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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 225 105 it is the complementary color RGB 91 30 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 225 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 225 105 shade: RGB 169 225 100, RGB 186 243 119, RGB 203 255 138, RGB 220 255 157 and RGB 237 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 225 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 225 105 shade: RGB 164 225 105, RGB 147 207 86, RGB 130 189 67, RGB 113 171 48 and RGB 96 153 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 225 105 shade: RGB 164 225 105, RGB 197 225 105, RGB 225 221 105, RGB 225 189 105 and RGB 225 157 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 225 105 shade: RGB 164 225 105, RGB 132 225 105, RGB 105 225 111, RGB 105 225 143 and RGB 105 225 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 225 105 shade matches the following richer shades: RGB 164 225 105, RGB 164 239 91 and RGB 164 254 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 225 105 shade: RGB 164 225 105, RGB 164 211 120, RGB 165 196 134, RGB 165 182 149 and RGB 165 167 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 225 105 shade: RGB 225 221 105, RGB 197 225 105, RGB 165 225 105, RGB 133 225 105 and RGB 105 225 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 225 105 shade: RGB 123 207 41, RGB 143 218 71, RGB 164 225 105, RGB 185 232 140 and RGB 206 239 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 225 105 shade: RGB 164 225 105, RGB 105 225 189 and RGB 225 105 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 225 105 shade: RGB 164 225 105, RGB 105 165 225 and RGB 225 105 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 225 105 shade: RGB 164 225 105, RGB 105 225 189, RGB 165 105 225 and RGB 225 105 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 225 105 shade: RGB 164 225 105, RGB 105 225 225, RGB 165 105 225 and RGB 225 105 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 53 / 12

HEX #A4E169

RGB 164 225 105

HSL 90.5, 0.67%, 0.65%

LAB 83.32, -39.02, 51.92

 

Complementary color

CMYK 39 / 80 / 0 / 41

HEX #5B1E96

RGB 91 30 150

HSL 270.5, 0.67%, 0.35%

LAB 27.72, 49.8, -53.81

 

CMYK 25 / 0 / 56 / 12

HEX #A9E164

RGB 169 225 100

HSL 86.88, 0.68%, 0.64%

LAB 83.55, -37.71, 54.54

 

CMYK 23 / 0 / 51 / 5

HEX #BAF377

RGB 186 243 119

HSL 87.58, 0.84%, 0.71%

LAB 89.8, -37.79, 53.49

 

CMYK 20 / 0 / 46 / 0

HEX #CBFF8A

RGB 203 255 138

HSL 86.67, 1%, 0.77%

LAB 94.33, -35.12, 50.38

 

CMYK 14 / 0 / 38 / 0

HEX #DCFF9D

RGB 220 255 157

HSL 81.43, 1%, 0.81%

LAB 95.65, -26.82, 43.14

 

CMYK 7 / 0 / 31 / 0

HEX #EDFFB0

RGB 237 255 176

HSL 73.67, 1%, 0.85%

LAB 97.09, -18.29, 35.87

 

CMYK 27 / 0 / 53 / 12

HEX #A4E169

RGB 164 225 105

HSL 90.5, 0.67%, 0.65%

LAB 83.32, -39.02, 51.92

 

CMYK 29 / 0 / 58 / 19

HEX #93CF56

RGB 147 207 86

HSL 89.75, 0.56%, 0.57%

LAB 76.98, -38.93, 52.94

 

CMYK 31 / 0 / 65 / 26

HEX #82BD43

RGB 130 189 67

HSL 89.02, 0.48%, 0.5%

LAB 70.56, -38.76, 53.8

 

CMYK 34 / 0 / 72 / 33

HEX #71AB30

RGB 113 171 48

HSL 88.29, 0.56%, 0.43%

LAB 64.04, -38.44, 54.29

 

CMYK 37 / 0 / 81 / 40

HEX #60991D

RGB 96 153 29

HSL 87.58, 0.68%, 0.36%

LAB 57.42, -37.91, 54.07

 

CMYK 27 / 0 / 53 / 12

HEX #A4E169

RGB 164 225 105

HSL 90.5, 0.67%, 0.65%

LAB 83.32, -39.02, 51.92

 

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

CMYK 0 / 2 / 53 / 12

HEX #E1DD69

RGB 225 221 105

HSL 58, 0.67%, 0.65%

LAB 86.38, -13.65, 56.54

 

CMYK 0 / 16 / 53 / 12

HEX #E1BD69

RGB 225 189 105

HSL 42, 0.67%, 0.65%

LAB 78.12, 2.7, 46.83

 

CMYK 0 / 30 / 53 / 12

HEX #E19D69

RGB 225 157 105

HSL 26, 0.67%, 0.65%

LAB 70.27, 19.71, 37.19

 

CMYK 27 / 0 / 53 / 12

HEX #A4E169

RGB 164 225 105

HSL 90.5, 0.67%, 0.65%

LAB 83.32, -39.02, 51.92

 

CMYK 41 / 0 / 53 / 12

HEX #84E169

RGB 132 225 105

HSL 106.5, 0.67%, 0.65%

LAB 81.72, -49.67, 49.63

 

CMYK 53 / 0 / 51 / 12

HEX #69E16F

RGB 105 225 111

HSL 123, 0.67%, 0.65%

LAB 80.74, -56.49, 45.38

 

CMYK 53 / 0 / 36 / 12

HEX #69E18F

RGB 105 225 143

HSL 139, 0.67%, 0.65%

LAB 81.2, -51.57, 30.12

 

CMYK 53 / 0 / 22 / 12

HEX #69E1B0

RGB 105 225 176

HSL 155.5, 0.67%, 0.65%

LAB 81.83, -45.17, 13.85

 

CMYK 27 / 0 / 53 / 12

HEX #A4E169

RGB 164 225 105

HSL 90.5, 0.67%, 0.65%

LAB 83.32, -39.02, 51.92

 

CMYK 31 / 0 / 62 / 6

HEX #A4EF5B

RGB 164 239 91

HSL 90.41, 0.82%, 0.65%

LAB 87.18, -46.4, 62.44

 

CMYK 35 / 0 / 70 / 0

HEX #A4FE4D

RGB 164 254 77

HSL 90.51, 0.99%, 0.65%

LAB 91.38, -53.65, 72.23

 

CMYK 27 / 0 / 53 / 12

HEX #A4E169

RGB 164 225 105

HSL 90.5, 0.67%, 0.65%

LAB 83.32, -39.02, 51.92

 

CMYK 22 / 0 / 43 / 17

HEX #A4D378

RGB 164 211 120

HSL 90.99, 0.51%, 0.65%

LAB 79.52, -30.91, 40.08

 

CMYK 16 / 0 / 32 / 23

HEX #A5C486

RGB 165 196 134

HSL 90, 0.34%, 0.65%

LAB 75.58, -21.41, 27.8

 

CMYK 9 / 0 / 18 / 29

HEX #A5B695

RGB 165 182 149

HSL 90.91, 0.18%, 0.65%

LAB 71.98, -11.94, 14.85

 

CMYK 1 / 0 / 2 / 35

HEX #A5A7A3

RGB 165 167 163

HSL 90, 0.02%, 0.65%

LAB 68.23, -1.46, 1.81

 

CMYK 0 / 2 / 53 / 12

HEX #E1DD69

RGB 225 221 105

HSL 58, 0.67%, 0.65%

LAB 86.38, -13.65, 56.54

 

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

CMYK 27 / 0 / 53 / 12

HEX #A5E169

RGB 165 225 105

HSL 90, 0.67%, 0.65%

LAB 83.37, -38.66, 52

 

CMYK 41 / 0 / 53 / 12

HEX #85E169

RGB 133 225 105

HSL 106, 0.67%, 0.65%

LAB 81.76, -49.37, 49.69

 

CMYK 53 / 0 / 52 / 12

HEX #69E16D

RGB 105 225 109

HSL 122, 0.67%, 0.65%

LAB 80.72, -56.76, 46.3

 

CMYK 41 / 0 / 80 / 19

HEX #7BCF29

RGB 123 207 41

HSL 90.36, 0.67%, 0.49%

LAB 75.45, -50.44, 67.65

 

CMYK 34 / 0 / 67 / 15

HEX #8FDA47

RGB 143 218 71

HSL 90.61, 0.67%, 0.57%

LAB 79.86, -46.36, 62.27

 

CMYK 27 / 0 / 53 / 12

HEX #A4E169

RGB 164 225 105

HSL 90.5, 0.67%, 0.65%

LAB 83.32, -39.02, 51.92

 

CMYK 20 / 0 / 40 / 9

HEX #B9E88C

RGB 185 232 140

HSL 90.65, 0.67%, 0.73%

LAB 86.96, -30.7, 39.88

 

CMYK 14 / 0 / 27 / 6

HEX #CEEFAE

RGB 206 239 174

HSL 90.46, 0.67%, 0.81%

LAB 90.74, -21.93, 27.99

 

CMYK 27 / 0 / 53 / 12

HEX #A4E169

RGB 164 225 105

HSL 90.5, 0.67%, 0.65%

LAB 83.32, -39.02, 51.92

 

CMYK 53 / 0 / 16 / 12

HEX #69E1BD

RGB 105 225 189

HSL 162, 0.67%, 0.65%

LAB 82.12, -42.3, 7.41

 

CMYK 0 / 53 / 5 / 12

HEX #E169D5

RGB 225 105 213

HSL 306, 0.67%, 0.65%

LAB 62.44, 60.4, -34.35

 

CMYK 27 / 0 / 53 / 12

HEX #A4E169

RGB 164 225 105

HSL 90.5, 0.67%, 0.65%

LAB 83.32, -39.02, 51.92

 

CMYK 53 / 27 / 0 / 12

HEX #69A5E1

RGB 105 165 225

HSL 210, 0.67%, 0.65%

LAB 66.02, -2.57, -36.25

 

CMYK 0 / 53 / 27 / 12

HEX #E169A5

RGB 225 105 165

HSL 330, 0.67%, 0.65%

LAB 60.63, 53.23, -9.8

 

CMYK 27 / 0 / 53 / 12

HEX #A4E169

RGB 164 225 105

HSL 90.5, 0.67%, 0.65%

LAB 83.32, -39.02, 51.92

 

CMYK 53 / 0 / 16 / 12

HEX #69E1BD

RGB 105 225 189

HSL 162, 0.67%, 0.65%

LAB 82.12, -42.3, 7.41

 

CMYK 27 / 53 / 0 / 12

HEX #A569E1

RGB 165 105 225

HSL 270, 0.67%, 0.65%

LAB 55.62, 46.77, -52.34

 

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

CMYK 27 / 0 / 53 / 12

HEX #A4E169

RGB 164 225 105

HSL 90.5, 0.67%, 0.65%

LAB 83.32, -39.02, 51.92

 

CMYK 53 / 0 / 0 / 12

HEX #69E1E1

RGB 105 225 225

HSL 180, 0.67%, 0.65%

LAB 83.07, -33.48, -10.28

 

CMYK 27 / 53 / 0 / 12

HEX #A569E1

RGB 165 105 225

HSL 270, 0.67%, 0.65%

LAB 55.62, 46.77, -52.34

 

CMYK 0 / 53 / 53 / 12

HEX #E16969

RGB 225 105 105

HSL 0, 0.67%, 0.65%

LAB 59.1, 46.75, 22.71

 

Description

Color code: RGB 164 225 105 | qconv.com Color code: RGB 164 225 105 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 225 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 225 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 53 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 53% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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