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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 237 50 it is the complementary color RGB 91 18 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 237 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 164 237 50: RGB 169 237 45, RGB 186 255 64, RGB 203 255 83, RGB 220 255 102 and RGB 237 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 237 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 164 237 50: RGB 164 237 50, RGB 147 219 31, RGB 130 201 12, RGB 113 183 0 and RGB 96 165 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 79 / 7

HEX #A4ED32

RGB 164 237 50

HSL 83.42, 0.84%, 0.56%

LAB 86.35, -48.12, 75.9

 

Complementary color

CMYK 56 / 91 / 0 / 20

HEX #5B12CD

RGB 91 18 205

HSL 263.42, 0.84%, 0.44%

LAB 31.95, 66.77, -79.73

 

CMYK 29 / 0 / 81 / 7

HEX #A9ED2D

RGB 169 237 45

HSL 81.25, 0.84%, 0.55%

LAB 86.6, -46.52, 77.53

 

CMYK 27 / 0 / 75 / 0

HEX #BAFF40

RGB 186 255 64

HSL 81.68, 1%, 0.63%

LAB 92.72, -47.13, 78.21

 

CMYK 20 / 0 / 67 / 0

HEX #CBFF53

RGB 203 255 83

HSL 78.14, 1%, 0.66%

LAB 93.81, -39.82, 73.24

 

CMYK 14 / 0 / 60 / 0

HEX #DCFF66

RGB 220 255 102

HSL 73.73, 1%, 0.7%

LAB 95.03, -32.11, 67.47

 

CMYK 7 / 0 / 53 / 0

HEX #EDFF79

RGB 237 255 121

HSL 68.06, 1%, 0.74%

LAB 96.37, -24.1, 61.15

 

CMYK 31 / 0 / 79 / 7

HEX #A4ED32

RGB 164 237 50

HSL 83.42, 0.84%, 0.56%

LAB 86.35, -48.12, 75.9

 

CMYK 33 / 0 / 86 / 14

HEX #93DB1F

RGB 147 219 31

HSL 82.98, 0.75%, 0.49%

LAB 80.16, -47.4, 74.64

 

CMYK 35 / 0 / 94 / 21

HEX #82C90C

RGB 130 201 12

HSL 82.54, 0.89%, 0.42%

LAB 73.9, -46.46, 72.14

 

CMYK 38 / 0 / 100 / 28

HEX #71B700

RGB 113 183 0

HSL 82.95, 1%, 0.36%

LAB 67.56, -45.27, 68.12

 

CMYK 42 / 0 / 100 / 35

HEX #60A500

RGB 96 165 0

HSL 85.09, 1%, 0.32%

LAB 61.13, -43.85, 62.77

 

CMYK 31 / 0 / 79 / 7

HEX #A4ED32

RGB 164 237 50

HSL 83.42, 0.84%, 0.56%

LAB 86.35, -48.12, 75.9

 

CMYK 44 / 0 / 80 / 7

HEX #85ED30

RGB 133 237 48

HSL 93.02, 0.84%, 0.56%

LAB 84.88, -58.6, 74.55

 

CMYK 57 / 0 / 80 / 7

HEX #65ED30

RGB 101 237 48

HSL 103.17, 0.84%, 0.56%

LAB 83.73, -67.49, 73.08

 

CMYK 70 / 0 / 80 / 7

HEX #46ED30

RGB 70 237 48

HSL 113.02, 0.84%, 0.56%

LAB 82.96, -73.91, 72.08

 

CMYK 80 / 0 / 76 / 7

HEX #30ED39

RGB 48 237 57

HSL 122.86, 0.84%, 0.56%

LAB 82.64, -76.47, 69.03

 

CMYK 31 / 0 / 79 / 7

HEX #A4ED32

RGB 164 237 50

HSL 83.42, 0.84%, 0.56%

LAB 86.35, -48.12, 75.9

 

CMYK 30 / 0 / 79 / 87

HEX #172107

RGB 23 33 7

HSL 83.08, 0.65%, 0.08%

LAB 11.17, -9.96, 13.54

 

CMYK 31 / 0 / 79 / 67

HEX #3A5412

RGB 58 84 18

HSL 83.64, 0.65%, 0.2%

LAB 32.44, -21.16, 33.41

 

CMYK 31 / 0 / 79 / 47

HEX #5D871C

RGB 93 135 28

HSL 83.55, 0.66%, 0.32%

LAB 51.54, -30.97, 48.86

 

CMYK 31 / 0 / 79 / 27

HEX #81BA27

RGB 129 186 39

HSL 83.27, 0.65%, 0.44%

LAB 69.42, -39.6, 62.8

 

CMYK 31 / 0 / 79 / 7

HEX #A4ED32

RGB 164 237 50

HSL 83.42, 0.84%, 0.56%

LAB 86.35, -48.12, 75.9

 

CMYK 80 / 0 / 33 / 7

HEX #30ED9E

RGB 48 237 158

HSL 154.92, 0.84%, 0.56%

LAB 83.79, -62.85, 25.72

 

CMYK 2 / 80 / 0 / 7

HEX #E930ED

RGB 233 48 237

HSL 298.73, 0.84%, 0.56%

LAB 57.61, 86.2, -55.36

 

CMYK 31 / 0 / 79 / 7

HEX #A4ED32

RGB 164 237 50

HSL 83.42, 0.84%, 0.56%

LAB 86.35, -48.12, 75.9

 

CMYK 80 / 31 / 0 / 7

HEX #30A4ED

RGB 48 164 237

HSL 203.17, 0.84%, 0.56%

LAB 64.4, -6.94, -45.52

 

CMYK 0 / 80 / 31 / 7

HEX #ED30A4

RGB 237 48 164

HSL 323.17, 0.84%, 0.56%

LAB 54.86, 77.44, -17.73

 

CMYK 31 / 0 / 79 / 7

HEX #A4ED32

RGB 164 237 50

HSL 83.42, 0.84%, 0.56%

LAB 86.35, -48.12, 75.9

 

CMYK 80 / 0 / 33 / 7

HEX #30ED9E

RGB 48 237 158

HSL 154.92, 0.84%, 0.56%

LAB 83.79, -62.85, 25.72

 

CMYK 49 / 80 / 0 / 7

HEX #7830ED

RGB 120 48 237

HSL 262.86, 0.84%, 0.56%

LAB 41.57, 68.29, -82.12

 

CMYK 0 / 80 / 46 / 7

HEX #ED307F

RGB 237 48 127

HSL 334.92, 0.84%, 0.56%

LAB 53.65, 73.87, 2.45

 

CMYK 31 / 0 / 79 / 7

HEX #A4ED32

RGB 164 237 50

HSL 83.42, 0.84%, 0.56%

LAB 86.35, -48.12, 75.9

 

CMYK 80 / 0 / 9 / 7

HEX #30EDD7

RGB 48 237 215

HSL 173.02, 0.84%, 0.56%

LAB 85.05, -49.44, -2.2

 

CMYK 49 / 80 / 0 / 7

HEX #7830ED

RGB 120 48 237

HSL 262.86, 0.84%, 0.56%

LAB 41.57, 68.29, -82.12

 

CMYK 0 / 80 / 70 / 7

HEX #ED3046

RGB 237 48 70

HSL 353.02, 0.84%, 0.56%

LAB 52.47, 70.26, 34.95

 

Description

Color code: RGB 164 237 50 | qconv.com Color code: RGB 164 237 50 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 237 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 237 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 79 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 79% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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