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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E169 it is the complementary color #3A1E96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E169 shade: #CAE164, #DBF377, #ECFF8A, #FDFF9D and #FFFFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E169 shade: #C5E169, #B4CF56, #A3BD43, #92AB30 and #81991D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E169 shade: #C5E169, #E1DD69, #E1BC69, #E19C69 and #E17C69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E169 shade: #C5E169, #A5E169, #85E169, #69E16F and #69E18F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E169 shade matches the following richer shades: #C5E169, #CDEF5B and #D5FE4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E169 shade: #C5E169, #BDD378, #B6C486, #AEB695 and #A6A7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E169 shade: #E1BD69, #E1DD69, #C5E169, #A5E169 and #85E169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E169 shade: #A8CF29, #B8DA47, #C5E169, #D2E88C and #E0EFAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E169 shade: #C5E169, #69E19D and #CD69E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E169 shade: #C5E169, #69C5E1 and #E169C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E169 shade: #C5E169, #69E19D, #8569E1 and #E169AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E169 shade: #C5E169, #69E1C1, #8569E1 and #E16989

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

Complementary color

CMYK 61 / 80 / 0 / 41

HEX #3A1E96

RGB 58 30 150

HSL 254, 0.67%, 0.35%

LAB 23.77, 45.06, -60.44

 

CMYK 10 / 0 / 56 / 12

HEX #CAE164

RGB 202 225 100

HSL 71.04, 0.68%, 0.64%

LAB 85.67, -25.18, 57.53

 

CMYK 10 / 0 / 51 / 5

HEX #DBF377

RGB 219 243 119

HSL 71.61, 0.84%, 0.71%

LAB 91.91, -25.51, 56.51

 

CMYK 7 / 0 / 46 / 0

HEX #ECFF8A

RGB 236 255 138

HSL 69.74, 1%, 0.77%

LAB 96.49, -22.95, 53.51

 

CMYK 1 / 0 / 38 / 0

HEX #FDFF9D

RGB 253 255 157

HSL 61.22, 1%, 0.81%

LAB 97.97, -14.57, 46.58

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

CMYK 13 / 0 / 58 / 19

HEX #B4CF56

RGB 180 207 86

HSL 73.39, 0.56%, 0.57%

LAB 79.04, -26.38, 55.83

 

CMYK 14 / 0 / 65 / 26

HEX #A3BD43

RGB 163 189 67

HSL 72.79, 0.48%, 0.5%

LAB 72.62, -25.95, 56.62

 

CMYK 15 / 0 / 72 / 33

HEX #92AB30

RGB 146 171 48

HSL 72.2, 0.56%, 0.43%

LAB 66.1, -25.39, 57.03

 

CMYK 16 / 0 / 81 / 40

HEX #81991D

RGB 129 153 29

HSL 71.61, 0.68%, 0.36%

LAB 59.47, -24.64, 56.69

 

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

CMYK 0 / 2 / 53 / 12

HEX #E1DD69

RGB 225 221 105

HSL 58, 0.67%, 0.65%

LAB 86.38, -13.65, 56.54

 

CMYK 0 / 16 / 53 / 12

HEX #E1BC69

RGB 225 188 105

HSL 41.5, 0.67%, 0.65%

LAB 77.87, 3.23, 46.52

 

CMYK 0 / 31 / 53 / 12

HEX #E19C69

RGB 225 156 105

HSL 25.5, 0.67%, 0.65%

LAB 70.04, 20.25, 36.89

 

CMYK 0 / 45 / 53 / 12

HEX #E17C69

RGB 225 124 105

HSL 9.5, 0.67%, 0.65%

LAB 62.88, 37.2, 27.71

 

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

CMYK 27 / 0 / 53 / 12

HEX #A5E169

RGB 165 225 105

HSL 90, 0.67%, 0.65%

LAB 83.37, -38.66, 52

 

CMYK 41 / 0 / 53 / 12

HEX #85E169

RGB 133 225 105

HSL 106, 0.67%, 0.65%

LAB 81.76, -49.37, 49.69

 

CMYK 53 / 0 / 51 / 12

HEX #69E16F

RGB 105 225 111

HSL 123, 0.67%, 0.65%

LAB 80.74, -56.49, 45.38

 

CMYK 53 / 0 / 36 / 12

HEX #69E18F

RGB 105 225 143

HSL 139, 0.67%, 0.65%

LAB 81.2, -51.57, 30.12

 

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

CMYK 14 / 0 / 62 / 6

HEX #CDEF5B

RGB 205 239 91

HSL 73.78, 0.82%, 0.65%

LAB 89.61, -31.29, 65.79

 

CMYK 16 / 0 / 70 / 0

HEX #D5FE4D

RGB 213 254 77

HSL 73.9, 0.99%, 0.65%

LAB 94.13, -35.93, 75.9

 

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

CMYK 10 / 0 / 43 / 17

HEX #BDD378

RGB 189 211 120

HSL 74.51, 0.51%, 0.65%

LAB 81.16, -21.54, 42.49

 

CMYK 7 / 0 / 32 / 23

HEX #B6C486

RGB 182 196 134

HSL 73.55, 0.34%, 0.65%

LAB 76.77, -15.03, 29.6

 

CMYK 4 / 0 / 18 / 29

HEX #AEB695

RGB 174 182 149

HSL 74.55, 0.18%, 0.65%

LAB 72.64, -8.62, 15.88

 

CMYK 1 / 0 / 2 / 35

HEX #A6A7A3

RGB 166 167 163

HSL 75, 0.02%, 0.65%

LAB 68.31, -1.11, 1.93

 

CMYK 0 / 16 / 53 / 12

HEX #E1BD69

RGB 225 189 105

HSL 42, 0.67%, 0.65%

LAB 78.12, 2.7, 46.83

 

CMYK 0 / 2 / 53 / 12

HEX #E1DD69

RGB 225 221 105

HSL 58, 0.67%, 0.65%

LAB 86.38, -13.65, 56.54

 

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

CMYK 27 / 0 / 53 / 12

HEX #A5E169

RGB 165 225 105

HSL 90, 0.67%, 0.65%

LAB 83.37, -38.66, 52

 

CMYK 41 / 0 / 53 / 12

HEX #85E169

RGB 133 225 105

HSL 106, 0.67%, 0.65%

LAB 81.76, -49.37, 49.69

 

CMYK 19 / 0 / 80 / 19

HEX #A8CF29

RGB 168 207 41

HSL 74.1, 0.67%, 0.49%

LAB 77.94, -33.81, 70.83

 

CMYK 16 / 0 / 67 / 15

HEX #B8DA47

RGB 184 218 71

HSL 73.88, 0.67%, 0.57%

LAB 82.26, -31.06, 65.51

 

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

CMYK 9 / 0 / 40 / 9

HEX #D2E88C

RGB 210 232 140

HSL 74.35, 0.67%, 0.73%

LAB 88.59, -21.52, 42.31

 

CMYK 6 / 0 / 27 / 6

HEX #E0EFAE

RGB 224 239 174

HSL 73.85, 0.67%, 0.81%

LAB 91.97, -15.48, 29.86

 

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

CMYK 53 / 0 / 30 / 12

HEX #69E19D

RGB 105 225 157

HSL 146, 0.67%, 0.65%

LAB 81.45, -49.02, 23.25

 

CMYK 9 / 53 / 0 / 12

HEX #CD69E1

RGB 205 105 225

HSL 290, 0.67%, 0.65%

LAB 60.35, 57.15, -44.54

 

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

CMYK 53 / 12 / 0 / 12

HEX #69C5E1

RGB 105 197 225

HSL 194, 0.67%, 0.65%

LAB 75.06, -19.74, -22.33

 

CMYK 0 / 53 / 12 / 12

HEX #E169C5

RGB 225 105 197

HSL 314, 0.67%, 0.65%

LAB 61.78, 57.83, -26.34

 

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

CMYK 53 / 0 / 30 / 12

HEX #69E19D

RGB 105 225 157

HSL 146, 0.67%, 0.65%

LAB 81.45, -49.02, 23.25

 

CMYK 41 / 53 / 0 / 12

HEX #8569E1

RGB 133 105 225

HSL 254, 0.67%, 0.65%

LAB 52.43, 38.99, -57.63

 

CMYK 0 / 53 / 23 / 12

HEX #E169AD

RGB 225 105 173

HSL 326, 0.67%, 0.65%

LAB 60.89, 54.31, -14

 

CMYK 12 / 0 / 53 / 12

HEX #C5E169

RGB 197 225 105

HSL 74, 0.67%, 0.65%

LAB 85.37, -26.7, 54.85

 

CMYK 53 / 0 / 14 / 12

HEX #69E1C1

RGB 105 225 193

HSL 164, 0.67%, 0.65%

LAB 82.22, -41.39, 5.43

 

CMYK 41 / 53 / 0 / 12

HEX #8569E1

RGB 133 105 225

HSL 254, 0.67%, 0.65%

LAB 52.43, 38.99, -57.63

 

CMYK 0 / 53 / 39 / 12

HEX #E16989

RGB 225 105 137

HSL 344, 0.67%, 0.65%

LAB 59.81, 49.83, 5.2

 

Description

Color code: HEX #C5E169 | qconv.com Color code: HEX #C5E169 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 225 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 225 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 53 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 53% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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