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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 184 197 it is the complementary color RGB 95 71 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 184 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 160 184 197: RGB 165 184 192, RGB 182 202 211, RGB 199 220 230, RGB 216 238 249 and RGB 233 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 184 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 160 184 197: RGB 160 184 197, RGB 143 166 178, RGB 126 148 159, RGB 109 130 140 and RGB 92 112 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 7 / 0 / 23

HEX #A0B8C5

RGB 160 184 197

HSL 201.08, 0.24%, 0.7%

LAB 73.41, -5.4, -9.33

 

Complementary color

CMYK 0 / 25 / 39 / 63

HEX #5F473A

RGB 95 71 58

HSL 21.08, 0.24%, 0.3%

LAB 32.36, 8.25, 11.79

 

CMYK 14 / 4 / 0 / 25

HEX #A5B8C0

RGB 165 184 192

HSL 197.78, 0.18%, 0.7%

LAB 73.6, -4.86, -6.27

 

CMYK 14 / 4 / 0 / 17

HEX #B6CAD3

RGB 182 202 211

HSL 198.62, 0.25%, 0.77%

LAB 80.12, -4.92, -6.78

 

CMYK 13 / 4 / 0 / 10

HEX #C7DCE6

RGB 199 220 230

HSL 199.35, 0.38%, 0.84%

LAB 86.52, -4.98, -7.28

 

CMYK 13 / 4 / 0 / 2

HEX #D8EEF9

RGB 216 238 249

HSL 200, 0.73%, 0.91%

LAB 92.83, -5.04, -7.77

 

CMYK 9 / 0 / 0 / 0

HEX #E9FFFF

RGB 233 255 255

HSL 180, 1%, 0.96%

LAB 98.46, -7.11, -2.45

 

CMYK 19 / 7 / 0 / 23

HEX #A0B8C5

RGB 160 184 197

HSL 201.08, 0.24%, 0.7%

LAB 73.41, -5.4, -9.33

 

CMYK 20 / 7 / 0 / 30

HEX #8FA6B2

RGB 143 166 178

HSL 200.57, 0.19%, 0.63%

LAB 66.77, -5.34, -8.86

 

CMYK 21 / 7 / 0 / 38

HEX #7E949F

RGB 126 148 159

HSL 200, 0.15%, 0.56%

LAB 60, -5.29, -8.4

 

CMYK 22 / 7 / 0 / 45

HEX #6D828C

RGB 109 130 140

HSL 199.35, 0.12%, 0.49%

LAB 53.07, -5.24, -7.92

 

CMYK 24 / 7 / 0 / 53

HEX #5C7079

RGB 92 112 121

HSL 198.62, 0.14%, 0.42%

LAB 45.97, -5.2, -7.44

 

CMYK 19 / 7 / 0 / 23

HEX #A0B8C5

RGB 160 184 197

HSL 201.08, 0.24%, 0.7%

LAB 73.41, -5.4, -9.33

 

CMYK 18 / 10 / 0 / 23

HEX #A0B1C4

RGB 160 177 196

HSL 211.67, 0.23%, 0.7%

LAB 71.49, -1.84, -11.64

 

CMYK 18 / 13 / 0 / 23

HEX #A0ABC4

RGB 160 171 196

HSL 221.67, 0.23%, 0.7%

LAB 69.88, 1.43, -14.05

 

CMYK 18 / 16 / 0 / 23

HEX #A0A5C4

RGB 160 165 196

HSL 231.67, 0.23%, 0.7%

LAB 68.29, 4.74, -16.45

 

CMYK 18 / 18 / 0 / 23

HEX #A0A0C4

RGB 160 160 196

HSL 240, 0.23%, 0.7%

LAB 66.98, 7.53, -18.44

 

CMYK 19 / 7 / 0 / 23

HEX #A0B8C5

RGB 160 184 197

HSL 201.08, 0.24%, 0.7%

LAB 73.41, -5.4, -9.33

 

CMYK 19 / 6 / 0 / 3

HEX #C9E8F8

RGB 201 232 248

HSL 200.43, 0.77%, 0.88%

LAB 90.28, -6.81, -11.15

 

CMYK 18 / 7 / 0 / 83

HEX #24292C

RGB 36 41 44

HSL 202.5, 0.1%, 0.16%

LAB 16.22, -1.41, -2.72

 

CMYK 19 / 6 / 0 / 63

HEX #4D595F

RGB 77 89 95

HSL 200, 0.1%, 0.34%

LAB 37.02, -3.21, -5.03

 

CMYK 18 / 7 / 0 / 43

HEX #778892

RGB 119 136 146

HSL 202.22, 0.11%, 0.52%

LAB 55.69, -3.89, -7.42

 

CMYK 19 / 7 / 0 / 23

HEX #A0B8C5

RGB 160 184 197

HSL 201.08, 0.24%, 0.7%

LAB 73.41, -5.4, -9.33

 

CMYK 8 / 18 / 0 / 23

HEX #B4A0C4

RGB 180 160 196

HSL 273.33, 0.23%, 0.7%

LAB 68.63, 14.11, -15.79

 

CMYK 0 / 1 / 18 / 23

HEX #C4C3A0

RGB 196 195 160

HSL 58.33, 0.23%, 0.7%

LAB 78.05, -5.51, 17.76

 

CMYK 19 / 7 / 0 / 23

HEX #A0B8C5

RGB 160 184 197

HSL 201.08, 0.24%, 0.7%

LAB 73.41, -5.4, -9.33

 

CMYK 0 / 18 / 6 / 23

HEX #C4A0B8

RGB 196 160 184

HSL 320, 0.23%, 0.7%

LAB 69.71, 17.31, -7.36

 

CMYK 6 / 0 / 18 / 23

HEX #B8C4A0

RGB 184 196 160

HSL 80, 0.23%, 0.7%

LAB 77.41, -10.47, 16.72

 

CMYK 19 / 7 / 0 / 23

HEX #A0B8C5

RGB 160 184 197

HSL 201.08, 0.24%, 0.7%

LAB 73.41, -5.4, -9.33

 

CMYK 8 / 18 / 0 / 23

HEX #B4A0C4

RGB 180 160 196

HSL 273.33, 0.23%, 0.7%

LAB 68.63, 14.11, -15.79

 

CMYK 0 / 12 / 18 / 23

HEX #C4ACA0

RGB 196 172 160

HSL 20, 0.23%, 0.7%

LAB 72.08, 6.73, 9.35

 

CMYK 10 / 0 / 18 / 23

HEX #B0C4A0

RGB 176 196 160

HSL 93.33, 0.23%, 0.7%

LAB 76.83, -13.37, 15.83

 

CMYK 19 / 7 / 0 / 23

HEX #A0B8C5

RGB 160 184 197

HSL 201.08, 0.24%, 0.7%

LAB 73.41, -5.4, -9.33

 

CMYK 3 / 18 / 0 / 23

HEX #BFA0C4

RGB 191 160 196

HSL 291.67, 0.23%, 0.7%

LAB 69.61, 17.82, -14.2

 

CMYK 0 / 12 / 18 / 23

HEX #C4ACA0

RGB 196 172 160

HSL 20, 0.23%, 0.7%

LAB 72.08, 6.73, 9.35

 

CMYK 16 / 0 / 18 / 23

HEX #A5C4A0

RGB 165 196 160

HSL 111.67, 0.23%, 0.7%

LAB 76.08, -17.26, 14.67

 

Description

Color code: RGB 160 184 197 | qconv.com Color code: RGB 160 184 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 184 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 184 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 7 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 7% 0% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - Migrate2Mobile
Link: http://migrate2mobile.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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