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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 162 189 72 it is the complementary color RGB 93 66 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 162 189 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 162 189 72: RGB 167 189 67, RGB 184 207 86, RGB 201 225 105, RGB 218 243 124 and RGB 235 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 162 189 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 162 189 72: RGB 162 189 72, RGB 145 171 53, RGB 128 153 34, RGB 111 135 15 and RGB 94 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 62 / 26

HEX #A2BD48

RGB 162 189 72

HSL 73.85, 0.47%, 0.51%

LAB 72.59, -25.99, 54.46

 

Complementary color

CMYK 49 / 64 / 0 / 28

HEX #5D42B7

RGB 93 66 183

HSL 253.85, 0.47%, 0.49%

LAB 37.19, 40.98, -58.22

 

CMYK 12 / 0 / 65 / 26

HEX #A7BD43

RGB 167 189 67

HSL 70.82, 0.48%, 0.5%

LAB 72.9, -24.32, 57

 

CMYK 11 / 0 / 58 / 19

HEX #B8CF56

RGB 184 207 86

HSL 71.4, 0.56%, 0.57%

LAB 79.32, -24.78, 56.22

 

CMYK 11 / 0 / 53 / 12

HEX #C9E169

RGB 201 225 105

HSL 72, 0.67%, 0.65%

LAB 85.65, -25.15, 55.24

 

CMYK 10 / 0 / 49 / 5

HEX #DAF37C

RGB 218 243 124

HSL 72.61, 0.83%, 0.72%

LAB 91.89, -25.44, 54.17

 

CMYK 8 / 0 / 44 / 0

HEX #EBFF8F

RGB 235 255 143

HSL 70.71, 1%, 0.78%

LAB 96.48, -22.82, 51.13

 

CMYK 14 / 0 / 62 / 26

HEX #A2BD48

RGB 162 189 72

HSL 73.85, 0.47%, 0.51%

LAB 72.59, -25.99, 54.46

 

CMYK 15 / 0 / 69 / 33

HEX #91AB35

RGB 145 171 53

HSL 73.22, 0.53%, 0.44%

LAB 66.06, -25.5, 55.06

 

CMYK 16 / 0 / 78 / 40

HEX #809922

RGB 128 153 34

HSL 72.61, 0.64%, 0.37%

LAB 59.42, -24.84, 55.07

 

CMYK 18 / 0 / 89 / 47

HEX #6F870F

RGB 111 135 15

HSL 72, 0.8%, 0.29%

LAB 52.67, -23.95, 53.91

 

CMYK 20 / 0 / 100 / 54

HEX #5E7500

RGB 94 117 0

HSL 71.79, 1%, 0.23%

LAB 45.77, -22.77, 50.93

 

CMYK 14 / 0 / 62 / 26

HEX #A2BD48

RGB 162 189 72

HSL 73.85, 0.47%, 0.51%

LAB 72.59, -25.99, 54.46

 

CMYK 24 / 0 / 62 / 26

HEX #8FBC47

RGB 143 188 71

HSL 83.08, 0.47%, 0.51%

LAB 71.05, -33.1, 52.85

 

CMYK 34 / 0 / 62 / 26

HEX #7CBC47

RGB 124 188 71

HSL 92.82, 0.47%, 0.51%

LAB 69.97, -40.13, 51.35

 

CMYK 45 / 0 / 62 / 26

HEX #68BC47

RGB 104 188 71

HSL 103.08, 0.47%, 0.51%

LAB 69.01, -46.81, 50.02

 

CMYK 55 / 0 / 62 / 26

HEX #55BC47

RGB 85 188 71

HSL 112.82, 0.47%, 0.51%

LAB 68.28, -52.3, 49

 

CMYK 14 / 0 / 62 / 26

HEX #A2BD48

RGB 162 189 72

HSL 73.85, 0.47%, 0.51%

LAB 72.59, -25.99, 54.46

 

CMYK 14 / 0 / 62 / 6

HEX #CEF05B

RGB 206 240 91

HSL 73.69, 0.83%, 0.65%

LAB 89.95, -31.37, 66.17

 

CMYK 14 / 0 / 61 / 86

HEX #1F240E

RGB 31 36 14

HSL 73.64, 0.44%, 0.1%

LAB 13.14, -6.78, 13.29

 

CMYK 14 / 0 / 62 / 66

HEX #4B5721

RGB 75 87 33

HSL 73.33, 0.45%, 0.24%

LAB 34.85, -13.82, 29.22

 

CMYK 14 / 0 / 62 / 46

HEX #768A35

RGB 118 138 53

HSL 74.12, 0.45%, 0.37%

LAB 54.33, -20.31, 42.05

 

CMYK 14 / 0 / 62 / 26

HEX #A2BD48

RGB 162 189 72

HSL 73.85, 0.47%, 0.51%

LAB 72.59, -25.99, 54.46

 

CMYK 62 / 0 / 36 / 26

HEX #47BC78

RGB 71 188 120

HSL 145.13, 0.47%, 0.51%

LAB 68.51, -48.34, 24.94

 

CMYK 11 / 62 / 0 / 26

HEX #A747BC

RGB 167 71 188

HSL 289.23, 0.47%, 0.51%

LAB 47.43, 56.34, -44.2

 

CMYK 14 / 0 / 62 / 26

HEX #A2BD48

RGB 162 189 72

HSL 73.85, 0.47%, 0.51%

LAB 72.59, -25.99, 54.46

 

CMYK 62 / 13 / 0 / 26

HEX #47A3BC

RGB 71 163 188

HSL 192.82, 0.47%, 0.51%

LAB 62.65, -19.61, -21.02

 

CMYK 0 / 62 / 13 / 26

HEX #BC47A3

RGB 188 71 163

HSL 312.82, 0.47%, 0.51%

LAB 49.3, 57.44, -26.38

 

CMYK 14 / 0 / 62 / 26

HEX #A2BD48

RGB 162 189 72

HSL 73.85, 0.47%, 0.51%

LAB 72.59, -25.99, 54.46

 

CMYK 62 / 0 / 36 / 26

HEX #47BC78

RGB 71 188 120

HSL 145.13, 0.47%, 0.51%

LAB 68.51, -48.34, 24.94

 

CMYK 49 / 62 / 0 / 26

HEX #6047BC

RGB 96 71 188

HSL 252.82, 0.47%, 0.51%

LAB 38.94, 40.15, -58.31

 

CMYK 0 / 62 / 26 / 26

HEX #BC478B

RGB 188 71 139

HSL 325.13, 0.47%, 0.51%

LAB 48.34, 53.99, -13.57

 

CMYK 14 / 0 / 62 / 26

HEX #A2BD48

RGB 162 189 72

HSL 73.85, 0.47%, 0.51%

LAB 72.59, -25.99, 54.46

 

CMYK 62 / 0 / 18 / 26

HEX #47BC9B

RGB 71 188 155

HSL 163.08, 0.47%, 0.51%

LAB 69.24, -40.76, 7.05

 

CMYK 49 / 62 / 0 / 26

HEX #6047BC

RGB 96 71 188

HSL 252.82, 0.47%, 0.51%

LAB 38.94, 40.15, -58.31

 

CMYK 0 / 62 / 45 / 26

HEX #BC4768

RGB 188 71 104

HSL 343.08, 0.47%, 0.51%

LAB 47.23, 49.89, 6

 

Description

Color code: RGB 162 189 72 | qconv.com Color code: RGB 162 189 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 189 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 189 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 62 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 62% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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