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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 162 88 215 it is the complementary color RGB 93 167 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 162 88 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 162 88 215: RGB 167 88 210, RGB 184 106 229, RGB 201 124 248, RGB 218 142 255 and RGB 235 160 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 162 88 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 162 88 215: RGB 162 88 215, RGB 145 70 196, RGB 128 52 177, RGB 111 34 158 and RGB 94 16 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 59 / 0 / 16

HEX #A258D7

RGB 162 88 215

HSL 274.96, 0.61%, 0.59%

LAB 51.34, 52.62, -53.54

 

Complementary color

CMYK 44 / 0 / 76 / 35

HEX #5DA728

RGB 93 167 40

HSL 94.96, 0.61%, 0.41%

LAB 61.76, -44.26, 54.58

 

CMYK 20 / 58 / 0 / 18

HEX #A758D2

RGB 167 88 210

HSL 278.85, 0.58%, 0.58%

LAB 51.67, 52.73, -50.14

 

CMYK 20 / 54 / 0 / 10

HEX #B86AE5

RGB 184 106 229

HSL 278.05, 0.7%, 0.66%

LAB 58.18, 51.99, -50.37

 

CMYK 19 / 50 / 0 / 3

HEX #C97CF8

RGB 201 124 248

HSL 277.26, 0.9%, 0.73%

LAB 64.65, 51.19, -50.54

 

CMYK 15 / 44 / 0 / 0

HEX #DA8EFF

RGB 218 142 255

HSL 280.35, 1%, 0.78%

LAB 70.5, 47.88, -45.02

 

CMYK 8 / 37 / 0 / 0

HEX #EBA0FF

RGB 235 160 255

HSL 287.37, 1%, 0.81%

LAB 76.08, 43.34, -36.19

 

CMYK 25 / 59 / 0 / 16

HEX #A258D7

RGB 162 88 215

HSL 274.96, 0.61%, 0.59%

LAB 51.34, 52.62, -53.54

 

CMYK 26 / 64 / 0 / 23

HEX #9146C4

RGB 145 70 196

HSL 275.71, 0.52%, 0.52%

LAB 44.78, 53.3, -53.27

 

CMYK 28 / 71 / 0 / 31

HEX #8034B1

RGB 128 52 177

HSL 276.48, 0.55%, 0.45%

LAB 38.23, 53.72, -52.79

 

CMYK 30 / 78 / 0 / 38

HEX #6F229E

RGB 111 34 158

HSL 277.26, 0.65%, 0.38%

LAB 31.79, 53.59, -51.94

 

CMYK 32 / 88 / 0 / 45

HEX #5E108B

RGB 94 16 139

HSL 278.05, 0.79%, 0.3%

LAB 25.61, 52.39, -50.44

 

CMYK 25 / 59 / 0 / 16

HEX #A258D7

RGB 162 88 215

HSL 274.96, 0.61%, 0.59%

LAB 51.34, 52.62, -53.54

 

CMYK 16 / 60 / 0 / 16

HEX #B456D6

RGB 180 86 214

HSL 284.06, 0.61%, 0.59%

LAB 53.18, 57.73, -49.9

 

CMYK 6 / 60 / 0 / 16

HEX #C956D6

RGB 201 86 214

HSL 293.91, 0.61%, 0.59%

LAB 56.02, 62.88, -45.23

 

CMYK 0 / 60 / 4 / 16

HEX #D656CD

RGB 214 86 205

HSL 304.22, 0.61%, 0.59%

LAB 57.42, 64.59, -37.77

 

CMYK 0 / 60 / 14 / 16

HEX #D656B8

RGB 214 86 184

HSL 314.06, 0.61%, 0.59%

LAB 56.5, 61.3, -27.18

 

CMYK 25 / 59 / 0 / 16

HEX #A258D7

RGB 162 88 215

HSL 274.96, 0.61%, 0.59%

LAB 51.34, 52.62, -53.54

 

CMYK 27 / 55 / 0 / 96

HEX #08050B

RGB 8 5 11

HSL 270, 0.38%, 0.03%

LAB 1.67, 1.62, -2

 

CMYK 24 / 60 / 0 / 76

HEX #2F193E

RGB 47 25 62

HSL 275.68, 0.43%, 0.17%

LAB 13.52, 19.25, -19.51

 

CMYK 25 / 59 / 0 / 56

HEX #552E71

RGB 85 46 113

HSL 274.93, 0.42%, 0.31%

LAB 26.95, 31.24, -31.91

 

CMYK 24 / 59 / 0 / 36

HEX #7C43A4

RGB 124 67 164

HSL 275.26, 0.42%, 0.45%

LAB 39.55, 42.4, -42.97

 

CMYK 25 / 59 / 0 / 16

HEX #A258D7

RGB 162 88 215

HSL 274.96, 0.61%, 0.59%

LAB 51.34, 52.62, -53.54

 

CMYK 0 / 60 / 46 / 16

HEX #D65674

RGB 214 86 116

HSL 345.94, 0.61%, 0.59%

LAB 54.25, 52.86, 9.35

 

CMYK 60 / 0 / 50 / 16

HEX #56D66B

RGB 86 214 107

HSL 129.84, 0.61%, 0.59%

LAB 76.76, -57.37, 42.27

 

CMYK 25 / 59 / 0 / 16

HEX #A258D7

RGB 162 88 215

HSL 274.96, 0.61%, 0.59%

LAB 51.34, 52.62, -53.54

 

CMYK 0 / 26 / 60 / 16

HEX #D69E56

RGB 214 158 86

HSL 33.75, 0.61%, 0.59%

LAB 69.06, 13.12, 45.18

 

CMYK 60 / 0 / 26 / 16

HEX #56D69E

RGB 86 214 158

HSL 153.75, 0.61%, 0.59%

LAB 77.6, -48.33, 17.32

 

CMYK 25 / 59 / 0 / 16

HEX #A258D7

RGB 162 88 215

HSL 274.96, 0.61%, 0.59%

LAB 51.34, 52.62, -53.54

 

CMYK 0 / 60 / 46 / 16

HEX #D65674

RGB 214 86 116

HSL 345.94, 0.61%, 0.59%

LAB 54.25, 52.86, 9.35

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 60 / 0 / 14 / 16

HEX #56D6B8

RGB 86 214 184

HSL 165.94, 0.61%, 0.59%

LAB 78.19, -42.43, 4.32

 

CMYK 25 / 59 / 0 / 16

HEX #A258D7

RGB 162 88 215

HSL 274.96, 0.61%, 0.59%

LAB 51.34, 52.62, -53.54

 

CMYK 0 / 56 / 60 / 16

HEX #D65F56

RGB 214 95 86

HSL 4.22, 0.61%, 0.59%

LAB 55.23, 46.18, 28.25

 

CMYK 34 / 0 / 60 / 16

HEX #8DD656

RGB 141 214 86

HSL 94.22, 0.61%, 0.59%

LAB 78.71, -44.11, 54.81

 

CMYK 60 / 4 / 0 / 16

HEX #56CDD6

RGB 86 205 214

HSL 184.22, 0.61%, 0.59%

LAB 76.37, -30.44, -14.47

 

Description

Color code: RGB 162 88 215 | qconv.com Color code: RGB 162 88 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 88 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 88 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 59 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 59% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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