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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 195 87 it is the complementary color RGB 95 60 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 195 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 160 195 87: RGB 165 195 82, RGB 182 213 101, RGB 199 231 120, RGB 216 249 139 and RGB 233 255 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 195 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 160 195 87: RGB 160 195 87, RGB 143 177 68, RGB 126 159 49, RGB 109 141 30 and RGB 92 123 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 55 / 24

HEX #A0C357

RGB 160 195 87

HSL 79.44, 0.47%, 0.55%

LAB 74.31, -28.41, 49.64

 

Complementary color

CMYK 43 / 64 / 0 / 34

HEX #5F3CA8

RGB 95 60 168

HSL 259.44, 0.47%, 0.45%

LAB 34.99, 40.48, -52.88

 

CMYK 15 / 0 / 58 / 24

HEX #A5C352

RGB 165 195 82

HSL 75.93, 0.48%, 0.54%

LAB 74.6, -26.89, 52.33

 

CMYK 15 / 0 / 53 / 16

HEX #B6D565

RGB 182 213 101

HSL 76.61, 0.57%, 0.62%

LAB 81, -27.16, 51.32

 

CMYK 14 / 0 / 48 / 9

HEX #C7E778

RGB 199 231 120

HSL 77.3, 0.7%, 0.69%

LAB 87.31, -27.36, 50.22

 

CMYK 13 / 0 / 44 / 2

HEX #D8F98B

RGB 216 249 139

HSL 78, 0.9%, 0.76%

LAB 93.54, -27.5, 49.11

 

CMYK 9 / 0 / 38 / 0

HEX #E9FF9E

RGB 233 255 158

HSL 73.61, 1%, 0.81%

LAB 96.54, -21.94, 43.97

 

CMYK 18 / 0 / 55 / 24

HEX #A0C357

RGB 160 195 87

HSL 79.44, 0.47%, 0.55%

LAB 74.31, -28.41, 49.64

 

CMYK 19 / 0 / 62 / 31

HEX #8FB144

RGB 143 177 68

HSL 78.72, 0.44%, 0.48%

LAB 67.8, -28.14, 50.59

 

CMYK 21 / 0 / 69 / 38

HEX #7E9F31

RGB 126 159 49

HSL 78, 0.53%, 0.41%

LAB 61.18, -27.75, 51.25

 

CMYK 23 / 0 / 79 / 45

HEX #6D8D1E

RGB 109 141 30

HSL 77.3, 0.65%, 0.34%

LAB 54.44, -27.18, 51.28

 

CMYK 25 / 0 / 91 / 52

HEX #5C7B0B

RGB 92 123 11

HSL 76.61, 0.84%, 0.26%

LAB 47.58, -26.34, 49.99

 

CMYK 18 / 0 / 55 / 24

HEX #A0C357

RGB 160 195 87

HSL 79.44, 0.47%, 0.55%

LAB 74.31, -28.41, 49.64

 

CMYK 27 / 0 / 56 / 24

HEX #8EC256

RGB 142 194 86

HSL 88.89, 0.47%, 0.55%

LAB 72.9, -34.88, 48.18

 

CMYK 36 / 0 / 56 / 24

HEX #7CC256

RGB 124 194 86

HSL 98.89, 0.47%, 0.55%

LAB 71.92, -41.27, 46.79

 

CMYK 45 / 0 / 56 / 24

HEX #6AC256

RGB 106 194 86

HSL 108.89, 0.47%, 0.55%

LAB 71.09, -47.05, 45.61

 

CMYK 55 / 0 / 56 / 24

HEX #58C256

RGB 88 194 86

HSL 118.89, 0.47%, 0.55%

LAB 70.41, -52.1, 44.63

 

CMYK 18 / 0 / 55 / 24

HEX #A0C357

RGB 160 195 87

HSL 79.44, 0.47%, 0.55%

LAB 74.31, -28.41, 49.64

 

CMYK 18 / 0 / 55 / 4

HEX #CAF66E

RGB 202 246 110

HSL 79.41, 0.88%, 0.7%

LAB 91.5, -34.15, 59.78

 

CMYK 19 / 0 / 55 / 84

HEX #222A13

RGB 34 42 19

HSL 80.87, 0.38%, 0.12%

LAB 15.71, -8.41, 13.85

 

CMYK 18 / 0 / 56 / 64

HEX #4C5D29

RGB 76 93 41

HSL 79.62, 0.39%, 0.26%

LAB 36.98, -15.86, 27.43

 

CMYK 18 / 0 / 56 / 44

HEX #769040

RGB 118 144 64

HSL 79.5, 0.38%, 0.41%

LAB 56.26, -22.36, 38.94

 

CMYK 18 / 0 / 55 / 24

HEX #A0C357

RGB 160 195 87

HSL 79.44, 0.47%, 0.55%

LAB 74.31, -28.41, 49.64

 

CMYK 56 / 0 / 27 / 24

HEX #56C28E

RGB 86 194 142

HSL 151.11, 0.47%, 0.55%

LAB 71.22, -43.23, 16.97

 

CMYK 5 / 56 / 0 / 24

HEX #B956C2

RGB 185 86 194

HSL 295, 0.47%, 0.55%

LAB 52.8, 55.12, -39.02

 

CMYK 18 / 0 / 55 / 24

HEX #A0C357

RGB 160 195 87

HSL 79.44, 0.47%, 0.55%

LAB 74.31, -28.41, 49.64

 

CMYK 56 / 18 / 0 / 24

HEX #56A0C2

RGB 86 160 194

HSL 198.89, 0.47%, 0.55%

LAB 62.52, -13.27, -24.52

 

CMYK 0 / 56 / 18 / 24

HEX #C256A0

RGB 194 86 160

HSL 318.89, 0.47%, 0.55%

LAB 52.58, 51.95, -19.5

 

CMYK 18 / 0 / 55 / 24

HEX #A0C357

RGB 160 195 87

HSL 79.44, 0.47%, 0.55%

LAB 74.31, -28.41, 49.64

 

CMYK 56 / 0 / 27 / 24

HEX #56C28E

RGB 86 194 142

HSL 151.11, 0.47%, 0.55%

LAB 71.22, -43.23, 16.97

 

CMYK 38 / 56 / 0 / 24

HEX #7856C2

RGB 120 86 194

HSL 258.89, 0.47%, 0.55%

LAB 45, 38.42, -51.9

 

CMYK 0 / 56 / 29 / 24

HEX #C2568A

RGB 194 86 138

HSL 331.11, 0.47%, 0.55%

LAB 51.79, 48.84, -7.68

 

CMYK 18 / 0 / 55 / 24

HEX #A0C357

RGB 160 195 87

HSL 79.44, 0.47%, 0.55%

LAB 74.31, -28.41, 49.64

 

CMYK 56 / 0 / 10 / 24

HEX #56C2AE

RGB 86 194 174

HSL 168.89, 0.47%, 0.55%

LAB 71.97, -35.87, 0.7

 

CMYK 38 / 56 / 0 / 24

HEX #7856C2

RGB 120 86 194

HSL 258.89, 0.47%, 0.55%

LAB 45, 38.42, -51.9

 

CMYK 0 / 56 / 45 / 24

HEX #C2566A

RGB 194 86 106

HSL 348.89, 0.47%, 0.55%

LAB 50.88, 45.12, 10.1

 

Description

Color code: RGB 160 195 87 | qconv.com Color code: RGB 160 195 87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 195 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 195 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 55 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 55% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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