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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 153 185 it is the complementary color RGB 91 102 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 153 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 164 153 185: RGB 169 153 180, RGB 186 171 199, RGB 203 189 218, RGB 220 207 237 and RGB 237 225 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 153 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 164 153 185: RGB 164 153 185, RGB 147 135 166, RGB 130 117 147, RGB 113 99 128 and RGB 96 81 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 17 / 0 / 27

HEX #A499B9

RGB 164 153 185

HSL 260.63, 0.19%, 0.66%

LAB 65.1, 10.36, -15.11

 

Complementary color

CMYK 11 / 0 / 31 / 60

HEX #5B6646

RGB 91 102 70

HSL 80.63, 0.19%, 0.34%

LAB 41.48, -10.39, 16.74

 

CMYK 6 / 15 / 0 / 29

HEX #A999B4

RGB 169 153 180

HSL 275.56, 0.15%, 0.65%

LAB 65.37, 11.01, -11.87

 

CMYK 7 / 14 / 0 / 22

HEX #BAABC7

RGB 186 171 199

HSL 272.14, 0.2%, 0.73%

LAB 72.02, 10.65, -12.29

 

CMYK 7 / 13 / 0 / 15

HEX #CBBDDA

RGB 203 189 218

HSL 268.97, 0.28%, 0.8%

LAB 78.55, 10.32, -12.71

 

CMYK 7 / 13 / 0 / 7

HEX #DCCFED

RGB 220 207 237

HSL 266, 0.45%, 0.87%

LAB 84.97, 10.01, -13.13

 

CMYK 7 / 12 / 0 / 0

HEX #EDE1FF

RGB 237 225 255

HSL 264, 1%, 0.94%

LAB 91.27, 9.53, -13.06

 

CMYK 11 / 17 / 0 / 27

HEX #A499B9

RGB 164 153 185

HSL 260.63, 0.19%, 0.66%

LAB 65.1, 10.36, -15.11

 

CMYK 11 / 19 / 0 / 35

HEX #9387A6

RGB 147 135 166

HSL 263.23, 0.15%, 0.59%

LAB 58.31, 10.74, -14.76

 

CMYK 12 / 20 / 0 / 42

HEX #827593

RGB 130 117 147

HSL 266, 0.12%, 0.52%

LAB 51.35, 11.16, -14.43

 

CMYK 12 / 23 / 0 / 50

HEX #716380

RGB 113 99 128

HSL 268.97, 0.13%, 0.45%

LAB 44.22, 11.63, -14.1

 

CMYK 12 / 26 / 0 / 57

HEX #60516D

RGB 96 81 109

HSL 272.14, 0.15%, 0.37%

LAB 36.88, 12.16, -13.79

 

CMYK 11 / 17 / 0 / 27

HEX #A499B9

RGB 164 153 185

HSL 260.63, 0.19%, 0.66%

LAB 65.1, 10.36, -15.11

 

CMYK 9 / 18 / 0 / 28

HEX #A897B8

RGB 168 151 184

HSL 270.91, 0.19%, 0.66%

LAB 64.9, 12.62, -14.83

 

CMYK 6 / 18 / 0 / 28

HEX #AD97B8

RGB 173 151 184

HSL 280, 0.19%, 0.66%

LAB 65.34, 14.32, -14.11

 

CMYK 3 / 18 / 0 / 28

HEX #B397B8

RGB 179 151 184

HSL 290.91, 0.19%, 0.66%

LAB 65.89, 16.38, -13.24

 

CMYK 0 / 18 / 0 / 28

HEX #B897B8

RGB 184 151 184

HSL 300, 0.19%, 0.66%

LAB 66.35, 18.1, -12.49

 

CMYK 11 / 17 / 0 / 27

HEX #A499B9

RGB 164 153 185

HSL 260.63, 0.19%, 0.66%

LAB 65.1, 10.36, -15.11

 

CMYK 11 / 17 / 0 / 7

HEX #D1C3EC

RGB 209 195 236

HSL 260.49, 0.52%, 0.85%

LAB 81.09, 12.66, -18.51

 

CMYK 13 / 19 / 0 / 87

HEX #1C1A20

RGB 28 26 32

HSL 260, 0.1%, 0.11%

LAB 9.72, 2.55, -3.8

 

CMYK 11 / 17 / 0 / 67

HEX #4A4553

RGB 74 69 83

HSL 261.43, 0.09%, 0.3%

LAB 30.25, 5.27, -7.59

 

CMYK 11 / 17 / 0 / 47

HEX #776F86

RGB 119 111 134

HSL 260.87, 0.09%, 0.48%

LAB 48.28, 7.92, -11.5

 

CMYK 11 / 17 / 0 / 27

HEX #A499B9

RGB 164 153 185

HSL 260.63, 0.19%, 0.66%

LAB 65.1, 10.36, -15.11

 

CMYK 0 / 18 / 9 / 28

HEX #B897A7

RGB 184 151 167

HSL 330.91, 0.19%, 0.66%

LAB 65.84, 14.98, -3.73

 

CMYK 16 / 0 / 18 / 28

HEX #9AB897

RGB 154 184 151

HSL 114.55, 0.19%, 0.66%

LAB 71.82, -16.58, 13.43

 

CMYK 11 / 17 / 0 / 27

HEX #A499B9

RGB 164 153 185

HSL 260.63, 0.19%, 0.66%

LAB 65.1, 10.36, -15.11

 

CMYK 0 / 12 / 18 / 28

HEX #B8A297

RGB 184 162 151

HSL 20, 0.19%, 0.66%

LAB 68.22, 6.22, 8.66

 

CMYK 18 / 0 / 12 / 28

HEX #97B8A2

RGB 151 184 162

HSL 140, 0.19%, 0.66%

LAB 71.87, -15.58, 7.49

 

CMYK 11 / 17 / 0 / 27

HEX #A499B9

RGB 164 153 185

HSL 260.63, 0.19%, 0.66%

LAB 65.1, 10.36, -15.11

 

CMYK 0 / 18 / 9 / 28

HEX #B897A7

RGB 184 151 167

HSL 330.91, 0.19%, 0.66%

LAB 65.84, 14.98, -3.73

 

CMYK 6 / 0 / 18 / 28

HEX #ADB897

RGB 173 184 151

HSL 80, 0.19%, 0.66%

LAB 73.15, -9.72, 15.5

 

CMYK 18 / 0 / 8 / 28

HEX #97B8A9

RGB 151 184 169

HSL 152.73, 0.19%, 0.66%

LAB 72.04, -14.21, 3.91

 

CMYK 11 / 17 / 0 / 27

HEX #A499B9

RGB 164 153 185

HSL 260.63, 0.19%, 0.66%

LAB 65.1, 10.36, -15.11

 

CMYK 0 / 18 / 15 / 28

HEX #B8979D

RGB 184 151 157

HSL 349.09, 0.19%, 0.66%

LAB 65.56, 13.27, 1.48

 

CMYK 6 / 0 / 18 / 28

HEX #ADB897

RGB 173 184 151

HSL 80, 0.19%, 0.66%

LAB 73.15, -9.72, 15.5

 

CMYK 18 / 0 / 3 / 28

HEX #97B8B3

RGB 151 184 179

HSL 170.91, 0.19%, 0.66%

LAB 72.31, -12.16, -1.18

 

Description

Color code: RGB 164 153 185 | qconv.com Color code: RGB 164 153 185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 153 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 153 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 17 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 17% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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