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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 203 192 it is the complementary color RGB 95 52 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 203 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 160 203 192: RGB 165 203 187, RGB 182 221 206, RGB 199 239 225, RGB 216 255 244 and RGB 233 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 203 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 160 203 192: RGB 160 203 192, RGB 143 185 173, RGB 126 167 154, RGB 109 149 135 and RGB 92 131 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 5 / 20

HEX #A0CBC0

RGB 160 203 192

HSL 164.65, 0.29%, 0.71%

LAB 78.46, -16.38, 0.82

 

Complementary color

CMYK 0 / 45 / 34 / 63

HEX #5F343F

RGB 95 52 63

HSL 344.65, 0.29%, 0.29%

LAB 27.43, 20.82, 1.6

 

CMYK 19 / 0 / 8 / 20

HEX #A5CBBB

RGB 165 203 187

HSL 154.74, 0.27%, 0.72%

LAB 78.64, -15.8, 3.81

 

CMYK 18 / 0 / 7 / 13

HEX #B6DDCE

RGB 182 221 206

HSL 156.92, 0.36%, 0.79%

LAB 85.05, -15.7, 3.12

 

CMYK 17 / 0 / 6 / 6

HEX #C7EFE1

RGB 199 239 225

HSL 159, 0.56%, 0.86%

LAB 91.37, -15.61, 2.46

 

CMYK 15 / 0 / 4 / 0

HEX #D8FFF4

RGB 216 255 244

HSL 163.08, 1%, 0.92%

LAB 97.09, -14.55, 1.07

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 21 / 0 / 5 / 20

HEX #A0CBC0

RGB 160 203 192

HSL 164.65, 0.29%, 0.71%

LAB 78.46, -16.38, 0.82

 

CMYK 23 / 0 / 6 / 27

HEX #8FB9AD

RGB 143 185 173

HSL 162.86, 0.23%, 0.64%

LAB 71.93, -16.51, 1.5

 

CMYK 25 / 0 / 8 / 35

HEX #7EA79A

RGB 126 167 154

HSL 160.98, 0.19%, 0.57%

LAB 65.28, -16.66, 2.2

 

CMYK 27 / 0 / 9 / 42

HEX #6D9587

RGB 109 149 135

HSL 159, 0.16%, 0.51%

LAB 58.5, -16.83, 2.95

 

CMYK 30 / 0 / 11 / 49

HEX #5C8374

RGB 92 131 116

HSL 156.92, 0.17%, 0.44%

LAB 51.57, -17.03, 3.75

 

CMYK 21 / 0 / 5 / 20

HEX #A0CBC0

RGB 160 203 192

HSL 164.65, 0.29%, 0.71%

LAB 78.46, -16.38, 0.82

 

CMYK 21 / 0 / 2 / 21

HEX #9FCAC6

RGB 159 202 198

HSL 174.42, 0.29%, 0.71%

LAB 78.28, -14.92, -2.67

 

CMYK 21 / 1 / 0 / 21

HEX #9FC7CA

RGB 159 199 202

HSL 184.19, 0.29%, 0.71%

LAB 77.57, -12.51, -5.87

 

CMYK 21 / 5 / 0 / 21

HEX #9FC0CA

RGB 159 192 202

HSL 193.95, 0.29%, 0.71%

LAB 75.66, -8.85, -8.7

 

CMYK 21 / 8 / 0 / 21

HEX #9FB9CA

RGB 159 185 202

HSL 203.72, 0.29%, 0.71%

LAB 73.76, -5.14, -11.53

 

CMYK 21 / 0 / 5 / 20

HEX #A0CBC0

RGB 160 203 192

HSL 164.65, 0.29%, 0.71%

LAB 78.46, -16.38, 0.82

 

CMYK 21 / 0 / 6 / 0

HEX #C8FEF0

RGB 200 254 240

HSL 164.44, 0.96%, 0.89%

LAB 95.77, -19.75, 1.09

 

CMYK 22 / 0 / 6 / 80

HEX #27322F

RGB 39 50 47

HSL 163.64, 0.12%, 0.17%

LAB 19.71, -5.42, 0.36

 

CMYK 21 / 0 / 5 / 60

HEX #506560

RGB 80 101 96

HSL 165.71, 0.12%, 0.35%

LAB 40.99, -9.02, 0.22

 

CMYK 21 / 0 / 5 / 40

HEX #789890

RGB 120 152 144

HSL 165, 0.13%, 0.53%

LAB 60.3, -12.84, 0.54

 

CMYK 21 / 0 / 5 / 20

HEX #A0CBC0

RGB 160 203 192

HSL 164.65, 0.29%, 0.71%

LAB 78.46, -16.38, 0.82

 

CMYK 21 / 20 / 0 / 21

HEX #9FA2CA

RGB 159 162 202

HSL 235.81, 0.29%, 0.71%

LAB 67.63, 7.47, -20.78

 

CMYK 0 / 14 / 21 / 21

HEX #CAAD9F

RGB 202 173 159

HSL 19.53, 0.29%, 0.71%

LAB 72.86, 8.3, 11.07

 

CMYK 21 / 0 / 5 / 20

HEX #A0CBC0

RGB 160 203 192

HSL 164.65, 0.29%, 0.71%

LAB 78.46, -16.38, 0.82

 

CMYK 5 / 21 / 0 / 21

HEX #BF9FCA

RGB 191 159 202

HSL 284.65, 0.29%, 0.71%

LAB 69.57, 19.56, -17.59

 

CMYK 0 / 5 / 21 / 21

HEX #CABF9F

RGB 202 191 159

HSL 44.65, 0.29%, 0.71%

LAB 77.47, -1.31, 17.56

 

CMYK 21 / 0 / 5 / 20

HEX #A0CBC0

RGB 160 203 192

HSL 164.65, 0.29%, 0.71%

LAB 78.46, -16.38, 0.82

 

CMYK 21 / 20 / 0 / 21

HEX #9FA2CA

RGB 159 162 202

HSL 235.81, 0.29%, 0.71%

LAB 67.63, 7.47, -20.78

 

CMYK 0 / 21 / 15 / 21

HEX #CA9FAB

RGB 202 159 171

HSL 343.26, 0.29%, 0.71%

LAB 69.68, 17.8, -0.12

 

CMYK 0 / 1 / 21 / 21

HEX #CAC79F

RGB 202 199 159

HSL 55.81, 0.29%, 0.71%

LAB 79.56, -5.5, 20.45

 

CMYK 21 / 0 / 5 / 20

HEX #A0CBC0

RGB 160 203 192

HSL 164.65, 0.29%, 0.71%

LAB 78.46, -16.38, 0.82

 

CMYK 16 / 21 / 0 / 21

HEX #A99FCA

RGB 169 159 202

HSL 253.95, 0.29%, 0.71%

LAB 67.65, 12.33, -20.69

 

CMYK 0 / 21 / 15 / 21

HEX #CA9FAB

RGB 202 159 171

HSL 343.26, 0.29%, 0.71%

LAB 69.68, 17.8, -0.12

 

CMYK 5 / 0 / 21 / 21

HEX #C0CA9F

RGB 192 202 159

HSL 73.95, 0.29%, 0.71%

LAB 79.59, -10.77, 20.37

 

Description

Color code: RGB 160 203 192 | qconv.com Color code: RGB 160 203 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 203 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 203 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 5 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 5% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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