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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 168 198 it is the complementary color RGB 92 87 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 168 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 163 168 198: RGB 168 168 193, RGB 185 186 212, RGB 202 204 231, RGB 219 222 250 and RGB 236 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 168 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 163 168 198: RGB 163 168 198, RGB 146 150 179, RGB 129 132 160, RGB 112 114 141 and RGB 95 96 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 15 / 0 / 22

HEX #A3A8C6

RGB 163 168 198

HSL 231.43, 0.23%, 0.71%

LAB 69.38, 4.5, -15.9

 

Complementary color

CMYK 0 / 5 / 38 / 64

HEX #5C5739

RGB 92 87 57

HSL 51.43, 0.23%, 0.29%

LAB 36.72, -3.11, 18.19

 

CMYK 13 / 13 / 0 / 24

HEX #A8A8C1

RGB 168 168 193

HSL 240, 0.17%, 0.71%

LAB 69.6, 5.04, -12.76

 

CMYK 13 / 12 / 0 / 17

HEX #B9BAD4

RGB 185 186 212

HSL 237.78, 0.24%, 0.78%

LAB 76.18, 4.8, -13.16

 

CMYK 13 / 12 / 0 / 9

HEX #CACCE7

RGB 202 204 231

HSL 235.86, 0.38%, 0.85%

LAB 82.65, 4.58, -13.55

 

CMYK 12 / 11 / 0 / 2

HEX #DBDEFA

RGB 219 222 250

HSL 234.19, 0.76%, 0.92%

LAB 89.02, 4.37, -13.95

 

CMYK 7 / 6 / 0 / 0

HEX #ECF0FF

RGB 236 240 255

HSL 227.37, 1%, 0.96%

LAB 94.9, 1.45, -7.67

 

CMYK 18 / 15 / 0 / 22

HEX #A3A8C6

RGB 163 168 198

HSL 231.43, 0.23%, 0.71%

LAB 69.38, 4.5, -15.9

 

CMYK 18 / 16 / 0 / 30

HEX #9296B3

RGB 146 150 179

HSL 232.73, 0.18%, 0.64%

LAB 62.66, 4.75, -15.57

 

CMYK 19 / 18 / 0 / 37

HEX #8184A0

RGB 129 132 160

HSL 234.19, 0.14%, 0.57%

LAB 55.79, 5.03, -15.26

 

CMYK 21 / 19 / 0 / 45

HEX #70728D

RGB 112 114 141

HSL 235.86, 0.11%, 0.5%

LAB 48.76, 5.34, -14.97

 

CMYK 22 / 21 / 0 / 52

HEX #5F607A

RGB 95 96 122

HSL 237.78, 0.12%, 0.43%

LAB 41.54, 5.68, -14.7

 

CMYK 18 / 15 / 0 / 22

HEX #A3A8C6

RGB 163 168 198

HSL 231.43, 0.23%, 0.71%

LAB 69.38, 4.5, -15.9

 

CMYK 17 / 17 / 0 / 22

HEX #A4A4C6

RGB 164 164 198

HSL 240, 0.23%, 0.71%

LAB 68.4, 7.04, -17.36

 

CMYK 14 / 17 / 0 / 22

HEX #AAA4C6

RGB 170 164 198

HSL 250.59, 0.23%, 0.71%

LAB 68.88, 8.99, -16.6

 

CMYK 12 / 17 / 0 / 22

HEX #AFA4C6

RGB 175 164 198

HSL 259.41, 0.23%, 0.71%

LAB 69.29, 10.63, -15.94

 

CMYK 9 / 17 / 0 / 22

HEX #B5A4C6

RGB 181 164 198

HSL 270, 0.23%, 0.71%

LAB 69.79, 12.63, -15.13

 

CMYK 18 / 15 / 0 / 22

HEX #A3A8C6

RGB 163 168 198

HSL 231.43, 0.23%, 0.71%

LAB 69.38, 4.5, -15.9

 

CMYK 18 / 15 / 0 / 2

HEX #CDD3F9

RGB 205 211 249

HSL 231.82, 0.79%, 0.89%

LAB 85.2, 5.58, -19.26

 

CMYK 18 / 16 / 0 / 82

HEX #25262D

RGB 37 38 45

HSL 232.5, 0.1%, 0.16%

LAB 15.32, 1.39, -4.75

 

CMYK 18 / 16 / 0 / 62

HEX #4F5160

RGB 79 81 96

HSL 232.94, 0.1%, 0.34%

LAB 34.79, 2.73, -8.99

 

CMYK 18 / 15 / 0 / 42

HEX #797D93

RGB 121 125 147

HSL 230.77, 0.11%, 0.53%

LAB 52.77, 3.35, -12.35

 

CMYK 18 / 15 / 0 / 22

HEX #A3A8C6

RGB 163 168 198

HSL 231.43, 0.23%, 0.71%

LAB 69.38, 4.5, -15.9

 

CMYK 0 / 17 / 1 / 22

HEX #C6A4C4

RGB 198 164 196

HSL 303.53, 0.23%, 0.71%

LAB 71.24, 18.01, -11.69

 

CMYK 8 / 0 / 17 / 22

HEX #B6C6A4

RGB 182 198 164

HSL 88.24, 0.23%, 0.71%

LAB 77.88, -11.58, 15.22

 

CMYK 18 / 15 / 0 / 22

HEX #A3A8C6

RGB 163 168 198

HSL 231.43, 0.23%, 0.71%

LAB 69.38, 4.5, -15.9

 

CMYK 0 / 17 / 15 / 22

HEX #C6A4A9

RGB 198 164 169

HSL 351.18, 0.23%, 0.71%

LAB 70.47, 13.27, 2.09

 

CMYK 15 / 0 / 17 / 22

HEX #A9C6A4

RGB 169 198 164

HSL 111.18, 0.23%, 0.71%

LAB 76.98, -16.19, 13.83

 

CMYK 18 / 15 / 0 / 22

HEX #A3A8C6

RGB 163 168 198

HSL 231.43, 0.23%, 0.71%

LAB 69.38, 4.5, -15.9

 

CMYK 0 / 17 / 1 / 22

HEX #C6A4C4

RGB 198 164 196

HSL 303.53, 0.23%, 0.71%

LAB 71.24, 18.01, -11.69

 

CMYK 0 / 3 / 17 / 22

HEX #C6C0A4

RGB 198 192 164

HSL 49.41, 0.23%, 0.71%

LAB 77.51, -2.58, 14.88

 

CMYK 17 / 0 / 17 / 22

HEX #A4C6A5

RGB 164 198 165

HSL 121.76, 0.23%, 0.71%

LAB 76.68, -17.74, 12.81

 

CMYK 18 / 15 / 0 / 22

HEX #A3A8C6

RGB 163 168 198

HSL 231.43, 0.23%, 0.71%

LAB 69.38, 4.5, -15.9

 

CMYK 0 / 17 / 6 / 22

HEX #C6A4BA

RGB 198 164 186

HSL 321.18, 0.23%, 0.71%

LAB 70.94, 16.18, -6.62

 

CMYK 0 / 3 / 17 / 22

HEX #C6C0A4

RGB 198 192 164

HSL 49.41, 0.23%, 0.71%

LAB 77.51, -2.58, 14.88

 

CMYK 17 / 0 / 12 / 22

HEX #A4C6AF

RGB 164 198 175

HSL 139.41, 0.23%, 0.71%

LAB 76.91, -15.9, 7.76

 

Description

Color code: RGB 163 168 198 | qconv.com Color code: RGB 163 168 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 168 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 168 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 15 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 15% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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