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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 232 37 it is the complementary color RGB 91 23 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 232 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 164 232 37: RGB 169 232 32, RGB 186 250 51, RGB 203 255 70, RGB 220 255 89 and RGB 237 255 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 232 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 164 232 37: RGB 164 232 37, RGB 147 214 18, RGB 130 196 0, RGB 113 178 0 and RGB 96 160 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 84 / 9

HEX #A4E825

RGB 164 232 37

HSL 80.92, 0.81%, 0.53%

LAB 84.86, -46.51, 77.76

 

Complementary color

CMYK 58 / 89 / 0 / 15

HEX #5B17DA

RGB 91 23 218

HSL 260.92, 0.81%, 0.47%

LAB 33.77, 68.7, -84.25

 

CMYK 27 / 0 / 86 / 9

HEX #A9E820

RGB 169 232 32

HSL 78.9, 0.81%, 0.52%

LAB 85.13, -44.81, 79.11

 

CMYK 26 / 0 / 80 / 2

HEX #BAFA33

RGB 186 250 51

HSL 79.3, 0.95%, 0.59%

LAB 91.26, -45.57, 80.52

 

CMYK 20 / 0 / 73 / 0

HEX #CBFF46

RGB 203 255 70

HSL 76.86, 1%, 0.64%

LAB 93.74, -40.55, 77.65

 

CMYK 14 / 0 / 65 / 0

HEX #DCFF59

RGB 220 255 89

HSL 72.65, 1%, 0.67%

LAB 94.93, -32.99, 72.5

 

CMYK 7 / 0 / 58 / 0

HEX #EDFF6C

RGB 237 255 108

HSL 67.35, 1%, 0.71%

LAB 96.25, -25.12, 66.64

 

CMYK 29 / 0 / 84 / 9

HEX #A4E825

RGB 164 232 37

HSL 80.92, 0.81%, 0.53%

LAB 84.86, -46.51, 77.76

 

CMYK 31 / 0 / 92 / 16

HEX #93D612

RGB 147 214 18

HSL 80.51, 0.84%, 0.45%

LAB 78.66, -45.62, 75.59

 

CMYK 34 / 0 / 100 / 23

HEX #82C400

RGB 130 196 0

HSL 80.2, 1%, 0.38%

LAB 72.38, -44.55, 72.22

 

CMYK 37 / 0 / 100 / 30

HEX #71B200

RGB 113 178 0

HSL 81.91, 1%, 0.35%

LAB 66.02, -43.18, 66.93

 

CMYK 40 / 0 / 100 / 37

HEX #60A000

RGB 96 160 0

HSL 84, 1%, 0.31%

LAB 59.55, -41.78, 61.55

 

CMYK 29 / 0 / 84 / 9

HEX #A4E825

RGB 164 232 37

HSL 80.92, 0.81%, 0.53%

LAB 84.86, -46.51, 77.76

 

CMYK 42 / 0 / 84 / 9

HEX #87E826

RGB 135 232 38

HSL 90, 0.81%, 0.53%

LAB 83.44, -56.47, 75.76

 

CMYK 56 / 0 / 84 / 9

HEX #66E826

RGB 102 232 38

HSL 100.21, 0.81%, 0.53%

LAB 82.21, -65.99, 74.19

 

CMYK 70 / 0 / 84 / 9

HEX #46E826

RGB 70 232 38

HSL 110.1, 0.81%, 0.53%

LAB 81.38, -72.87, 73.14

 

CMYK 84 / 0 / 84 / 9

HEX #26E826

RGB 38 232 38

HSL 120, 0.81%, 0.53%

LAB 80.89, -77.16, 72.51

 

CMYK 29 / 0 / 84 / 9

HEX #A4E825

RGB 164 232 37

HSL 80.92, 0.81%, 0.53%

LAB 84.86, -46.51, 77.76

 

CMYK 29 / 0 / 86 / 89

HEX #141C04

RGB 20 28 4

HSL 80, 0.75%, 0.06%

LAB 8.89, -8.6, 11.51

 

CMYK 29 / 0 / 84 / 69

HEX #384F0D

RGB 56 79 13

HSL 80.91, 0.72%, 0.18%

LAB 30.55, -19.77, 33.5

 

CMYK 29 / 0 / 84 / 49

HEX #5C8215

RGB 92 130 21

HSL 80.92, 0.72%, 0.3%

LAB 49.85, -29.36, 49.46

 

CMYK 29 / 0 / 84 / 29

HEX #80B51D

RGB 128 181 29

HSL 80.92, 0.72%, 0.41%

LAB 67.82, -38.18, 64.04

 

CMYK 29 / 0 / 84 / 9

HEX #A4E825

RGB 164 232 37

HSL 80.92, 0.81%, 0.53%

LAB 84.86, -46.51, 77.76

 

CMYK 84 / 0 / 39 / 9

HEX #26E88D

RGB 38 232 141

HSL 151.86, 0.81%, 0.53%

LAB 81.86, -65.29, 31.76

 

CMYK 6 / 84 / 0 / 9

HEX #DB26E8

RGB 219 38 232

HSL 295.98, 0.81%, 0.53%

LAB 54.31, 85.09, -57.95

 

CMYK 29 / 0 / 84 / 9

HEX #A4E825

RGB 164 232 37

HSL 80.92, 0.81%, 0.53%

LAB 84.86, -46.51, 77.76

 

CMYK 84 / 28 / 0 / 9

HEX #26A7E8

RGB 38 167 232

HSL 200.1, 0.81%, 0.53%

LAB 64.86, -11.24, -42.06

 

CMYK 0 / 84 / 28 / 9

HEX #E826A7

RGB 232 38 167

HSL 320.1, 0.81%, 0.53%

LAB 53.31, 78.87, -21.95

 

CMYK 29 / 0 / 84 / 9

HEX #A4E825

RGB 164 232 37

HSL 80.92, 0.81%, 0.53%

LAB 84.86, -46.51, 77.76

 

CMYK 84 / 0 / 39 / 9

HEX #26E88D

RGB 38 232 141

HSL 151.86, 0.81%, 0.53%

LAB 81.86, -65.29, 31.76

 

CMYK 56 / 84 / 0 / 9

HEX #6626E8

RGB 102 38 232

HSL 259.79, 0.81%, 0.53%

LAB 37.91, 68.64, -85.38

 

CMYK 0 / 84 / 45 / 9

HEX #E82680

RGB 232 38 128

HSL 332.16, 0.81%, 0.53%

LAB 51.95, 75.02, -0.74

 

CMYK 29 / 0 / 84 / 9

HEX #A4E825

RGB 164 232 37

HSL 80.92, 0.81%, 0.53%

LAB 84.86, -46.51, 77.76

 

CMYK 84 / 0 / 14 / 9

HEX #26E8C7

RGB 38 232 199

HSL 169.79, 0.81%, 0.53%

LAB 83.05, -52.34, 3.28

 

CMYK 56 / 84 / 0 / 9

HEX #6626E8

RGB 102 38 232

HSL 259.79, 0.81%, 0.53%

LAB 37.91, 68.64, -85.38

 

CMYK 0 / 84 / 70 / 9

HEX #E82646

RGB 232 38 70

HSL 350.1, 0.81%, 0.53%

LAB 50.67, 71.28, 32.56

 

Description

Color code: RGB 164 232 37 | qconv.com Color code: RGB 164 232 37 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 232 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 232 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 84 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 84% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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