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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 161 144 142 it is the complementary color RGB 94 111 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 161 144 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 161 144 142: RGB 166 144 137, RGB 183 162 156, RGB 200 180 175, RGB 217 198 194 and RGB 234 216 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 161 144 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 161 144 142: RGB 161 144 142, RGB 144 126 123, RGB 127 108 104, RGB 110 90 85 and RGB 93 72 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 12 / 37

HEX #A1908E

RGB 161 144 142

HSL 6.32, 0.09%, 0.59%

LAB 61.2, 5.98, 3.36

 

Complementary color

CMYK 17 / 2 / 0 / 56

HEX #5E6F71

RGB 94 111 113

HSL 186.32, 0.09%, 0.41%

LAB 45.55, -5.86, -3.25

 

CMYK 0 / 13 / 17 / 35

HEX #A69089

RGB 166 144 137

HSL 14.48, 0.14%, 0.59%

LAB 61.53, 7.05, 6.74

 

CMYK 0 / 11 / 15 / 28

HEX #B7A29C

RGB 183 162 156

HSL 13.33, 0.16%, 0.66%

LAB 68.25, 6.65, 5.91

 

CMYK 0 / 10 / 13 / 22

HEX #C8B4AF

RGB 200 180 175

HSL 12, 0.19%, 0.74%

LAB 74.84, 6.3, 5.14

 

CMYK 0 / 9 / 11 / 15

HEX #D9C6C2

RGB 217 198 194

HSL 10.43, 0.23%, 0.81%

LAB 81.31, 5.98, 4.4

 

CMYK 0 / 8 / 9 / 8

HEX #EAD8D5

RGB 234 216 213

HSL 8.57, 0.33%, 0.88%

LAB 87.68, 5.69, 3.7

 

CMYK 0 / 11 / 12 / 37

HEX #A1908E

RGB 161 144 142

HSL 6.32, 0.09%, 0.59%

LAB 61.2, 5.98, 3.36

 

CMYK 0 / 13 / 15 / 44

HEX #907E7B

RGB 144 126 123

HSL 8.57, 0.09%, 0.52%

LAB 54.32, 6.36, 4.15

 

CMYK 0 / 15 / 18 / 50

HEX #7F6C68

RGB 127 108 104

HSL 10.43, 0.1%, 0.45%

LAB 47.28, 6.79, 5.01

 

CMYK 0 / 18 / 23 / 57

HEX #6E5A55

RGB 110 90 85

HSL 12, 0.13%, 0.38%

LAB 40.05, 7.3, 5.95

 

CMYK 0 / 23 / 29 / 64

HEX #5D4842

RGB 93 72 66

HSL 13.33, 0.17%, 0.31%

LAB 32.6, 7.93, 7.01

 

CMYK 0 / 11 / 12 / 37

HEX #A1908E

RGB 161 144 142

HSL 6.32, 0.09%, 0.59%

LAB 61.2, 5.98, 3.36

 

CMYK 0 / 8 / 11 / 38

HEX #9F928D

RGB 159 146 141

HSL 16.67, 0.09%, 0.59%

LAB 61.53, 3.92, 4.38

 

CMYK 0 / 6 / 11 / 38

HEX #9F958D

RGB 159 149 141

HSL 26.67, 0.09%, 0.59%

LAB 62.33, 2.25, 5.53

 

CMYK 0 / 4 / 11 / 38

HEX #9F988D

RGB 159 152 141

HSL 36.67, 0.09%, 0.59%

LAB 63.14, 0.59, 6.69

 

CMYK 0 / 3 / 11 / 38

HEX #9F9B8D

RGB 159 155 141

HSL 46.67, 0.09%, 0.59%

LAB 63.95, -1.07, 7.85

 

CMYK 0 / 11 / 12 / 37

HEX #A1908E

RGB 161 144 142

HSL 6.32, 0.09%, 0.59%

LAB 61.2, 5.98, 3.36

 

CMYK 0 / 10 / 12 / 17

HEX #D4BEBB

RGB 212 190 187

HSL 7.2, 0.23%, 0.78%

LAB 78.7, 7.28, 4.34

 

CMYK 0 / 13 / 13 / 97

HEX #080707

RGB 8 7 7

HSL 0, 0.07%, 0.03%

LAB 1.98, 0.26, 0.09

 

CMYK 0 / 10 / 12 / 77

HEX #3B3534

RGB 59 53 52

HSL 8.57, 0.06%, 0.22%

LAB 22.74, 2.43, 1.59

 

CMYK 0 / 11 / 12 / 57

HEX #6E6261

RGB 110 98 97

HSL 4.62, 0.06%, 0.41%

LAB 42.63, 4.6, 2.31

 

CMYK 0 / 11 / 12 / 37

HEX #A1908E

RGB 161 144 142

HSL 6.32, 0.09%, 0.59%

LAB 61.2, 5.98, 3.36

 

CMYK 3 / 0 / 11 / 38

HEX #9A9F8D

RGB 154 159 141

HSL 76.67, 0.09%, 0.59%

LAB 64.64, -5.13, 8.78

 

CMYK 11 / 8 / 0 / 38

HEX #8D929F

RGB 141 146 159

HSL 223.33, 0.09%, 0.59%

LAB 60.54, 0.89, -7.47

 

CMYK 0 / 11 / 12 / 37

HEX #A1908E

RGB 161 144 142

HSL 6.32, 0.09%, 0.59%

LAB 61.2, 5.98, 3.36

 

CMYK 11 / 0 / 11 / 38

HEX #8D9F8E

RGB 141 159 142

HSL 123.33, 0.09%, 0.59%

LAB 63.68, -9.72, 6.73

 

CMYK 11 / 11 / 0 / 38

HEX #8E8D9F

RGB 142 141 159

HSL 243.33, 0.09%, 0.59%

LAB 59.25, 4.06, -9.38

 

CMYK 0 / 11 / 12 / 37

HEX #A1908E

RGB 161 144 142

HSL 6.32, 0.09%, 0.59%

LAB 61.2, 5.98, 3.36

 

CMYK 3 / 0 / 11 / 38

HEX #9A9F8D

RGB 154 159 141

HSL 76.67, 0.09%, 0.59%

LAB 64.64, -5.13, 8.78

 

CMYK 11 / 1 / 0 / 38

HEX #8D9D9F

RGB 141 157 159

HSL 186.67, 0.09%, 0.59%

LAB 63.57, -5.23, -2.98

 

CMYK 8 / 11 / 0 / 38

HEX #928D9F

RGB 146 141 159

HSL 256.67, 0.09%, 0.59%

LAB 59.58, 5.46, -8.85

 

CMYK 0 / 11 / 12 / 37

HEX #A1908E

RGB 161 144 142

HSL 6.32, 0.09%, 0.59%

LAB 61.2, 5.98, 3.36

 

CMYK 7 / 0 / 11 / 38

HEX #949F8D

RGB 148 159 141

HSL 96.67, 0.09%, 0.59%

LAB 64.17, -7.36, 8.06

 

CMYK 11 / 1 / 0 / 38

HEX #8D9D9F

RGB 141 157 159

HSL 186.67, 0.09%, 0.59%

LAB 63.57, -5.23, -2.98

 

CMYK 4 / 11 / 0 / 38

HEX #988D9F

RGB 152 141 159

HSL 276.67, 0.09%, 0.59%

LAB 60.09, 7.57, -8.03

 

Description

Color code: RGB 161 144 142 | qconv.com Color code: RGB 161 144 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 144 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 144 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 12 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 12% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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