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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 25 / 0 / 39 / 33 it is the complementary color CMYK 16 / 44 / 0 / 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 25 / 0 / 39 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 25 / 0 / 39 / 33: CMYK 22 / 0 / 42 / 33, CMYK 21 / 0 / 38 / 26, CMYK 19 / 0 / 34 / 19, CMYK 18 / 0 / 31 / 12 and CMYK 17 / 0 / 28 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 25 / 0 / 39 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 25 / 0 / 39 / 33: CMYK 25 / 0 / 39 / 33, CMYK 27 / 0 / 44 / 40, CMYK 30 / 0 / 51 / 47, CMYK 34 / 0 / 60 / 54 and CMYK 39 / 0 / 72 / 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 39 / 33

HEX #80AB68

RGB 128 171 104

HSL 98.51, 0.29%, 0.54%

LAB 65.53, -26.98, 29.93

 

Complementary color

CMYK 16 / 44 / 0 / 41

HEX #7F5497

RGB 127 84 151

HSL 278.51, 0.29%, 0.46%

LAB 42.89, 30.64, -29.86

 

CMYK 22 / 0 / 42 / 33

HEX #85AB63

RGB 133 171 99

HSL 91.67, 0.3%, 0.53%

LAB 65.76, -25.82, 32.92

 

CMYK 21 / 0 / 38 / 26

HEX #96BD76

RGB 150 189 118

HSL 92.96, 0.35%, 0.6%

LAB 72.35, -25.74, 31.73

 

CMYK 19 / 0 / 34 / 19

HEX #A7CF89

RGB 167 207 137

HSL 94.29, 0.42%, 0.67%

LAB 78.84, -25.65, 30.6

 

CMYK 18 / 0 / 31 / 12

HEX #B8E19C

RGB 184 225 156

HSL 95.65, 0.53%, 0.75%

LAB 85.22, -25.55, 29.51

 

CMYK 17 / 0 / 28 / 5

HEX #C9F3AF

RGB 201 243 175

HSL 97.06, 0.74%, 0.82%

LAB 91.51, -25.45, 28.48

 

CMYK 25 / 0 / 39 / 33

HEX #80AB68

RGB 128 171 104

HSL 98.51, 0.29%, 0.54%

LAB 65.53, -26.98, 29.93

 

CMYK 27 / 0 / 44 / 40

HEX #6F9955

RGB 111 153 85

HSL 97.06, 0.29%, 0.47%

LAB 58.81, -27.11, 31.16

 

CMYK 30 / 0 / 51 / 47

HEX #5E8742

RGB 94 135 66

HSL 95.65, 0.34%, 0.39%

LAB 51.95, -27.19, 32.42

 

CMYK 34 / 0 / 60 / 54

HEX #4D752F

RGB 77 117 47

HSL 94.29, 0.43%, 0.32%

LAB 44.95, -27.18, 33.63

 

CMYK 39 / 0 / 72 / 61

HEX #3C631C

RGB 60 99 28

HSL 92.96, 0.56%, 0.25%

LAB 37.79, -27, 34.57

 

CMYK 25 / 0 / 39 / 33

HEX #80AB68

RGB 128 171 104

HSL 98.51, 0.29%, 0.54%

LAB 65.53, -26.98, 29.93

 

CMYK 32 / 0 / 40 / 33

HEX #75AB67

RGB 117 171 103

HSL 107.65, 0.29%, 0.54%

LAB 64.87, -31.04, 29.49

 

CMYK 39 / 0 / 40 / 33

HEX #69AB67

RGB 105 171 103

HSL 118.24, 0.29%, 0.54%

LAB 64.25, -35.06, 28.56

 

CMYK 40 / 0 / 35 / 33

HEX #67AB70

RGB 103 171 112

HSL 127.94, 0.29%, 0.54%

LAB 64.31, -34.2, 23.8

 

CMYK 40 / 0 / 27 / 33

HEX #67AB7C

RGB 103 171 124

HSL 138.53, 0.29%, 0.54%

LAB 64.54, -32.01, 17.58

 

CMYK 25 / 0 / 39 / 33

HEX #80AB68

RGB 128 171 104

HSL 98.51, 0.29%, 0.54%

LAB 65.53, -26.98, 29.93

 

CMYK 25 / 0 / 39 / 13

HEX #A6DE87

RGB 166 222 135

HSL 98.62, 0.57%, 0.7%

LAB 82.97, -33.39, 37.01

 

CMYK 28 / 0 / 39 / 93

HEX #0D120B

RGB 13 18 11

HSL 102.86, 0.24%, 0.06%

LAB 4.9, -2.98, 2.75

 

CMYK 25 / 0 / 39 / 73

HEX #34452A

RGB 52 69 42

HSL 97.78, 0.24%, 0.22%

LAB 27.17, -12.7, 14.18

 

CMYK 25 / 0 / 39 / 53

HEX #5A7849

RGB 90 120 73

HSL 98.3, 0.24%, 0.38%

LAB 47.09, -20.16, 22.41

 

CMYK 25 / 0 / 39 / 33

HEX #80AB68

RGB 128 171 104

HSL 98.51, 0.29%, 0.54%

LAB 65.53, -26.98, 29.93

 

CMYK 40 / 0 / 6 / 33

HEX #67ABA0

RGB 103 171 160

HSL 170.29, 0.29%, 0.54%

LAB 65.39, -24.19, -1.13

 

CMYK 0 / 40 / 9 / 33

HEX #AB679B

RGB 171 103 155

HSL 314.12, 0.29%, 0.54%

LAB 52.65, 35.05, -16.74

 

CMYK 25 / 0 / 39 / 33

HEX #80AB68

RGB 128 171 104

HSL 98.51, 0.29%, 0.54%

LAB 65.53, -26.98, 29.93

 

CMYK 40 / 25 / 0 / 33

HEX #6780AB

RGB 103 128 171

HSL 217.94, 0.29%, 0.54%

LAB 53.24, 2.22, -25.69

 

CMYK 0 / 40 / 25 / 33

HEX #AB6780

RGB 171 103 128

HSL 337.94, 0.29%, 0.54%

LAB 51.74, 30.66, -2.17

 

CMYK 25 / 0 / 39 / 33

HEX #80AB68

RGB 128 171 104

HSL 98.51, 0.29%, 0.54%

LAB 65.53, -26.98, 29.93

 

CMYK 40 / 0 / 6 / 33

HEX #67ABA0

RGB 103 171 160

HSL 170.29, 0.29%, 0.54%

LAB 65.39, -24.19, -1.13

 

CMYK 15 / 40 / 0 / 33

HEX #9267AB

RGB 146 103 171

HSL 277.94, 0.29%, 0.54%

LAB 50.4, 30.08, -29.81

 

CMYK 0 / 40 / 33 / 33

HEX #AB6773

RGB 171 103 115

HSL 349.41, 0.29%, 0.54%

LAB 51.38, 28.82, 5

 

CMYK 25 / 0 / 39 / 33

HEX #80AB68

RGB 128 171 104

HSL 98.51, 0.29%, 0.54%

LAB 65.53, -26.98, 29.93

 

CMYK 40 / 5 / 0 / 33

HEX #67A2AB

RGB 103 162 171

HSL 187.94, 0.29%, 0.54%

LAB 63.06, -16.79, -10.73

 

CMYK 15 / 40 / 0 / 33

HEX #9267AB

RGB 146 103 171

HSL 277.94, 0.29%, 0.54%

LAB 50.4, 30.08, -29.81

 

CMYK 0 / 35 / 40 / 33

HEX #AB7067

RGB 171 112 103

HSL 7.94, 0.29%, 0.54%

LAB 53.2, 22.26, 14.63

 

Description

Color code: CMYK 25 / 0 / 39 / 33 | qconv.com Color code: CMYK 25 / 0 / 39 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 171 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 171 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 39 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 39% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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