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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 35 131 it is the complementary color RGB 91 220 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 35 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 164 35 131: RGB 169 35 126, RGB 186 53 145, RGB 203 71 164, RGB 220 89 183 and RGB 237 107 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 35 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 164 35 131: RGB 164 35 131, RGB 147 17 112, RGB 130 0 93, RGB 113 0 74 and RGB 96 0 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 20 / 36

HEX #A42383

RGB 164 35 131

HSL 315.35, 0.65%, 0.39%

LAB 39.13, 59.81, -23.18

 

Complementary color

CMYK 59 / 0 / 44 / 14

HEX #5BDC7C

RGB 91 220 124

HSL 135.35, 0.65%, 0.61%

LAB 78.96, -55.98, 36.71

 

CMYK 0 / 79 / 25 / 34

HEX #A9237E

RGB 169 35 126

HSL 319.25, 0.66%, 0.4%

LAB 39.82, 60.36, -18.94

 

CMYK 0 / 72 / 22 / 27

HEX #BA3591

RGB 186 53 145

HSL 318.5, 0.56%, 0.47%

LAB 45.67, 61.35, -21.28

 

CMYK 0 / 65 / 19 / 20

HEX #CB47A4

RGB 203 71 164

HSL 317.73, 0.56%, 0.54%

LAB 51.71, 61.65, -23.07

 

CMYK 0 / 60 / 17 / 14

HEX #DC59B7

RGB 220 89 183

HSL 316.95, 0.65%, 0.61%

LAB 57.83, 61.51, -24.48

 

CMYK 0 / 55 / 15 / 7

HEX #ED6BCA

RGB 237 107 202

HSL 316.15, 0.78%, 0.67%

LAB 63.99, 61.12, -25.63

 

CMYK 0 / 79 / 20 / 36

HEX #A42383

RGB 164 35 131

HSL 315.35, 0.65%, 0.39%

LAB 39.13, 59.81, -23.18

 

CMYK 0 / 88 / 24 / 42

HEX #931170

RGB 147 17 112

HSL 316.15, 0.79%, 0.32%

LAB 33.51, 57.75, -20.25

 

CMYK 0 / 100 / 28 / 49

HEX #82005D

RGB 130 0 93

HSL 317.08, 1%, 0.25%

LAB 28.21, 54.43, -16.46

 

CMYK 0 / 100 / 35 / 56

HEX #71004A

RGB 113 0 74

HSL 320.71, 1%, 0.22%

LAB 23.69, 48.47, -11.03

 

CMYK 0 / 100 / 43 / 62

HEX #600037

RGB 96 0 55

HSL 325.63, 1%, 0.19%

LAB 19.07, 42.4, -5.22

 

CMYK 0 / 79 / 20 / 36

HEX #A42383

RGB 164 35 131

HSL 315.35, 0.65%, 0.39%

LAB 39.13, 59.81, -23.18

 

CMYK 0 / 79 / 33 / 36

HEX #A4226E

RGB 164 34 110

HSL 324.92, 0.66%, 0.39%

LAB 38.13, 57.46, -11.61

 

CMYK 0 / 79 / 46 / 36

HEX #A42258

RGB 164 34 88

HSL 335.08, 0.66%, 0.39%

LAB 37.37, 55.16, 1.24

 

CMYK 0 / 79 / 59 / 36

HEX #A42243

RGB 164 34 67

HSL 344.77, 0.66%, 0.39%

LAB 36.82, 53.45, 13.95

 

CMYK 0 / 79 / 73 / 36

HEX #A4222D

RGB 164 34 45

HSL 354.92, 0.66%, 0.39%

LAB 36.42, 52.18, 27.38

 

CMYK 0 / 79 / 20 / 36

HEX #A42383

RGB 164 35 131

HSL 315.35, 0.65%, 0.39%

LAB 39.13, 59.81, -23.18

 

CMYK 0 / 79 / 20 / 16

HEX #D72EAC

RGB 215 46 172

HSL 315.27, 0.68%, 0.51%

LAB 51.13, 73.91, -28.51

 

CMYK 0 / 82 / 18 / 96

HEX #0B0209

RGB 11 2 9

HSL 313.33, 0.69%, 0.03%

LAB 1.21, 3.33, -1.82

 

CMYK 0 / 79 / 19 / 76

HEX #3E0D32

RGB 62 13 50

HSL 314.69, 0.65%, 0.15%

LAB 12.87, 28.22, -11.76

 

CMYK 0 / 79 / 20 / 56

HEX #71185A

RGB 113 24 90

HSL 315.51, 0.65%, 0.27%

LAB 26.45, 44.75, -17.47

 

CMYK 0 / 79 / 20 / 36

HEX #A42383

RGB 164 35 131

HSL 315.35, 0.65%, 0.39%

LAB 39.13, 59.81, -23.18

 

CMYK 0 / 44 / 79 / 36

HEX #A45C22

RGB 164 92 34

HSL 26.77, 0.66%, 0.39%

LAB 46.53, 25, 44.14

 

CMYK 79 / 0 / 12 / 36

HEX #22A490

RGB 34 164 144

HSL 170.77, 0.66%, 0.39%

LAB 60.7, -38.4, 0.71

 

CMYK 0 / 79 / 20 / 36

HEX #A42383

RGB 164 35 131

HSL 315.35, 0.65%, 0.39%

LAB 39.13, 59.81, -23.18

 

CMYK 20 / 0 / 79 / 36

HEX #83A422

RGB 131 164 34

HSL 75.23, 0.66%, 0.39%

LAB 62.92, -28.94, 58.37

 

CMYK 79 / 20 / 0 / 36

HEX #2283A4

RGB 34 131 164

HSL 195.23, 0.66%, 0.39%

LAB 50.98, -15.68, -25.35

 

CMYK 0 / 79 / 20 / 36

HEX #A42383

RGB 164 35 131

HSL 315.35, 0.65%, 0.39%

LAB 39.13, 59.81, -23.18

 

CMYK 0 / 44 / 79 / 36

HEX #A45C22

RGB 164 92 34

HSL 26.77, 0.66%, 0.39%

LAB 46.53, 25, 44.14

 

CMYK 79 / 0 / 59 / 36

HEX #22A443

RGB 34 164 67

HSL 135.23, 0.66%, 0.39%

LAB 59.25, -54.45, 40.13

 

CMYK 79 / 36 / 0 / 36

HEX #2269A4

RGB 34 105 164

HSL 207.23, 0.66%, 0.39%

LAB 42.95, -0.42, -37.93

 

CMYK 0 / 79 / 20 / 36

HEX #A42383

RGB 164 35 131

HSL 315.35, 0.65%, 0.39%

LAB 39.13, 59.81, -23.18

 

CMYK 0 / 20 / 79 / 36

HEX #A48322

RGB 164 131 34

HSL 44.77, 0.66%, 0.39%

LAB 56.33, 3.01, 53.36

 

CMYK 79 / 0 / 59 / 36

HEX #22A443

RGB 34 164 67

HSL 135.23, 0.66%, 0.39%

LAB 59.25, -54.45, 40.13

 

CMYK 79 / 59 / 0 / 36

HEX #2243A4

RGB 34 67 164

HSL 224.77, 0.66%, 0.39%

LAB 31.89, 24.55, -55.72

 

Description

Color code: RGB 164 35 131 | qconv.com Color code: RGB 164 35 131 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 35 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 35 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 20 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 20% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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