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Color name
RGB 164 171 105

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 171 105 it is the complementary color RGB 91 84 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 171 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 171 105 shade: RGB 169 171 100, RGB 186 189 119, RGB 203 207 138, RGB 220 225 157 and RGB 237 243 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 171 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 171 105 shade: RGB 164 171 105, RGB 147 153 86, RGB 130 135 67, RGB 113 117 48 and RGB 96 99 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 171 105 shade: RGB 164 171 105, RGB 171 160 105, RGB 171 142 105, RGB 171 124 105 and RGB 171 107 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 171 105 shade: RGB 164 171 105, RGB 146 171 105, RGB 128 171 105, RGB 110 171 105 and RGB 105 171 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 171 105 shade matches the following richer shades: RGB 164 171 105, RGB 179 190 86, RGB 193 209 67, RGB 208 227 48 and RGB 223 246 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 171 105 shade: RGB 164 171 105, RGB 149 152 124, RGB 134 133 143, RGB 119 114 162 and RGB 104 95 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 171 105 shade: RGB 171 142 105, RGB 171 160 105, RGB 164 171 105, RGB 146 171 105 and RGB 129 171 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 171 105 shade: RGB 118 123 69, RGB 143 150 84, RGB 164 171 105, RGB 180 185 131 and RGB 196 200 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 171 105 shade: RGB 164 171 105, RGB 105 171 125 and RGB 151 105 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 171 105 shade: RGB 164 171 105, RGB 105 164 171 and RGB 171 105 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 171 105 shade: RGB 164 171 105, RGB 105 171 125, RGB 111 105 171 and RGB 171 105 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 171 105 shade: RGB 164 171 105, RGB 105 171 144, RGB 111 105 171 and RGB 171 105 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 39 / 33

HEX #A4AB69

RGB 164 171 105

HSL 66.36, 0.28%, 0.54%

LAB 68.05, -12.92, 33.15

 

Complementary color

CMYK 39 / 44 / 0 / 41

HEX #5B5496

RGB 91 84 150

HSL 246.36, 0.28%, 0.46%

LAB 39.18, 19.68, -35.35

 

CMYK 1 / 0 / 42 / 33

HEX #A9AB64

RGB 169 171 100

HSL 61.69, 0.3%, 0.53%

LAB 68.37, -11.46, 36.25

 

CMYK 2 / 0 / 37 / 26

HEX #BABD77

RGB 186 189 119

HSL 62.57, 0.35%, 0.6%

LAB 74.93, -11.78, 35.05

 

CMYK 2 / 0 / 33 / 19

HEX #CBCF8A

RGB 203 207 138

HSL 63.48, 0.42%, 0.68%

LAB 81.38, -12.03, 33.89

 

CMYK 2 / 0 / 30 / 12

HEX #DCE19D

RGB 220 225 157

HSL 64.41, 0.53%, 0.75%

LAB 87.73, -12.25, 32.79

 

CMYK 2 / 0 / 28 / 5

HEX #EDF3B0

RGB 237 243 176

HSL 65.37, 0.74%, 0.82%

LAB 93.99, -12.43, 31.73

 

CMYK 4 / 0 / 39 / 33

HEX #A4AB69

RGB 164 171 105

HSL 66.36, 0.28%, 0.54%

LAB 68.05, -12.92, 33.15

 

CMYK 4 / 0 / 44 / 40

HEX #939956

RGB 147 153 86

HSL 65.37, 0.28%, 0.47%

LAB 61.36, -12.64, 34.38

 

CMYK 4 / 0 / 50 / 47

HEX #828743

RGB 130 135 67

HSL 64.41, 0.34%, 0.4%

LAB 54.53, -12.26, 35.62

 

CMYK 3 / 0 / 59 / 54

HEX #717530

RGB 113 117 48

HSL 63.48, 0.42%, 0.32%

LAB 47.56, -11.76, 36.79

 

CMYK 3 / 0 / 71 / 61

HEX #60631D

RGB 96 99 29

HSL 62.57, 0.55%, 0.25%

LAB 40.41, -11.04, 37.66

 

CMYK 4 / 0 / 39 / 33

HEX #A4AB69

RGB 164 171 105

HSL 66.36, 0.28%, 0.54%

LAB 68.05, -12.92, 33.15

 

CMYK 0 / 6 / 39 / 33

HEX #ABA069

RGB 171 160 105

HSL 50, 0.28%, 0.54%

LAB 65.61, -4.23, 30.12

 

CMYK 0 / 17 / 39 / 33

HEX #AB8E69

RGB 171 142 105

HSL 33.64, 0.28%, 0.54%

LAB 60.8, 5.63, 23.81

 

CMYK 0 / 27 / 39 / 33

HEX #AB7C69

RGB 171 124 105

HSL 17.27, 0.28%, 0.54%

LAB 56.18, 15.73, 17.57

 

CMYK 0 / 37 / 39 / 33

HEX #AB6B69

RGB 171 107 105

HSL 1.82, 0.28%, 0.54%

LAB 52.05, 25.31, 11.87

 

CMYK 4 / 0 / 39 / 33

HEX #A4AB69

RGB 164 171 105

HSL 66.36, 0.28%, 0.54%

LAB 68.05, -12.92, 33.15

 

CMYK 15 / 0 / 39 / 33

HEX #92AB69

RGB 146 171 105

HSL 82.73, 0.28%, 0.54%

LAB 66.72, -20.05, 31.17

 

CMYK 25 / 0 / 39 / 33

HEX #80AB69

RGB 128 171 105

HSL 99.09, 0.28%, 0.54%

LAB 65.54, -26.84, 29.42

 

CMYK 36 / 0 / 39 / 33

HEX #6EAB69

RGB 110 171 105

HSL 115.45, 0.28%, 0.54%

LAB 64.53, -33.11, 27.91

 

CMYK 39 / 0 / 32 / 33

HEX #69AB75

RGB 105 171 117

HSL 130.91, 0.28%, 0.54%

LAB 64.49, -32.7, 21.36

 

CMYK 4 / 0 / 39 / 33

HEX #A4AB69

RGB 164 171 105

HSL 66.36, 0.28%, 0.54%

LAB 68.05, -12.92, 33.15

 

CMYK 6 / 0 / 55 / 25

HEX #B3BE56

RGB 179 190 86

HSL 66.35, 0.44%, 0.54%

LAB 74.24, -18.44, 50.37

 

CMYK 8 / 0 / 68 / 18

HEX #C1D143

RGB 193 209 67

HSL 66.76, 0.61%, 0.54%

LAB 80.37, -23.39, 65.3

 

CMYK 8 / 0 / 79 / 11

HEX #D0E330

RGB 208 227 48

HSL 66.37, 0.76%, 0.54%

LAB 86.29, -26.74, 77.41

 

CMYK 9 / 0 / 88 / 4

HEX #DFF61D

RGB 223 246 29

HSL 66.36, 0.92%, 0.54%

LAB 92.44, -30.05, 87.04

 

CMYK 4 / 0 / 39 / 33

HEX #A4AB69

RGB 164 171 105

HSL 66.36, 0.28%, 0.54%

LAB 68.05, -12.92, 33.15

 

CMYK 2 / 0 / 18 / 40

HEX #95987C

RGB 149 152 124

HSL 66.43, 0.12%, 0.54%

LAB 61.91, -6.09, 14.4

 

CMYK 6 / 7 / 0 / 44

HEX #86858F

RGB 134 133 143

HSL 246, 0.04%, 0.54%

LAB 55.91, 2.4, -5.23

 

CMYK 27 / 30 / 0 / 36

HEX #7772A2

RGB 119 114 162

HSL 246.25, 0.21%, 0.54%

LAB 50.17, 12.88, -25.1

 

CMYK 43 / 48 / 0 / 29

HEX #685FB5

RGB 104 95 181

HSL 246.28, 0.37%, 0.54%

LAB 44.89, 25.42, -44.6

 

CMYK 0 / 17 / 39 / 33

HEX #AB8E69

RGB 171 142 105

HSL 33.64, 0.28%, 0.54%

LAB 60.8, 5.63, 23.81

 

CMYK 0 / 6 / 39 / 33

HEX #ABA069

RGB 171 160 105

HSL 50, 0.28%, 0.54%

LAB 65.61, -4.23, 30.12

 

CMYK 4 / 0 / 39 / 33

HEX #A4AB69

RGB 164 171 105

HSL 66.36, 0.28%, 0.54%

LAB 68.05, -12.92, 33.15

 

CMYK 15 / 0 / 39 / 33

HEX #92AB69

RGB 146 171 105

HSL 82.73, 0.28%, 0.54%

LAB 66.72, -20.05, 31.17

 

CMYK 25 / 0 / 39 / 33

HEX #81AB69

RGB 129 171 105

HSL 98.18, 0.28%, 0.54%

LAB 65.6, -26.47, 29.51

 

CMYK 4 / 0 / 44 / 52

HEX #767B45

RGB 118 123 69

HSL 65.56, 0.28%, 0.38%

LAB 50.03, -10.71, 28.82

 

CMYK 5 / 0 / 44 / 41

HEX #8F9654

RGB 143 150 84

HSL 66.36, 0.28%, 0.46%

LAB 60.15, -12.94, 33.85

 

CMYK 4 / 0 / 39 / 33

HEX #A4AB69

RGB 164 171 105

HSL 66.36, 0.28%, 0.54%

LAB 68.05, -12.92, 33.15

 

CMYK 3 / 0 / 29 / 27

HEX #B4B983

RGB 180 185 131

HSL 65.56, 0.28%, 0.62%

LAB 73.57, -10.55, 26.89

 

CMYK 2 / 0 / 21 / 22

HEX #C4C89E

RGB 196 200 158

HSL 65.71, 0.28%, 0.7%

LAB 79.34, -8.41, 20.6

 

CMYK 4 / 0 / 39 / 33

HEX #A4AB69

RGB 164 171 105

HSL 66.36, 0.28%, 0.54%

LAB 68.05, -12.92, 33.15

 

CMYK 39 / 0 / 27 / 33

HEX #69AB7D

RGB 105 171 125

HSL 138.18, 0.28%, 0.54%

LAB 64.65, -31.21, 17.21

 

CMYK 12 / 39 / 0 / 33

HEX #9769AB

RGB 151 105 171

HSL 281.82, 0.28%, 0.54%

LAB 51.41, 30.51, -28.19

 

CMYK 4 / 0 / 39 / 33

HEX #A4AB69

RGB 164 171 105

HSL 66.36, 0.28%, 0.54%

LAB 68.05, -12.92, 33.15

 

CMYK 39 / 4 / 0 / 33

HEX #69A4AB

RGB 105 164 171

HSL 186.36, 0.28%, 0.54%

LAB 63.75, -17.3, -9.7

 

CMYK 0 / 39 / 4 / 33

HEX #AB69A4

RGB 171 105 164

HSL 306.36, 0.28%, 0.54%

LAB 53.43, 35.58, -20.8

 

CMYK 4 / 0 / 39 / 33

HEX #A4AB69

RGB 164 171 105

HSL 66.36, 0.28%, 0.54%

LAB 68.05, -12.92, 33.15

 

CMYK 39 / 0 / 27 / 33

HEX #69AB7D

RGB 105 171 125

HSL 138.18, 0.28%, 0.54%

LAB 64.65, -31.21, 17.21

 

CMYK 35 / 39 / 0 / 33

HEX #6F69AB

RGB 111 105 171

HSL 245.45, 0.28%, 0.54%

LAB 47.52, 18.32, -34.54

 

CMYK 0 / 39 / 12 / 33

HEX #AB6997

RGB 171 105 151

HSL 318.18, 0.28%, 0.54%

LAB 52.94, 33.25, -13.94

 

CMYK 4 / 0 / 39 / 33

HEX #A4AB69

RGB 164 171 105

HSL 66.36, 0.28%, 0.54%

LAB 68.05, -12.92, 33.15

 

CMYK 39 / 0 / 16 / 33

HEX #69AB90

RGB 105 171 144

HSL 155.45, 0.28%, 0.54%

LAB 65.08, -27.31, 7.32

 

CMYK 35 / 39 / 0 / 33

HEX #6F69AB

RGB 111 105 171

HSL 245.45, 0.28%, 0.54%

LAB 47.52, 18.32, -34.54

 

CMYK 0 / 39 / 23 / 33

HEX #AB6983

RGB 171 105 131

HSL 336.36, 0.28%, 0.54%

LAB 52.29, 30, -3.15

 

Description

Color code: RGB 164 171 105 | qconv.com Color code: RGB 164 171 105 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 171 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 171 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 39 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 39% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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