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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 162 121 28 it is the complementary color RGB 93 134 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 162 121 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 162 121 28: RGB 167 121 23, RGB 184 139 42, RGB 201 157 61, RGB 218 175 80 and RGB 235 193 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 162 121 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 162 121 28: RGB 162 121 28, RGB 145 103 9, RGB 128 85 0, RGB 111 67 0 and RGB 94 49 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 83 / 36

HEX #A2791C

RGB 162 121 28

HSL 41.64, 0.71%, 0.37%

LAB 53.43, 7.49, 52.78

 

Complementary color

CMYK 59 / 41 / 0 / 11

HEX #5D86E3

RGB 93 134 227

HSL 221.64, 0.71%, 0.63%

LAB 57, 13.64, -51.6

 

CMYK 0 / 28 / 86 / 35

HEX #A77917

RGB 167 121 23

HSL 40.83, 0.76%, 0.37%

LAB 53.98, 9.63, 55.06

 

CMYK 0 / 24 / 77 / 28

HEX #B88B2A

RGB 184 139 42

HSL 40.99, 0.63%, 0.44%

LAB 60.62, 7.94, 55.15

 

CMYK 0 / 22 / 70 / 21

HEX #C99D3D

RGB 201 157 61

HSL 41.14, 0.56%, 0.51%

LAB 67.18, 6.51, 54.45

 

CMYK 0 / 20 / 63 / 15

HEX #DAAF50

RGB 218 175 80

HSL 41.3, 0.65%, 0.58%

LAB 73.64, 5.31, 53.39

 

CMYK 0 / 18 / 58 / 8

HEX #EBC163

RGB 235 193 99

HSL 41.47, 0.77%, 0.65%

LAB 80.01, 4.28, 52.19

 

CMYK 0 / 25 / 83 / 36

HEX #A2791C

RGB 162 121 28

HSL 41.64, 0.71%, 0.37%

LAB 53.43, 7.49, 52.78

 

CMYK 0 / 29 / 94 / 43

HEX #916709

RGB 145 103 9

HSL 41.47, 0.88%, 0.3%

LAB 46.63, 9.39, 51.73

 

CMYK 0 / 34 / 100 / 50

HEX #805500

RGB 128 85 0

HSL 39.84, 1%, 0.25%

LAB 39.73, 11.68, 48.14

 

CMYK 0 / 40 / 100 / 56

HEX #6F4300

RGB 111 67 0

HSL 36.22, 1%, 0.22%

LAB 32.69, 14.29, 42.4

 

CMYK 0 / 48 / 100 / 63

HEX #5E3100

RGB 94 49 0

HSL 31.28, 1%, 0.18%

LAB 25.49, 17.03, 35.63

 

CMYK 0 / 25 / 83 / 36

HEX #A2791C

RGB 162 121 28

HSL 41.64, 0.71%, 0.37%

LAB 53.43, 7.49, 52.78

 

CMYK 0 / 12 / 83 / 37

HEX #A18D1B

RGB 161 141 27

HSL 51.04, 0.71%, 0.37%

LAB 58.7, -4.12, 57.63

 

CMYK 1 / 0 / 83 / 37

HEX #9FA11B

RGB 159 161 27

HSL 60.9, 0.71%, 0.37%

LAB 64.11, -15.65, 62.19

 

CMYK 16 / 0 / 83 / 37

HEX #88A11B

RGB 136 161 27

HSL 71.19, 0.71%, 0.37%

LAB 62.34, -25.67, 59.97

 

CMYK 29 / 0 / 83 / 37

HEX #72A11B

RGB 114 161 27

HSL 81.04, 0.71%, 0.37%

LAB 60.91, -34.7, 58.16

 

CMYK 0 / 25 / 83 / 36

HEX #A2791C

RGB 162 121 28

HSL 41.64, 0.71%, 0.37%

LAB 53.43, 7.49, 52.78

 

CMYK 0 / 25 / 83 / 16

HEX #D59F25

RGB 213 159 37

HSL 41.59, 0.7%, 0.49%

LAB 68.81, 9.69, 65.43

 

CMYK 0 / 22 / 78 / 96

HEX #090702

RGB 9 7 2

HSL 42.86, 0.64%, 0.02%

LAB 1.94, -0.17, 2.08

 

CMYK 0 / 25 / 83 / 76

HEX #3C2D0A

RGB 60 45 10

HSL 42, 0.71%, 0.14%

LAB 19.47, 2.56, 23.72

 

CMYK 0 / 25 / 83 / 56

HEX #6F5313

RGB 111 83 19

HSL 41.74, 0.71%, 0.25%

LAB 37.14, 5.14, 39.23

 

CMYK 0 / 25 / 83 / 36

HEX #A2791C

RGB 162 121 28

HSL 41.64, 0.71%, 0.37%

LAB 53.43, 7.49, 52.78

 

CMYK 74 / 0 / 83 / 37

HEX #2AA11B

RGB 42 161 27

HSL 113.28, 0.71%, 0.37%

LAB 58.1, -55.96, 54.57

 

CMYK 60 / 83 / 0 / 37

HEX #411BA1

RGB 65 27 161

HSL 257.01, 0.71%, 0.37%

LAB 25.2, 50.35, -64.79

 

CMYK 0 / 25 / 83 / 36

HEX #A2791C

RGB 162 121 28

HSL 41.64, 0.71%, 0.37%

LAB 53.43, 7.49, 52.78

 

CMYK 83 / 0 / 27 / 37

HEX #1BA176

RGB 27 161 118

HSL 160.75, 0.71%, 0.37%

LAB 59, -44.55, 12.87

 

CMYK 27 / 83 / 0 / 37

HEX #761BA1

RGB 118 27 161

HSL 280.75, 0.71%, 0.37%

LAB 32.28, 57.82, -52.92

 

CMYK 0 / 25 / 83 / 36

HEX #A2791C

RGB 162 121 28

HSL 41.64, 0.71%, 0.37%

LAB 53.43, 7.49, 52.78

 

CMYK 74 / 0 / 83 / 37

HEX #2AA11B

RGB 42 161 27

HSL 113.28, 0.71%, 0.37%

LAB 58.1, -55.96, 54.57

 

CMYK 83 / 57 / 0 / 37

HEX #1B45A1

RGB 27 69 161

HSL 221.19, 0.71%, 0.37%

LAB 31.95, 21.33, -53.82

 

CMYK 10 / 83 / 0 / 37

HEX #911BA1

RGB 145 27 161

HSL 292.84, 0.71%, 0.37%

LAB 36.7, 62.62, -45.56

 

CMYK 0 / 25 / 83 / 36

HEX #A2791C

RGB 162 121 28

HSL 41.64, 0.71%, 0.37%

LAB 53.43, 7.49, 52.78

 

CMYK 83 / 0 / 68 / 37

HEX #1BA133

RGB 27 161 51

HSL 130.75, 0.71%, 0.37%

LAB 58, -56.21, 45.91

 

CMYK 83 / 57 / 0 / 37

HEX #1B45A1

RGB 27 69 161

HSL 221.19, 0.71%, 0.37%

LAB 31.95, 21.33, -53.82

 

CMYK 0 / 83 / 16 / 37

HEX #A11B88

RGB 161 27 136

HSL 311.19, 0.71%, 0.37%

LAB 38.09, 61.92, -27.92

 

Description

Color code: RGB 162 121 28 | qconv.com Color code: RGB 162 121 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 121 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 121 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 83 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 83% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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