB 164 70 148

HSL 310.21, 0.4%, 0.46%

LAB 44.82, 48.74, -24.7

 

CMYK 0 / 37 / 57 / 36

HEX #A46846

RGB 164 104 70

HSL 21.7, 0.4%, 0.46%

LAB 49.78, 20.48, 29

 

CMYK 57 / 0 / 13 / 36

HEX #46A48E

RGB 70 164 142

HSL 165.96, 0.4%, 0.46%

LAB 61.49, -33.25, 3.09

 

CMYK 0 / 57 / 10 / 36

HEX #A44694

RGB 164 70 148

HSL 310.21, 0.4%, 0.46%

LAB 44.82, 48.74, -24.7

 

CMYK 10 / 0 / 57 / 36

HEX #94A446

RGB 148 164 70

HSL 70.21, 0.4%, 0.46%

LAB 64.39, -19.5, 45.98

 

CMYK 57 / 10 / 0 / 36

HEX #4694A4

RGB 70 148 164

HSL 190.21, 0.4%, 0.46%

LAB 57.23, -19.18, -15.69

 

CMYK 0 / 57 / 10 / 36

HEX #A44694

RGB 164 70 148

HSL 310.21, 0.4%, 0.46%

LAB 44.82, 48.74, -24.7

 

CMYK 0 / 37 / 57 / 36

HEX #A46846

RGB 164 104 70

HSL 21.7, 0.4%, 0.46%

LAB 49.78, 20.48, 29

 

CMYK 57 / 0 / 48 / 36

HEX #46A456

RGB 70 164 86

HSL 130.21, 0.4%, 0.46%

LAB 60.36, -44.79, 32.2

 

CMYK 57 / 21 / 0 / 36

HEX #4681A4

RGB 70 129 164

HSL 202.34, 0.4%, 0.46%

LAB 51.48, -8.71, -24.5

 

CMYK 0 / 57 / 10 / 36

HEX #A44694

RGB 164 70 148

HSL 310.21, 0.4%, 0.46%

LAB 44.82, 48.74, -24.7

 

CMYK 0 / 20 / 57 / 36

HEX #A48446

RGB 164 132 70

HSL 39.57, 0.4%, 0.46%

LAB 56.92, 4.63, 37.68

 

CMYK 57 / 0 / 48 / 36

HEX #46A456

RGB 70 164 86

HSL 130.21, 0.4%, 0.46%

LAB 60.36, -44.79, 32.2

 

CMYK 57 / 38 / 0 / 36

HEX #4665A4

RGB 70 101 164

HSL 220.21, 0.4%, 0.46%

LAB 43.2, 8.15, -37.45

 

Description

Color code: RGB 164 70 148 | qconv.com Color code: RGB 164 70 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 70 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 70 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 10 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 10% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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