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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 215 188 it is the complementary color RGB 91 40 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 215 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 164 215 188: RGB 169 215 183, RGB 186 233 202, RGB 203 251 221, RGB 220 255 240 and RGB 237 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 215 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 164 215 188: RGB 164 215 188, RGB 147 197 169, RGB 130 179 150, RGB 113 161 131 and RGB 96 143 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 13 / 16

HEX #A4D7BC

RGB 164 215 188

HSL 148.24, 0.39%, 0.74%

LAB 81.91, -21.94, 7.98

 

Complementary color

CMYK 0 / 56 / 26 / 64

HEX #5B2843

RGB 91 40 67

HSL 328.24, 0.39%, 0.26%

LAB 24.15, 26.97, -5.98

 

CMYK 21 / 0 / 15 / 16

HEX #A9D7B7

RGB 169 215 183

HSL 138.26, 0.37%, 0.75%

LAB 82.08, -21.29, 10.92

 

CMYK 20 / 0 / 13 / 9

HEX #BAE9CA

RGB 186 233 202

HSL 140.43, 0.52%, 0.82%

LAB 88.44, -21.13, 10.13

 

CMYK 19 / 0 / 12 / 2

HEX #CBFBDD

RGB 203 251 221

HSL 142.5, 0.86%, 0.89%

LAB 94.7, -20.99, 9.36

 

CMYK 14 / 0 / 6 / 0

HEX #DCFFF0

RGB 220 255 240

HSL 154.29, 1%, 0.93%

LAB 97.24, -14.05, 3.38

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 24 / 0 / 13 / 16

HEX #A4D7BC

RGB 164 215 188

HSL 148.24, 0.39%, 0.74%

LAB 81.91, -21.94, 7.98

 

CMYK 25 / 0 / 14 / 23

HEX #93C5A9

RGB 147 197 169

HSL 146.4, 0.3%, 0.67%

LAB 75.45, -22.13, 8.78

 

CMYK 27 / 0 / 16 / 30

HEX #82B396

RGB 130 179 150

HSL 144.49, 0.24%, 0.61%

LAB 68.89, -22.35, 9.62

 

CMYK 30 / 0 / 19 / 37

HEX #71A183

RGB 113 161 131

HSL 142.5, 0.2%, 0.54%

LAB 62.2, -22.58, 10.53

 

CMYK 33 / 0 / 22 / 44

HEX #608F70

RGB 96 143 112

HSL 140.43, 0.2%, 0.47%

LAB 55.38, -22.85, 11.5

 

CMYK 24 / 0 / 13 / 16

HEX #A4D7BC

RGB 164 215 188

HSL 148.24, 0.39%, 0.74%

LAB 81.91, -21.94, 7.98

 

CMYK 24 / 0 / 9 / 16

HEX #A2D6C3

RGB 162 214 195

HSL 158.08, 0.39%, 0.74%

LAB 81.68, -20.68, 3.92

 

CMYK 24 / 0 / 5 / 16

HEX #A2D6CC

RGB 162 214 204

HSL 168.46, 0.39%, 0.74%

LAB 81.91, -18.82, -0.54

 

CMYK 24 / 0 / 1 / 16

HEX #A2D6D4

RGB 162 214 212

HSL 177.69, 0.39%, 0.74%

LAB 82.12, -17.1, -4.49

 

CMYK 24 / 3 / 0 / 16

HEX #A2CFD6

RGB 162 207 214

HSL 188.08, 0.39%, 0.74%

LAB 80.27, -13.09, -8.3

 

CMYK 24 / 0 / 13 / 16

HEX #A4D7BC

RGB 164 215 188

HSL 148.24, 0.39%, 0.74%

LAB 81.91, -21.94, 7.98

 

CMYK 27 / 0 / 9 / 96

HEX #080B0A

RGB 8 11 10

HSL 160, 0.16%, 0.04%

LAB 2.83, -0.93, 0.11

 

CMYK 24 / 0 / 13 / 76

HEX #2F3E36

RGB 47 62 54

HSL 148, 0.14%, 0.21%

LAB 24.69, -8.08, 2.93

 

CMYK 24 / 0 / 12 / 56

HEX #567163

RGB 86 113 99

HSL 148.89, 0.14%, 0.39%

LAB 45.21, -13.02, 4.56

 

CMYK 24 / 0 / 13 / 36

HEX #7DA48F

RGB 125 164 143

HSL 147.69, 0.18%, 0.57%

LAB 64.08, -17.73, 6.59

 

CMYK 24 / 0 / 13 / 16

HEX #A4D7BC

RGB 164 215 188

HSL 148.24, 0.39%, 0.74%

LAB 81.91, -21.94, 7.98

 

CMYK 24 / 16 / 0 / 16

HEX #A2B4D6

RGB 162 180 214

HSL 219.23, 0.39%, 0.74%

LAB 73.01, 1.24, -19.19

 

CMYK 0 / 22 / 24 / 16

HEX #D6A6A2

RGB 214 166 162

HSL 4.62, 0.39%, 0.74%

LAB 72.35, 17.06, 8.86

 

CMYK 24 / 0 / 13 / 16

HEX #A4D7BC

RGB 164 215 188

HSL 148.24, 0.39%, 0.74%

LAB 81.91, -21.94, 7.98

 

CMYK 13 / 24 / 0 / 16

HEX #BAA2D6

RGB 186 162 214

HSL 267.69, 0.39%, 0.74%

LAB 70.27, 18.73, -23.19

 

CMYK 0 / 13 / 24 / 16

HEX #D6BAA2

RGB 214 186 162

HSL 27.69, 0.39%, 0.74%

LAB 77.29, 6.31, 15.85

 

CMYK 24 / 0 / 13 / 16

HEX #A4D7BC

RGB 164 215 188

HSL 148.24, 0.39%, 0.74%

LAB 81.91, -21.94, 7.98

 

CMYK 24 / 16 / 0 / 16

HEX #A2B4D6

RGB 162 180 214

HSL 219.23, 0.39%, 0.74%

LAB 73.01, 1.24, -19.19

 

CMYK 0 / 24 / 11 / 16

HEX #D6A2BE

RGB 214 162 190

HSL 327.69, 0.39%, 0.74%

LAB 72.13, 23.61, -6.89

 

CMYK 0 / 8 / 24 / 16

HEX #D6C5A2

RGB 214 197 162

HSL 40.38, 0.39%, 0.74%

LAB 80.09, 0.5, 19.74

 

CMYK 24 / 0 / 13 / 16

HEX #A4D7BC

RGB 164 215 188

HSL 148.24, 0.39%, 0.74%

LAB 81.91, -21.94, 7.98

 

CMYK 24 / 23 / 0 / 16

HEX #A2A4D6

RGB 162 164 214

HSL 237.69, 0.39%, 0.74%

LAB 68.81, 10.09, -25.59

 

CMYK 0 / 24 / 11 / 16

HEX #D6A2BE

RGB 214 162 190

HSL 327.69, 0.39%, 0.74%

LAB 72.13, 23.61, -6.89

 

CMYK 0 / 1 / 24 / 16

HEX #D6D4A2

RGB 214 212 162

HSL 57.69, 0.39%, 0.74%

LAB 83.96, -7.27, 25.06

 

Description

Color code: RGB 164 215 188 | qconv.com Color code: RGB 164 215 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 215 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 215 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 13 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 13% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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