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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 50 165 it is the complementary color RGB 95 205 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 50 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 160 50 165: RGB 165 50 160, RGB 182 68 179, RGB 199 86 198, RGB 216 104 217 and RGB 233 122 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 50 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 160 50 165: RGB 160 50 165, RGB 143 32 146, RGB 126 14 127, RGB 109 0 108 and RGB 92 0 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 70 / 0 / 35

HEX #A032A5

RGB 160 50 165

HSL 297.39, 0.53%, 0.42%

LAB 41.96, 59.17, -39.42

 

Complementary color

CMYK 54 / 0 / 56 / 20

HEX #5FCD5A

RGB 95 205 90

HSL 117.39, 0.53%, 0.58%

LAB 74.08, -54.04, 47.17

 

CMYK 0 / 70 / 3 / 35

HEX #A532A0

RGB 165 50 160

HSL 302.61, 0.53%, 0.42%

LAB 42.49, 59.48, -35.53

 

CMYK 0 / 63 / 2 / 29

HEX #B644B3

RGB 182 68 179

HSL 301.58, 0.46%, 0.49%

LAB 48.68, 59.73, -36.84

 

CMYK 0 / 57 / 1 / 22

HEX #C756C6

RGB 199 86 198

HSL 300.53, 0.5%, 0.56%

LAB 54.94, 59.54, -37.82

 

CMYK 0 / 52 / 0 / 15

HEX #D868D9

RGB 216 104 217

HSL 299.47, 0.6%, 0.63%

LAB 61.23, 59.09, -38.58

 

CMYK 1 / 48 / 0 / 7

HEX #E97AEC

RGB 233 122 236

HSL 298.42, 0.75%, 0.7%

LAB 67.5, 58.51, -39.19

 

CMYK 3 / 70 / 0 / 35

HEX #A032A5

RGB 160 50 165

HSL 297.39, 0.53%, 0.42%

LAB 41.96, 59.17, -39.42

 

CMYK 2 / 78 / 0 / 43

HEX #8F2092

RGB 143 32 146

HSL 298.42, 0.64%, 0.35%

LAB 35.88, 58.25, -37.76

 

CMYK 1 / 89 / 0 / 50

HEX #7E0E7F

RGB 126 14 127

HSL 299.47, 0.8%, 0.28%

LAB 30.11, 56.13, -35.36

 

CMYK 0 / 100 / 1 / 57

HEX #6D006C

RGB 109 0 108

HSL 300.55, 1%, 0.21%

LAB 24.75, 52.38, -32

 

CMYK 0 / 100 / 3 / 64

HEX #5C0059

RGB 92 0 89

HSL 301.96, 1%, 0.18%

LAB 20.03, 46.15, -27.21

 

CMYK 3 / 70 / 0 / 35

HEX #A032A5

RGB 160 50 165

HSL 297.39, 0.53%, 0.42%

LAB 41.96, 59.17, -39.42

 

CMYK 0 / 69 / 8 / 36

HEX #A33296

RGB 163 50 150

HSL 306.9, 0.53%, 0.42%

LAB 41.64, 57.37, -30.87

 

CMYK 0 / 69 / 20 / 36

HEX #A33283

RGB 163 50 131

HSL 316.99, 0.53%, 0.42%

LAB 40.75, 54.49, -20.68

 

CMYK 0 / 69 / 31 / 36

HEX #A33270

RGB 163 50 112

HSL 327.08, 0.53%, 0.42%

LAB 39.98, 51.94, -10.09

 

CMYK 0 / 69 / 43 / 36

HEX #A3325D

RGB 163 50 93

HSL 337.17, 0.53%, 0.42%

LAB 39.34, 49.76, 0.9

 

CMYK 3 / 70 / 0 / 35

HEX #A032A5

RGB 160 50 165

HSL 297.39, 0.53%, 0.42%

LAB 41.96, 59.17, -39.42

 

CMYK 3 / 70 / 0 / 15

HEX #D141D8

RGB 209 65 216

HSL 297.22, 0.66%, 0.55%

LAB 54.34, 73.32, -48.95

 

CMYK 0 / 67 / 0 / 95

HEX #0C040C

RGB 12 4 12

HSL 300, 0.5%, 0.03%

LAB 1.73, 3.25, -2.32

 

CMYK 3 / 70 / 0 / 75

HEX #3D133F

RGB 61 19 63

HSL 297.27, 0.54%, 0.16%

LAB 14.49, 27.52, -18.53

 

CMYK 3 / 69 / 0 / 55

HEX #6F2372

RGB 111 35 114

HSL 297.72, 0.53%, 0.29%

LAB 28.89, 44.05, -29.23

 

CMYK 3 / 70 / 0 / 35

HEX #A032A5

RGB 160 50 165

HSL 297.39, 0.53%, 0.42%

LAB 41.96, 59.17, -39.42

 

CMYK 0 / 59 / 69 / 36

HEX #A34332

RGB 163 67 50

HSL 9.03, 0.53%, 0.42%

LAB 41.27, 38.62, 30.06

 

CMYK 69 / 0 / 31 / 36

HEX #32A370

RGB 50 163 112

HSL 152.92, 0.53%, 0.42%

LAB 59.93, -43.71, 17.55

 

CMYK 3 / 70 / 0 / 35

HEX #A032A5

RGB 160 50 165

HSL 297.39, 0.53%, 0.42%

LAB 41.96, 59.17, -39.42

 

CMYK 0 / 3 / 69 / 36

HEX #A39E32

RGB 163 158 50

HSL 57.35, 0.53%, 0.42%

LAB 63.73, -11.34, 54.35

 

CMYK 69 / 0 / 3 / 36

HEX #32A39E

RGB 50 163 158

HSL 177.35, 0.53%, 0.42%

LAB 61.08, -31.99, -6.57

 

CMYK 3 / 70 / 0 / 35

HEX #A032A5

RGB 160 50 165

HSL 297.39, 0.53%, 0.42%

LAB 41.96, 59.17, -39.42

 

CMYK 0 / 59 / 69 / 36

HEX #A34332

RGB 163 67 50

HSL 9.03, 0.53%, 0.42%

LAB 41.27, 38.62, 30.06

 

CMYK 66 / 0 / 69 / 36

HEX #38A332

RGB 56 163 50

HSL 116.81, 0.53%, 0.42%

LAB 59.22, -52.21, 47.8

 

CMYK 69 / 10 / 0 / 36

HEX #3292A3

RGB 50 146 163

HSL 189.03, 0.53%, 0.42%

LAB 55.97, -21.99, -17.1

 

CMYK 3 / 70 / 0 / 35

HEX #A032A5

RGB 160 50 165

HSL 297.39, 0.53%, 0.42%

LAB 41.96, 59.17, -39.42

 

CMYK 0 / 38 / 69 / 36

HEX #A36532

RGB 163 101 50

HSL 27.08, 0.53%, 0.42%

LAB 48.67, 20.31, 38.52

 

CMYK 66 / 0 / 69 / 36

HEX #38A332

RGB 56 163 50

HSL 116.81, 0.53%, 0.42%

LAB 59.22, -52.21, 47.8

 

CMYK 69 / 31 / 0 / 36

HEX #3270A3

RGB 50 112 163

HSL 207.08, 0.53%, 0.42%

LAB 45.51, -2.85, -33.27

 

Description

Color code: RGB 160 50 165 | qconv.com Color code: RGB 160 50 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 50 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 50 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 70 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 70% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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