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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163.5 183 168 it is the complementary color RGB 91.5 72 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163.5 183 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163.5 183 168 shade: RGB 168.5 183 163, RGB 185.5 201 182, RGB 202.5 219 201, RGB 219.5 237 220 and RGB 236.5 255 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163.5 183 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163.5 183 168 shade: RGB 163.5 183 168, RGB 146.5 165 149, RGB 129.5 147 130, RGB 112.5 129 111 and RGB 95.5 111 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163.5 183 168 shade: RGB 164 183 168, RGB 164 183 164, RGB 170 183 164, RGB 175 183 164 and RGB 180 183 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163.5 183 168 shade: RGB 164 183 168, RGB 164 183 173, RGB 164 183 179, RGB 164 182 183 and RGB 164 177 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163.5 183 168 shade matches the following richer shades: RGB 164 183 168, RGB 150 196 161, RGB 137 210 154, RGB 124 223 147 and RGB 111 236 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163.5 183 168 shade: RGB 164 183 168, RGB 177 170 175, RGB 190 157 182, RGB 203 144 189 and RGB 216 130 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163.5 183 168 shade: RGB 170 183 164, RGB 165 183 164, RGB 164 183 168, RGB 164 183 173 and RGB 164 183 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163.5 183 168 shade: RGB 117 147 124, RGB 141 165 146, RGB 164 183 168, RGB 187 201 190 and RGB 210 219 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163.5 183 168 shade: RGB 163.5 183 168, RGB 164 175 183 and RGB 183 164 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163.5 183 168 shade: RGB 163.5 183 168, RGB 168 164 183 and RGB 183 168 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163.5 183 168 shade: RGB 163.5 183 168, RGB 164 175 183, RGB 183 164 179 and RGB 183 172 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163.5 183 168 shade: RGB 163.5 183 168, RGB 164 169 183, RGB 183 164 179 and RGB 183 178 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 8 / 28

HEX #A3B7A8

RGB 163.5 183 168

HSL 133.85, 0.12%, 0.68%

LAB 72.58, -9.62, 5.34

 

Complementary color

CMYK 0 / 21 / 5 / 64

HEX #5B4857

RGB 91.5 72 87

HSL 313.85, 0.12%, 0.32%

LAB 33.08, 11.19, -5.73

 

CMYK 8 / 0 / 11 / 28

HEX #A8B7A3

RGB 168.5 183 163

HSL 103.5, 0.12%, 0.68%

LAB 72.82, -8.78, 8.46

 

CMYK 8 / 0 / 9 / 21

HEX #B9C9B6

RGB 185.5 201 182

HSL 108.95, 0.15%, 0.75%

LAB 79.34, -8.8, 7.69

 

CMYK 8 / 0 / 8 / 14

HEX #CADBC9

RGB 202.5 219 201

HSL 115, 0.2%, 0.82%

LAB 85.76, -8.83, 6.95

 

CMYK 7 / 0 / 7 / 7

HEX #DBEDDC

RGB 219.5 237 220

HSL 121.71, 0.33%, 0.9%

LAB 92.08, -8.86, 6.25

 

CMYK 7 / 0 / 6 / 0

HEX #ECFFEF

RGB 236.5 255 239

HSL 128.11, 1%, 0.96%

LAB 98.3, -8.89, 5.57

 

CMYK 11 / 0 / 8 / 28

HEX #A3B7A8

RGB 163.5 183 168

HSL 133.85, 0.12%, 0.68%

LAB 72.58, -9.62, 5.34

 

CMYK 11 / 0 / 10 / 35

HEX #92A595

RGB 146.5 165 149

HSL 128.11, 0.09%, 0.61%

LAB 65.93, -9.64, 6.1

 

CMYK 12 / 0 / 12 / 42

HEX #819382

RGB 129.5 147 130

HSL 121.71, 0.07%, 0.54%

LAB 59.15, -9.67, 6.89

 

CMYK 13 / 0 / 14 / 49

HEX #70816F

RGB 112.5 129 111

HSL 115, 0.08%, 0.47%

LAB 52.2, -9.72, 7.74

 

CMYK 14 / 0 / 17 / 56

HEX #5F6F5C

RGB 95.5 111 92

HSL 108.95, 0.09%, 0.4%

LAB 45.08, -9.78, 8.66

 

CMYK 10 / 0 / 8 / 28

HEX #A4B7A8

RGB 164 183 168

HSL 132.63, 0.12%, 0.68%

LAB 72.62, -9.45, 5.4

 

CMYK 10 / 0 / 10 / 28

HEX #A4B7A4

RGB 164 183 164

HSL 120, 0.12%, 0.68%

LAB 72.52, -10.19, 7.44

 

CMYK 7 / 0 / 10 / 28

HEX #AAB7A4

RGB 170 183 164

HSL 101.05, 0.12%, 0.68%

LAB 72.95, -8.06, 8.12

 

CMYK 4 / 0 / 10 / 28

HEX #AFB7A4

RGB 175 183 164

HSL 85.26, 0.12%, 0.68%

LAB 73.33, -6.27, 8.7

 

CMYK 2 / 0 / 10 / 28

HEX #B4B7A4

RGB 180 183 164

HSL 69.47, 0.12%, 0.68%

LAB 73.71, -4.46, 9.3

 

CMYK 10 / 0 / 8 / 28

HEX #A4B7A8

RGB 164 183 168

HSL 132.63, 0.12%, 0.68%

LAB 72.62, -9.45, 5.4

 

CMYK 10 / 0 / 5 / 28

HEX #A4B7AD

RGB 164 183 173

HSL 148.42, 0.12%, 0.68%

LAB 72.74, -8.49, 2.85

 

CMYK 10 / 0 / 2 / 28

HEX #A4B7B3

RGB 164 183 179

HSL 167.37, 0.12%, 0.68%

LAB 72.9, -7.32, -0.2

 

CMYK 10 / 1 / 0 / 28

HEX #A4B6B7

RGB 164 182 183

HSL 183.16, 0.12%, 0.68%

LAB 72.74, -5.98, -2.63

 

CMYK 10 / 3 / 0 / 28

HEX #A4B1B7

RGB 164 177 183

HSL 198.95, 0.12%, 0.68%

LAB 71.39, -3.3, -4.62

 

CMYK 10 / 0 / 8 / 28

HEX #A4B7A8

RGB 164 183 168

HSL 132.63, 0.12%, 0.68%

LAB 72.62, -9.45, 5.4

 

CMYK 23 / 0 / 18 / 23

HEX #96C4A1

RGB 150 196 161

HSL 134.35, 0.28%, 0.68%

LAB 75.16, -22.19, 12.7

 

CMYK 35 / 0 / 27 / 18

HEX #89D29A

RGB 137 210 154

HSL 133.97, 0.45%, 0.68%

LAB 78.31, -34.35, 20.72

 

CMYK 44 / 0 / 34 / 13

HEX #7CDF93

RGB 124 223 147

HSL 133.94, 0.61%, 0.68%

LAB 81.38, -45.17, 28.44

 

CMYK 53 / 0 / 41 / 7

HEX #6FEC8C

RGB 111 236 140

HSL 133.92, 0.77%, 0.68%

LAB 84.62, -55.04, 36.18

 

CMYK 10 / 0 / 8 / 28

HEX #A4B7A8

RGB 164 183 168

HSL 132.63, 0.12%, 0.68%

LAB 72.62, -9.45, 5.4

 

CMYK 0 / 4 / 1 / 31

HEX #B1AAAF

RGB 177 170 175

HSL 317.14, 0.04%, 0.68%

LAB 70.31, 3.43, -1.68

 

CMYK 0 / 17 / 4 / 25

HEX #BE9DB6

RGB 190 157 182

HSL 314.55, 0.2%, 0.68%

LAB 68.34, 16.49, -8.34

 

CMYK 0 / 29 / 7 / 20

HEX #CB90BD

RGB 203 144 189

HSL 314.24, 0.36%, 0.68%

LAB 66.76, 29.43, -14.48

 

CMYK 0 / 40 / 9 / 15

HEX #D882C5

RGB 216 130 197

HSL 313.26, 0.52%, 0.68%

LAB 65.43, 42.64, -20.84

 

CMYK 7 / 0 / 10 / 28

HEX #AAB7A4

RGB 170 183 164

HSL 101.05, 0.12%, 0.68%

LAB 72.95, -8.06, 8.12

 

CMYK 10 / 0 / 10 / 28

HEX #A5B7A4

RGB 165 183 164

HSL 116.84, 0.12%, 0.68%

LAB 72.59, -9.84, 7.55

 

CMYK 10 / 0 / 8 / 28

HEX #A4B7A8

RGB 164 183 168

HSL 132.63, 0.12%, 0.68%

LAB 72.62, -9.45, 5.4

 

CMYK 10 / 0 / 5 / 28

HEX #A4B7AD

RGB 164 183 173

HSL 148.42, 0.12%, 0.68%

LAB 72.74, -8.49, 2.85

 

CMYK 10 / 0 / 3 / 28

HEX #A4B7B2

RGB 164 183 178

HSL 164.21, 0.12%, 0.68%

LAB 72.87, -7.52, 0.3

 

CMYK 20 / 0 / 16 / 42

HEX #75937C

RGB 117 147 124

HSL 134, 0.12%, 0.52%

LAB 58.14, -15.34, 8.75

 

CMYK 15 / 0 / 12 / 35

HEX #8DA592

RGB 141 165 146

HSL 132.5, 0.12%, 0.6%

LAB 65.47, -12.16, 7.06

 

CMYK 10 / 0 / 8 / 28

HEX #A4B7A8

RGB 164 183 168

HSL 132.63, 0.12%, 0.68%

LAB 72.62, -9.45, 5.4

 

CMYK 7 / 0 / 5 / 21

HEX #BBC9BE

RGB 187 201 190

HSL 132.86, 0.11%, 0.76%

LAB 79.65, -6.83, 3.85

 

CMYK 4 / 0 / 3 / 14

HEX #D2DBD4

RGB 210 219 212

HSL 133.33, 0.11%, 0.84%

LAB 86.56, -4.31, 2.37

 

CMYK 11 / 0 / 8 / 28

HEX #A3B7A8

RGB 163.5 183 168

HSL 133.85, 0.12%, 0.68%

LAB 72.58, -9.62, 5.34

 

CMYK 10 / 4 / 0 / 28

HEX #A4AFB7

RGB 164 175 183

HSL 205.26, 0.12%, 0.68%

LAB 70.85, -2.22, -5.41

 

CMYK 0 / 10 / 9 / 28

HEX #B7A4A7

RGB 183 164 167

HSL 350.53, 0.12%, 0.68%

LAB 69.05, 7.43, 0.96

 

CMYK 11 / 0 / 8 / 28

HEX #A3B7A8

RGB 163.5 183 168

HSL 133.85, 0.12%, 0.68%

LAB 72.58, -9.62, 5.34

 

CMYK 8 / 10 / 0 / 28

HEX #A8A4B7

RGB 168 164 183

HSL 252.63, 0.12%, 0.68%

LAB 68.24, 5.16, -9.26

 

CMYK 0 / 8 / 10 / 28

HEX #B7A8A4

RGB 183 168 164

HSL 12.63, 0.12%, 0.68%

LAB 70, 4.72, 4.01

 

CMYK 11 / 0 / 8 / 28

HEX #A3B7A8

RGB 163.5 183 168

HSL 133.85, 0.12%, 0.68%

LAB 72.58, -9.62, 5.34

 

CMYK 10 / 4 / 0 / 28

HEX #A4AFB7

RGB 164 175 183

HSL 205.26, 0.12%, 0.68%

LAB 70.85, -2.22, -5.41

 

CMYK 0 / 10 / 2 / 28

HEX #B7A4B3

RGB 183 164 179

HSL 312.63, 0.12%, 0.68%

LAB 69.38, 9.6, -5.21

 

CMYK 0 / 6 / 10 / 28

HEX #B7ACA4

RGB 183 172 164

HSL 25.26, 0.12%, 0.68%

LAB 71.04, 2.54, 5.52

 

CMYK 11 / 0 / 8 / 28

HEX #A3B7A8

RGB 163.5 183 168

HSL 133.85, 0.12%, 0.68%

LAB 72.58, -9.62, 5.34

 

CMYK 10 / 8 / 0 / 28

HEX #A4A9B7

RGB 164 169 183

HSL 224.21, 0.12%, 0.68%

LAB 69.25, 1.05, -7.79

 

CMYK 0 / 10 / 2 / 28

HEX #B7A4B3

RGB 183 164 179

HSL 312.63, 0.12%, 0.68%

LAB 69.38, 9.6, -5.21

 

CMYK 0 / 3 / 10 / 28

HEX #B7B2A4

RGB 183 178 164

HSL 44.21, 0.12%, 0.68%

LAB 72.62, -0.69, 7.78

 

Description

Color code: RGB 163.5 183 168 | qconv.com Color code: RGB 163.5 183 168 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163.5 red, 183 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163.5 183 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 8 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 8% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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