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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 161 121 101 it is the complementary color RGB 94 134 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 161 121 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 161 121 101: RGB 166 121 96, RGB 183 139 115, RGB 200 157 134, RGB 217 175 153 and RGB 234 193 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 161 121 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 161 121 101: RGB 161 121 101, RGB 144 103 82, RGB 127 85 63, RGB 110 67 44 and RGB 93 49 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 37 / 37

HEX #A17965

RGB 161 121 101

HSL 20, 0.24%, 0.51%

LAB 54.23, 12.81, 17.03

 

Complementary color

CMYK 39 / 13 / 0 / 40

HEX #5E869A

RGB 94 134 154

HSL 200, 0.24%, 0.49%

LAB 53.77, -8.53, -15.08

 

CMYK 0 / 27 / 42 / 35

HEX #A67960

RGB 166 121 96

HSL 21.43, 0.28%, 0.51%

LAB 54.69, 14.29, 20.61

 

CMYK 0 / 24 / 37 / 28

HEX #B78B73

RGB 183 139 115

HSL 21.18, 0.32%, 0.58%

LAB 61.46, 13.45, 19.31

 

CMYK 0 / 22 / 33 / 22

HEX #C89D86

RGB 200 157 134

HSL 20.91, 0.38%, 0.65%

LAB 68.1, 12.73, 18.14

 

CMYK 0 / 19 / 29 / 15

HEX #D9AF99

RGB 217 175 153

HSL 20.63, 0.46%, 0.73%

LAB 74.64, 12.1, 17.06

 

CMYK 0 / 18 / 26 / 8

HEX #EAC1AC

RGB 234 193 172

HSL 20.32, 0.6%, 0.8%

LAB 81.08, 11.55, 16.06

 

CMYK 0 / 25 / 37 / 37

HEX #A17965

RGB 161 121 101

HSL 20, 0.24%, 0.51%

LAB 54.23, 12.81, 17.03

 

CMYK 0 / 28 / 43 / 44

HEX #906752

RGB 144 103 82

HSL 20.32, 0.27%, 0.44%

LAB 47.29, 13.68, 18.36

 

CMYK 0 / 33 / 50 / 50

HEX #7F553F

RGB 127 85 63

HSL 20.63, 0.34%, 0.37%

LAB 40.19, 14.73, 19.87

 

CMYK 0 / 39 / 60 / 57

HEX #6E432C

RGB 110 67 44

HSL 20.91, 0.43%, 0.3%

LAB 32.94, 16.02, 21.63

 

CMYK 0 / 47 / 73 / 64

HEX #5D3119

RGB 93 49 25

HSL 21.18, 0.58%, 0.23%

LAB 25.55, 17.64, 23.67

 

CMYK 0 / 25 / 37 / 37

HEX #A17965

RGB 161 121 101

HSL 20, 0.24%, 0.51%

LAB 54.23, 12.81, 17.03

 

CMYK 0 / 19 / 38 / 37

HEX #A08264

RGB 160 130 100

HSL 30, 0.24%, 0.51%

LAB 56.45, 7.15, 20.58

 

CMYK 0 / 13 / 38 / 37

HEX #A08C64

RGB 160 140 100

HSL 40, 0.24%, 0.51%

LAB 59.11, 1.54, 24.15

 

CMYK 0 / 6 / 38 / 37

HEX #A09664

RGB 160 150 100

HSL 50, 0.24%, 0.51%

LAB 61.83, -3.97, 27.72

 

CMYK 0 / 0 / 38 / 37

HEX #A0A064

RGB 160 160 100

HSL 60, 0.24%, 0.51%

LAB 64.59, -9.35, 31.3

 

CMYK 0 / 25 / 37 / 37

HEX #A17965

RGB 161 121 101

HSL 20, 0.24%, 0.51%

LAB 54.23, 12.81, 17.03

 

CMYK 0 / 25 / 37 / 17

HEX #D49F85

RGB 212 159 133

HSL 19.75, 0.48%, 0.68%

LAB 69.81, 16.26, 21.23

 

CMYK 0 / 25 / 37 / 97

HEX #080605

RGB 8 6 5

HSL 20, 0.23%, 0.03%

LAB 1.74, 0.38, 0.56

 

CMYK 0 / 25 / 37 / 77

HEX #3B2C25

RGB 59 44 37

HSL 19.09, 0.23%, 0.19%

LAB 19.49, 5.69, 7.2

 

CMYK 0 / 25 / 37 / 57

HEX #6E5345

RGB 110 83 69

HSL 20.49, 0.23%, 0.35%

LAB 37.72, 9.11, 12.54

 

CMYK 0 / 25 / 37 / 37

HEX #A17965

RGB 161 121 101

HSL 20, 0.24%, 0.51%

LAB 54.23, 12.81, 17.03

 

CMYK 20 / 0 / 38 / 37

HEX #80A064

RGB 128 160 100

HSL 92, 0.24%, 0.51%

LAB 62.21, -22.09, 27.75

 

CMYK 38 / 35 / 0 / 37

HEX #6468A0

RGB 100 104 160

HSL 236, 0.24%, 0.51%

LAB 45.84, 12.68, -30.79

 

CMYK 0 / 25 / 37 / 37

HEX #A17965

RGB 161 121 101

HSL 20, 0.24%, 0.51%

LAB 54.23, 12.81, 17.03

 

CMYK 38 / 0 / 25 / 37

HEX #64A078

RGB 100 160 120

HSL 140, 0.24%, 0.51%

LAB 60.96, -28.43, 14.83

 

CMYK 25 / 38 / 0 / 37

HEX #7864A0

RGB 120 100 160

HSL 260, 0.24%, 0.51%

LAB 46.51, 21.12, -29.62

 

CMYK 0 / 25 / 37 / 37

HEX #A17965

RGB 161 121 101

HSL 20, 0.24%, 0.51%

LAB 54.23, 12.81, 17.03

 

CMYK 20 / 0 / 38 / 37

HEX #80A064

RGB 128 160 100

HSL 92, 0.24%, 0.51%

LAB 62.21, -22.09, 27.75

 

CMYK 38 / 13 / 0 / 37

HEX #648CA0

RGB 100 140 160

HSL 200, 0.24%, 0.51%

LAB 56.09, -8.57, -15

 

CMYK 18 / 38 / 0 / 37

HEX #8464A0

RGB 132 100 160

HSL 272, 0.24%, 0.51%

LAB 47.7, 24.89, -27.67

 

CMYK 0 / 25 / 37 / 37

HEX #A17965

RGB 161 121 101

HSL 20, 0.24%, 0.51%

LAB 54.23, 12.81, 17.03

 

CMYK 31 / 0 / 38 / 37

HEX #6EA064

RGB 110 160 100

HSL 110, 0.24%, 0.51%

LAB 61.11, -28.67, 26.1

 

CMYK 38 / 13 / 0 / 37

HEX #648CA0

RGB 100 140 160

HSL 200, 0.24%, 0.51%

LAB 56.09, -8.57, -15

 

CMYK 6 / 38 / 0 / 37

HEX #9664A0

RGB 150 100 160

HSL 290, 0.24%, 0.51%

LAB 49.66, 30.71, -24.47

 

Description

Color code: RGB 161 121 101 | qconv.com Color code: RGB 161 121 101 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 121 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 121 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 37 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 37% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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