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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 61 216 it is the complementary color RGB 95 194 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 61 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 160 61 216: RGB 165 61 211, RGB 182 79 230, RGB 199 97 249, RGB 216 115 255 and RGB 233 133 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 61 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 160 61 216: RGB 160 61 216, RGB 143 43 197, RGB 126 25 178, RGB 109 7 159 and RGB 92 0 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 72 / 0 / 15

HEX #A03DD8

RGB 160 61 216

HSL 278.32, 0.67%, 0.54%

LAB 46.67, 64.77, -61.64

 

Complementary color

CMYK 51 / 0 / 80 / 24

HEX #5FC227

RGB 95 194 39

HSL 98.32, 0.67%, 0.46%

LAB 70.29, -54.26, 63.03

 

CMYK 22 / 71 / 0 / 17

HEX #A53DD3

RGB 165 61 211

HSL 281.6, 0.63%, 0.53%

LAB 47.03, 64.72, -58.16

 

CMYK 21 / 66 / 0 / 10

HEX #B64FE6

RGB 182 79 230

HSL 280.93, 0.75%, 0.61%

LAB 53.22, 64.63, -58.87

 

CMYK 20 / 61 / 0 / 2

HEX #C761F9

RGB 199 97 249

HSL 280.26, 0.93%, 0.68%

LAB 59.46, 64.22, -59.36

 

CMYK 15 / 55 / 0 / 0

HEX #D873FF

RGB 216 115 255

HSL 283.29, 1%, 0.73%

LAB 65.03, 60.99, -53.68

 

CMYK 9 / 48 / 0 / 0

HEX #E985FF

RGB 233 133 255

HSL 289.18, 1%, 0.76%

LAB 70.4, 56.61, -45.07

 

CMYK 26 / 72 / 0 / 15

HEX #A03DD8

RGB 160 61 216

HSL 278.32, 0.67%, 0.54%

LAB 46.67, 64.77, -61.64

 

CMYK 27 / 78 / 0 / 23

HEX #8F2BC5

RGB 143 43 197

HSL 278.96, 0.64%, 0.47%

LAB 40.57, 64.4, -60.66

 

CMYK 29 / 86 / 0 / 30

HEX #7E19B2

RGB 126 25 178

HSL 279.61, 0.75%, 0.4%

LAB 34.69, 63.15, -59.15

 

CMYK 31 / 96 / 0 / 38

HEX #6D079F

RGB 109 7 159

HSL 280.26, 0.92%, 0.33%

LAB 29.18, 60.5, -56.83

 

CMYK 34 / 100 / 0 / 45

HEX #5C008C

RGB 92 0 140

HSL 279.43, 1%, 0.27%

LAB 24.22, 55.76, -53.34

 

CMYK 26 / 72 / 0 / 15

HEX #A03DD8

RGB 160 61 216

HSL 278.32, 0.67%, 0.54%

LAB 46.67, 64.77, -61.64

 

CMYK 15 / 73 / 0 / 15

HEX #B83BD8

RGB 184 59 216

HSL 287.77, 0.67%, 0.54%

LAB 49.83, 70.23, -56.37

 

CMYK 2 / 73 / 0 / 15

HEX #D33BD8

RGB 211 59 216

HSL 298.09, 0.67%, 0.54%

LAB 53.96, 75.7, -49.54

 

CMYK 0 / 73 / 10 / 15

HEX #D83BC3

RGB 216 59 195

HSL 308.03, 0.67%, 0.54%

LAB 53.67, 73.55, -37.91

 

CMYK 0 / 73 / 22 / 15

HEX #D83BA9

RGB 216 59 169

HSL 317.96, 0.67%, 0.54%

LAB 52.5, 69.97, -24.61

 

CMYK 26 / 72 / 0 / 15

HEX #A03DD8

RGB 160 61 216

HSL 278.32, 0.67%, 0.54%

LAB 46.67, 64.77, -61.64

 

CMYK 25 / 75 / 0 / 95

HEX #09030C

RGB 9 3 12

HSL 280, 0.6%, 0.03%

LAB 1.35, 2.84, -2.9

 

CMYK 25 / 71 / 0 / 75

HEX #2F123F

RGB 47 18 63

HSL 278.67, 0.56%, 0.16%

LAB 11.93, 23.94, -22.75

 

CMYK 26 / 72 / 0 / 55

HEX #542072

RGB 84 32 114

HSL 278.05, 0.56%, 0.29%

LAB 24.11, 38.79, -37.13

 

CMYK 26 / 72 / 0 / 35

HEX #7A2FA5

RGB 122 47 165

HSL 278.14, 0.56%, 0.42%

LAB 35.77, 51.99, -49.65

 

CMYK 26 / 72 / 0 / 15

HEX #A03DD8

RGB 160 61 216

HSL 278.32, 0.67%, 0.54%

LAB 46.67, 64.77, -61.64

 

CMYK 0 / 73 / 61 / 15

HEX #D83B55

RGB 216 59 85

HSL 350.06, 0.67%, 0.54%

LAB 49.96, 61.8, 22.06

 

CMYK 73 / 0 / 56 / 15

HEX #3BD85F

RGB 59 216 95

HSL 133.76, 0.67%, 0.54%

LAB 76.6, -64.77, 47.6

 

CMYK 26 / 72 / 0 / 15

HEX #A03DD8

RGB 160 61 216

HSL 278.32, 0.67%, 0.54%

LAB 46.67, 64.77, -61.64

 

CMYK 0 / 27 / 73 / 15

HEX #D89E3B

RGB 216 158 59

HSL 37.83, 0.67%, 0.54%

LAB 69.02, 12.36, 57.7

 

CMYK 73 / 0 / 27 / 15

HEX #3BD89E

RGB 59 216 158

HSL 157.83, 0.67%, 0.54%

LAB 77.58, -53.63, 17.2

 

CMYK 26 / 72 / 0 / 15

HEX #A03DD8

RGB 160 61 216

HSL 278.32, 0.67%, 0.54%

LAB 46.67, 64.77, -61.64

 

CMYK 0 / 73 / 61 / 15

HEX #D83B55

RGB 216 59 85

HSL 350.06, 0.67%, 0.54%

LAB 49.96, 61.8, 22.06

 

CMYK 46 / 0 / 73 / 15

HEX #74D83B

RGB 116 216 59

HSL 98.22, 0.67%, 0.54%

LAB 77.96, -55.18, 64.33

 

CMYK 73 / 0 / 12 / 15

HEX #3BD8BE

RGB 59 216 190

HSL 170.06, 0.67%, 0.54%

LAB 78.32, -45.96, 1.23

 

CMYK 26 / 72 / 0 / 15

HEX #A03DD8

RGB 160 61 216

HSL 278.32, 0.67%, 0.54%

LAB 46.67, 64.77, -61.64

 

CMYK 0 / 63 / 73 / 15

HEX #D8503B

RGB 216 80 59

HSL 8.03, 0.67%, 0.54%

LAB 52.57, 52.21, 40.3

 

CMYK 46 / 0 / 73 / 15

HEX #74D83B

RGB 116 216 59

HSL 98.22, 0.67%, 0.54%

LAB 77.96, -55.18, 64.33

 

CMYK 73 / 10 / 0 / 15

HEX #3BC3D8

RGB 59 195 216

HSL 188.03, 0.67%, 0.54%

LAB 72.84, -28.99, -20.96

 

Description

Color code: RGB 160 61 216 | qconv.com Color code: RGB 160 61 216 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 61 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 61 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 72 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 72% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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