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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 91 204 it is the complementary color RGB 92 164 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 91 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 163 91 204: RGB 168 91 199, RGB 185 109 218, RGB 202 127 237, RGB 219 145 255 and RGB 236 163 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 91 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 163 91 204: RGB 163 91 204, RGB 146 73 185, RGB 129 55 166, RGB 112 37 147 and RGB 95 19 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 55 / 0 / 20

HEX #A35BCC

RGB 163 91 204

HSL 278.23, 0.53%, 0.58%

LAB 51.41, 48.88, -47.14

 

Complementary color

CMYK 44 / 0 / 69 / 36

HEX #5CA433

RGB 92 164 51

HSL 98.23, 0.53%, 0.42%

LAB 60.84, -42.56, 49.5

 

CMYK 16 / 54 / 0 / 22

HEX #A85BC7

RGB 168 91 199

HSL 282.78, 0.49%, 0.57%

LAB 51.76, 49.12, -43.69

 

CMYK 15 / 50 / 0 / 15

HEX #B96DDA

RGB 185 109 218

HSL 281.83, 0.6%, 0.64%

LAB 58.33, 48.36, -43.96

 

CMYK 15 / 46 / 0 / 7

HEX #CA7FED

RGB 202 127 237

HSL 280.91, 0.75%, 0.71%

LAB 64.84, 47.58, -44.17

 

CMYK 14 / 43 / 0 / 0

HEX #DB91FF

RGB 219 145 255

HSL 280.36, 1%, 0.78%

LAB 71.24, 46.59, -43.87

 

CMYK 7 / 36 / 0 / 0

HEX #ECA3FF

RGB 236 163 255

HSL 287.61, 1%, 0.82%

LAB 76.83, 42.06, -35.03

 

CMYK 20 / 55 / 0 / 20

HEX #A35BCC

RGB 163 91 204

HSL 278.23, 0.53%, 0.58%

LAB 51.41, 48.88, -47.14

 

CMYK 21 / 61 / 0 / 27

HEX #9249B9

RGB 146 73 185

HSL 279.11, 0.44%, 0.51%

LAB 44.77, 49.6, -46.87

 

CMYK 22 / 67 / 0 / 35

HEX #8137A6

RGB 129 55 166

HSL 280, 0.5%, 0.43%

LAB 38.12, 50.12, -46.42

 

CMYK 24 / 75 / 0 / 42

HEX #702593

RGB 112 37 147

HSL 280.91, 0.6%, 0.36%

LAB 31.52, 50.19, -45.65

 

CMYK 26 / 85 / 0 / 50

HEX #5F1380

RGB 95 19 128

HSL 281.83, 0.74%, 0.29%

LAB 25.13, 49.33, -44.3

 

CMYK 20 / 55 / 0 / 20

HEX #A35BCC

RGB 163 91 204

HSL 278.23, 0.53%, 0.58%

LAB 51.41, 48.88, -47.14

 

CMYK 11 / 55 / 0 / 20

HEX #B55BCC

RGB 181 91 204

HSL 287.79, 0.53%, 0.58%

LAB 53.67, 53.57, -43.42

 

CMYK 2 / 55 / 0 / 20

HEX #C85BCC

RGB 200 91 204

HSL 297.88, 0.53%, 0.58%

LAB 56.21, 58.58, -39.25

 

CMYK 0 / 55 / 7 / 20

HEX #CC5BBD

RGB 204 91 189

HSL 307.96, 0.53%, 0.58%

LAB 56.08, 57.09, -30.82

 

CMYK 0 / 55 / 17 / 20

HEX #CC5BAA

RGB 204 91 170

HSL 318.05, 0.53%, 0.58%

LAB 55.3, 54.1, -21.05

 

CMYK 20 / 55 / 0 / 20

HEX #A35BCC

RGB 163 91 204

HSL 278.23, 0.53%, 0.58%

LAB 51.41, 48.88, -47.14

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 20 / 55 / 0 / 80

HEX #291733

RGB 41 23 51

HSL 278.57, 0.38%, 0.15%

LAB 11.44, 15.46, -15

 

CMYK 20 / 55 / 0 / 60

HEX #522E66

RGB 82 46 102

HSL 278.57, 0.38%, 0.29%

LAB 25.88, 27.59, -26.57

 

CMYK 20 / 56 / 0 / 40

HEX #7A4499

RGB 122 68 153

HSL 278.12, 0.38%, 0.43%

LAB 38.85, 38.75, -37.49

 

CMYK 20 / 55 / 0 / 20

HEX #A35BCC

RGB 163 91 204

HSL 278.23, 0.53%, 0.58%

LAB 51.41, 48.88, -47.14

 

CMYK 0 / 55 / 46 / 20

HEX #CC5B6E

RGB 204 91 110

HSL 349.91, 0.53%, 0.58%

LAB 53.43, 46.58, 11.53

 

CMYK 55 / 0 / 43 / 20

HEX #5BCC75

RGB 91 204 117

HSL 133.81, 0.53%, 0.58%

LAB 73.99, -50.84, 33.83

 

CMYK 20 / 55 / 0 / 20

HEX #A35BCC

RGB 163 91 204

HSL 278.23, 0.53%, 0.58%

LAB 51.41, 48.88, -47.14

 

CMYK 0 / 20 / 55 / 20

HEX #CCA35B

RGB 204 163 91

HSL 38.23, 0.53%, 0.58%

LAB 69.32, 6.59, 42.73

 

CMYK 55 / 0 / 20 / 20

HEX #5BCCA3

RGB 91 204 163

HSL 158.23, 0.53%, 0.58%

LAB 74.86, -41.93, 10.82

 

CMYK 20 / 55 / 0 / 20

HEX #A35BCC

RGB 163 91 204

HSL 278.23, 0.53%, 0.58%

LAB 51.41, 48.88, -47.14

 

CMYK 0 / 55 / 46 / 20

HEX #CC5B6E

RGB 204 91 110

HSL 349.91, 0.53%, 0.58%

LAB 53.43, 46.58, 11.53

 

CMYK 35 / 0 / 55 / 20

HEX #84CC5B

RGB 132 204 91

HSL 98.23, 0.53%, 0.58%

LAB 75.36, -42.36, 48.59

 

CMYK 55 / 0 / 9 / 20

HEX #5BCCB9

RGB 91 204 185

HSL 169.91, 0.53%, 0.58%

LAB 75.4, -36.72, -0.25

 

CMYK 20 / 55 / 0 / 20

HEX #A35BCC

RGB 163 91 204

HSL 278.23, 0.53%, 0.58%

LAB 51.41, 48.88, -47.14

 

CMYK 0 / 48 / 55 / 20

HEX #CC6A5B

RGB 204 106 91

HSL 7.96, 0.53%, 0.58%

LAB 55.99, 37.34, 26.07

 

CMYK 35 / 0 / 55 / 20

HEX #84CC5B

RGB 132 204 91

HSL 98.23, 0.53%, 0.58%

LAB 75.36, -42.36, 48.59

 

CMYK 55 / 7 / 0 / 20

HEX #5BBDCC

RGB 91 189 204

HSL 187.96, 0.53%, 0.58%

LAB 71.54, -24.46, -16.31

 

Description

Color code: RGB 163 91 204 | qconv.com Color code: RGB 163 91 204 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 91 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 91 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 55 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 55% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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