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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 147 190 it is the complementary color RGB 92 108 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 147 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 163 147 190: RGB 168 147 185, RGB 185 165 204, RGB 202 183 223, RGB 219 201 242 and RGB 236 219 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 147 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 163 147 190: RGB 163 147 190, RGB 146 129 171, RGB 129 111 152, RGB 112 93 133 and RGB 95 75 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 23 / 0 / 25

HEX #A393BE

RGB 163 147 190

HSL 262.33, 0.25%, 0.66%

LAB 63.65, 14.49, -20.13

 

Complementary color

CMYK 15 / 0 / 40 / 58

HEX #5C6C41

RGB 92 108 65

HSL 82.33, 0.25%, 0.34%

LAB 43.33, -14.09, 22.11

 

CMYK 9 / 21 / 0 / 27

HEX #A893B9

RGB 168 147 185

HSL 273.16, 0.21%, 0.65%

LAB 63.91, 15.08, -16.88

 

CMYK 9 / 19 / 0 / 20

HEX #B9A5CC

RGB 185 165 204

HSL 270.77, 0.28%, 0.72%

LAB 70.58, 14.64, -17.21

 

CMYK 9 / 18 / 0 / 13

HEX #CAB7DF

RGB 202 183 223

HSL 268.5, 0.38%, 0.8%

LAB 77.13, 14.24, -17.55

 

CMYK 10 / 17 / 0 / 5

HEX #DBC9F2

RGB 219 201 242

HSL 266.34, 0.61%, 0.87%

LAB 83.57, 13.86, -17.9

 

CMYK 7 / 14 / 0 / 0

HEX #ECDBFF

RGB 236 219 255

HSL 268.33, 1%, 0.93%

LAB 89.73, 12.34, -15.38

 

CMYK 14 / 23 / 0 / 25

HEX #A393BE

RGB 163 147 190

HSL 262.33, 0.25%, 0.66%

LAB 63.65, 14.49, -20.13

 

CMYK 15 / 25 / 0 / 33

HEX #9281AB

RGB 146 129 171

HSL 264.29, 0.2%, 0.59%

LAB 56.83, 14.97, -19.88

 

CMYK 15 / 27 / 0 / 40

HEX #816F98

RGB 129 111 152

HSL 266.34, 0.17%, 0.52%

LAB 49.86, 15.5, -19.64

 

CMYK 16 / 30 / 0 / 48

HEX #705D85

RGB 112 93 133

HSL 268.5, 0.18%, 0.44%

LAB 42.71, 16.1, -19.43

 

CMYK 17 / 34 / 0 / 55

HEX #5F4B72

RGB 95 75 114

HSL 270.77, 0.21%, 0.37%

LAB 35.36, 16.79, -19.25

 

CMYK 14 / 23 / 0 / 25

HEX #A393BE

RGB 163 147 190

HSL 262.33, 0.25%, 0.66%

LAB 63.65, 14.49, -20.13

 

CMYK 11 / 23 / 0 / 26

HEX #A992BD

RGB 169 146 189

HSL 272.09, 0.25%, 0.66%

LAB 63.89, 16.83, -19.15

 

CMYK 7 / 23 / 0 / 26

HEX #B092BD

RGB 176 146 189

HSL 281.86, 0.25%, 0.66%

LAB 64.53, 19.17, -18.11

 

CMYK 3 / 23 / 0 / 26

HEX #B892BD

RGB 184 146 189

HSL 293.02, 0.25%, 0.66%

LAB 65.3, 21.86, -16.88

 

CMYK 0 / 23 / 1 / 26

HEX #BD92BC

RGB 189 146 188

HSL 301.4, 0.25%, 0.66%

LAB 65.75, 23.37, -15.58

 

CMYK 14 / 23 / 0 / 25

HEX #A393BE

RGB 163 147 190

HSL 262.33, 0.25%, 0.66%

LAB 63.65, 14.49, -20.13

 

CMYK 14 / 23 / 0 / 5

HEX #CFBAF1

RGB 207 186 241

HSL 262.91, 0.66%, 0.84%

LAB 78.89, 17.93, -24.56

 

CMYK 14 / 22 / 0 / 85

HEX #201D25

RGB 32 29 37

HSL 262.5, 0.12%, 0.13%

LAB 11.41, 3.5, -4.91

 

CMYK 15 / 23 / 0 / 65

HEX #4B4458

RGB 75 68 88

HSL 261, 0.13%, 0.31%

LAB 30.24, 7.54, -10.81

 

CMYK 14 / 22 / 0 / 45

HEX #776C8B

RGB 119 108 139

HSL 261.29, 0.13%, 0.48%

LAB 47.64, 10.85, -15.44

 

CMYK 14 / 23 / 0 / 25

HEX #A393BE

RGB 163 147 190

HSL 262.33, 0.25%, 0.66%

LAB 63.65, 14.49, -20.13

 

CMYK 0 / 23 / 13 / 26

HEX #BD92A5

RGB 189 146 165

HSL 333.49, 0.25%, 0.66%

LAB 65.04, 19.23, -3.73

 

CMYK 22 / 0 / 23 / 26

HEX #94BD92

RGB 148 189 146

HSL 117.21, 0.25%, 0.66%

LAB 72.74, -22.08, 17.36

 

CMYK 14 / 23 / 0 / 25

HEX #A393BE

RGB 163 147 190

HSL 262.33, 0.25%, 0.66%

LAB 63.65, 14.49, -20.13

 

CMYK 0 / 14 / 23 / 26

HEX #BDA292

RGB 189 162 146

HSL 22.33, 0.25%, 0.66%

LAB 68.56, 7.37, 11.98

 

CMYK 23 / 0 / 14 / 26

HEX #92BDA2

RGB 146 189 162

HSL 142.33, 0.25%, 0.66%

LAB 72.97, -19.81, 9.01

 

CMYK 14 / 23 / 0 / 25

HEX #A393BE

RGB 163 147 190

HSL 262.33, 0.25%, 0.66%

LAB 63.65, 14.49, -20.13

 

CMYK 0 / 23 / 13 / 26

HEX #BD92A5

RGB 189 146 165

HSL 333.49, 0.25%, 0.66%

LAB 65.04, 19.23, -3.73

 

CMYK 8 / 0 / 23 / 26

HEX #AEBD92

RGB 174 189 146

HSL 80.93, 0.25%, 0.66%

LAB 74.49, -12.73, 20.06

 

CMYK 23 / 0 / 10 / 26

HEX #92BDAB

RGB 146 189 171

HSL 154.88, 0.25%, 0.66%

LAB 73.18, -18.02, 4.43

 

CMYK 14 / 23 / 0 / 25

HEX #A393BE

RGB 163 147 190

HSL 262.33, 0.25%, 0.66%

LAB 63.65, 14.49, -20.13

 

CMYK 0 / 23 / 20 / 26

HEX #BD9298

RGB 189 146 152

HSL 351.63, 0.25%, 0.66%

LAB 64.68, 17.11, 3.08

 

CMYK 8 / 0 / 23 / 26

HEX #AEBD92

RGB 174 189 146

HSL 80.93, 0.25%, 0.66%

LAB 74.49, -12.73, 20.06

 

CMYK 23 / 0 / 3 / 26

HEX #92BDB8

RGB 146 189 184

HSL 173.02, 0.25%, 0.66%

LAB 73.52, -15.28, -2.16

 

Description

Color code: RGB 163 147 190 | qconv.com Color code: RGB 163 147 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 147 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 147 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 23 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 23% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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