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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 88 181 it is the complementary color RGB 92 167 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 88 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 163 88 181: RGB 168 88 176, RGB 185 106 195, RGB 202 124 214, RGB 219 142 233 and RGB 236 160 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 88 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 163 88 181: RGB 163 88 181, RGB 146 70 162, RGB 129 52 143, RGB 112 34 124 and RGB 95 16 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 51 / 0 / 29

HEX #A358B5

RGB 163 88 181

HSL 288.39, 0.39%, 0.53%

LAB 49.62, 45.57, -36.7

 

Complementary color

CMYK 45 / 0 / 56 / 35

HEX #5CA74A

RGB 92 167 74

HSL 108.39, 0.39%, 0.47%

LAB 62, -41.49, 40.44

 

CMYK 5 / 50 / 0 / 31

HEX #A858B0

RGB 168 88 176

HSL 294.55, 0.36%, 0.52%

LAB 50.02, 46.01, -33.11

 

CMYK 5 / 46 / 0 / 24

HEX #B96AC3

RGB 185 106 195

HSL 293.26, 0.43%, 0.59%

LAB 56.65, 45.29, -33.57

 

CMYK 6 / 42 / 0 / 16

HEX #CA7CD6

RGB 202 124 214

HSL 292, 0.52%, 0.66%

LAB 63.2, 44.54, -33.95

 

CMYK 6 / 39 / 0 / 9

HEX #DB8EE9

RGB 219 142 233

HSL 290.77, 0.67%, 0.74%

LAB 69.68, 43.79, -34.28

 

CMYK 6 / 37 / 0 / 1

HEX #ECA0FC

RGB 236 160 252

HSL 289.57, 0.94%, 0.81%

LAB 76.07, 43.06, -34.58

 

CMYK 10 / 51 / 0 / 29

HEX #A358B5

RGB 163 88 181

HSL 288.39, 0.39%, 0.53%

LAB 49.62, 45.57, -36.7

 

CMYK 10 / 57 / 0 / 36

HEX #9246A2

RGB 146 70 162

HSL 289.57, 0.4%, 0.45%

LAB 42.91, 46.24, -36.24

 

CMYK 10 / 64 / 0 / 44

HEX #81348F

RGB 129 52 143

HSL 290.77, 0.47%, 0.38%

LAB 36.19, 46.68, -35.58

 

CMYK 10 / 73 / 0 / 51

HEX #70227C

RGB 112 34 124

HSL 292, 0.57%, 0.31%

LAB 29.52, 46.64, -34.56

 

CMYK 10 / 85 / 0 / 59

HEX #5F1069

RGB 95 16 105

HSL 293.26, 0.74%, 0.24%

LAB 23.08, 45.58, -32.87

 

CMYK 10 / 51 / 0 / 29

HEX #A358B5

RGB 163 88 181

HSL 288.39, 0.39%, 0.53%

LAB 49.62, 45.57, -36.7

 

CMYK 2 / 51 / 0 / 29

HEX #B258B5

RGB 178 88 181

HSL 298.06, 0.39%, 0.53%

LAB 51.59, 49.82, -33.48

 

CMYK 0 / 51 / 7 / 29

HEX #B558A9

RGB 181 88 169

HSL 307.74, 0.39%, 0.53%

LAB 51.46, 48.55, -26.65

 

CMYK 0 / 51 / 15 / 29

HEX #B55899

RGB 181 88 153

HSL 318.06, 0.39%, 0.53%

LAB 50.81, 45.9, -18.25

 

CMYK 0 / 51 / 24 / 29

HEX #B5588A

RGB 181 88 138

HSL 327.74, 0.39%, 0.53%

LAB 50.26, 43.62, -10.17

 

CMYK 10 / 51 / 0 / 29

HEX #A358B5

RGB 163 88 181

HSL 288.39, 0.39%, 0.53%

LAB 49.62, 45.57, -36.7

 

CMYK 10 / 51 / 0 / 9

HEX #D171E8

RGB 209 113 232

HSL 288.4, 0.72%, 0.68%

LAB 62.67, 55.64, -44.76

 

CMYK 11 / 50 / 0 / 89

HEX #190E1C

RGB 25 14 28

HSL 287.14, 0.33%, 0.08%

LAB 5.46, 7.9, -7.19

 

CMYK 10 / 52 / 0 / 69

HEX #47264F

RGB 71 38 79

HSL 288.29, 0.35%, 0.23%

LAB 21.17, 23.34, -18.92

 

CMYK 10 / 52 / 0 / 49

HEX #753F82

RGB 117 63 130

HSL 288.36, 0.35%, 0.38%

LAB 35.89, 34.91, -28.17

 

CMYK 10 / 51 / 0 / 29

HEX #A358B5

RGB 163 88 181

HSL 288.39, 0.39%, 0.53%

LAB 49.62, 45.57, -36.7

 

CMYK 0 / 51 / 51 / 29

HEX #B55858

RGB 181 88 88

HSL 0, 0.39%, 0.53%

LAB 48.89, 37.66, 17.81

 

CMYK 51 / 0 / 31 / 29

HEX #58B57D

RGB 88 181 125

HSL 143.87, 0.39%, 0.53%

LAB 66.98, -40.54, 20.29

 

CMYK 10 / 51 / 0 / 29

HEX #A358B5

RGB 163 88 181

HSL 288.39, 0.39%, 0.53%

LAB 49.62, 45.57, -36.7

 

CMYK 0 / 10 / 51 / 29

HEX #B5A358

RGB 181 163 88

HSL 48.39, 0.39%, 0.53%

LAB 67.07, -3.41, 41.01

 

CMYK 51 / 0 / 10 / 29

HEX #58B5A3

RGB 88 181 163

HSL 168.39, 0.39%, 0.53%

LAB 67.85, -32.09, 0.72

 

CMYK 10 / 51 / 0 / 29

HEX #A358B5

RGB 163 88 181

HSL 288.39, 0.39%, 0.53%

LAB 49.62, 45.57, -36.7

 

CMYK 0 / 51 / 51 / 29

HEX #B55858

RGB 181 88 88

HSL 0, 0.39%, 0.53%

LAB 48.89, 37.66, 17.81

 

CMYK 41 / 0 / 51 / 29

HEX #6BB558

RGB 107 181 88

HSL 107.74, 0.39%, 0.53%

LAB 67.19, -41.01, 39.98

 

CMYK 51 / 0 / 0 / 29

HEX #58B5B5

RGB 88 181 181

HSL 180, 0.39%, 0.53%

LAB 68.36, -27.43, -8.46

 

CMYK 10 / 51 / 0 / 29

HEX #A358B5

RGB 163 88 181

HSL 288.39, 0.39%, 0.53%

LAB 49.62, 45.57, -36.7

 

CMYK 0 / 36 / 51 / 29

HEX #B57458

RGB 181 116 88

HSL 18.06, 0.39%, 0.53%

LAB 55.09, 22.51, 26.02

 

CMYK 41 / 0 / 51 / 29

HEX #6BB558

RGB 107 181 88

HSL 107.74, 0.39%, 0.53%

LAB 67.19, -41.01, 39.98

 

CMYK 51 / 15 / 0 / 29

HEX #5899B5

RGB 88 153 181

HSL 198.06, 0.39%, 0.53%

LAB 60.06, -12.9, -20.97

 

Description

Color code: RGB 163 88 181 | qconv.com Color code: RGB 163 88 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 88 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 88 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 51 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 51% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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