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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 177 67 it is the complementary color RGB 95 78 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 177 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 160 177 67: RGB 165 177 62, RGB 182 195 81, RGB 199 213 100, RGB 216 231 119 and RGB 233 249 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 177 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 160 177 67: RGB 160 177 67, RGB 143 159 48, RGB 126 141 29, RGB 109 123 10 and RGB 92 105 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 62 / 31

HEX #A0B143

RGB 160 177 67

HSL 69.27, 0.45%, 0.48%

LAB 68.98, -21.28, 52.67

 

Complementary color

CMYK 49 / 59 / 0 / 26

HEX #5F4EBC

RGB 95 78 188

HSL 249.27, 0.45%, 0.52%

LAB 40.43, 35.81, -55.9

 

CMYK 7 / 0 / 65 / 31

HEX #A5B13E

RGB 165 177 62

HSL 66.26, 0.48%, 0.47%

LAB 69.32, -19.53, 55.26

 

CMYK 7 / 0 / 58 / 24

HEX #B6C351

RGB 182 195 81

HSL 66.84, 0.49%, 0.54%

LAB 75.8, -20.1, 54.47

 

CMYK 7 / 0 / 53 / 16

HEX #C7D564

RGB 199 213 100

HSL 67.43, 0.57%, 0.61%

LAB 82.19, -20.56, 53.47

 

CMYK 6 / 0 / 48 / 9

HEX #D8E777

RGB 216 231 119

HSL 68.04, 0.7%, 0.69%

LAB 88.49, -20.92, 52.39

 

CMYK 6 / 0 / 45 / 2

HEX #E9F98A

RGB 233 249 138

HSL 68.65, 0.9%, 0.76%

LAB 94.7, -21.22, 51.27

 

CMYK 10 / 0 / 62 / 31

HEX #A0B143

RGB 160 177 67

HSL 69.27, 0.45%, 0.48%

LAB 68.98, -21.28, 52.67

 

CMYK 10 / 0 / 70 / 38

HEX #8F9F30

RGB 143 159 48

HSL 68.65, 0.54%, 0.41%

LAB 62.38, -20.68, 53.26

 

CMYK 11 / 0 / 79 / 45

HEX #7E8D1D

RGB 126 141 29

HSL 68.04, 0.66%, 0.33%

LAB 55.66, -19.89, 53.17

 

CMYK 11 / 0 / 92 / 52

HEX #6D7B0A

RGB 109 123 10

HSL 67.43, 0.85%, 0.26%

LAB 48.81, -18.83, 51.71

 

CMYK 12 / 0 / 100 / 59

HEX #5C6900

RGB 92 105 0

HSL 67.43, 1%, 0.21%

LAB 41.81, -17.43, 47.89

 

CMYK 10 / 0 / 62 / 31

HEX #A0B143

RGB 160 177 67

HSL 69.27, 0.45%, 0.48%

LAB 68.98, -21.28, 52.67

 

CMYK 20 / 0 / 62 / 31

HEX #8EB143

RGB 142 177 67

HSL 79.09, 0.45%, 0.48%

LAB 67.72, -28.62, 50.93

 

CMYK 30 / 0 / 62 / 31

HEX #7CB143

RGB 124 177 67

HSL 88.91, 0.45%, 0.48%

LAB 66.62, -35.57, 49.4

 

CMYK 41 / 0 / 62 / 31

HEX #69B143

RGB 105 177 67

HSL 99.27, 0.45%, 0.48%

LAB 65.63, -42.29, 48.03

 

CMYK 51 / 0 / 62 / 31

HEX #57B143

RGB 87 177 67

HSL 109.09, 0.45%, 0.48%

LAB 64.86, -47.89, 46.96

 

CMYK 10 / 0 / 62 / 31

HEX #A0B143

RGB 160 177 67

HSL 69.27, 0.45%, 0.48%

LAB 68.98, -21.28, 52.67

 

CMYK 10 / 0 / 62 / 11

HEX #CEE456

RGB 206 228 86

HSL 69.3, 0.72%, 0.62%

LAB 86.64, -26.08, 64.65

 

CMYK 8 / 0 / 63 / 91

HEX #161809

RGB 22 24 9

HSL 68, 0.45%, 0.06%

LAB 7.62, -3.89, 7.64

 

CMYK 9 / 0 / 63 / 71

HEX #444B1C

RGB 68 75 28

HSL 68.94, 0.46%, 0.2%

LAB 30.27, -10.72, 26.53

 

CMYK 10 / 0 / 62 / 51

HEX #727E30

RGB 114 126 48

HSL 69.23, 0.45%, 0.34%

LAB 50.35, -16.18, 39.92

 

CMYK 10 / 0 / 62 / 31

HEX #A0B143

RGB 160 177 67

HSL 69.27, 0.45%, 0.48%

LAB 68.98, -21.28, 52.67

 

CMYK 62 / 0 / 41 / 31

HEX #43B169

RGB 67 177 105

HSL 140.73, 0.45%, 0.48%

LAB 64.69, -47.53, 27.8

 

CMYK 16 / 62 / 0 / 31

HEX #9543B1

RGB 149 67 177

HSL 284.73, 0.45%, 0.48%

LAB 43.62, 51.57, -43.98

 

CMYK 10 / 0 / 62 / 31

HEX #A0B143

RGB 160 177 67

HSL 69.27, 0.45%, 0.48%

LAB 68.98, -21.28, 52.67

 

CMYK 62 / 10 / 0 / 31

HEX #43A0B1

RGB 67 160 177

HSL 189.27, 0.45%, 0.48%

LAB 61.23, -22.11, -17.01

 

CMYK 0 / 62 / 10 / 31

HEX #B143A0

RGB 177 67 160

HSL 309.27, 0.45%, 0.48%

LAB 46.84, 55.7, -28.56

 

CMYK 10 / 0 / 62 / 31

HEX #A0B143

RGB 160 177 67

HSL 69.27, 0.45%, 0.48%

LAB 68.98, -21.28, 52.67

 

CMYK 62 / 0 / 41 / 31

HEX #43B169

RGB 67 177 105

HSL 140.73, 0.45%, 0.48%

LAB 64.69, -47.53, 27.8

 

CMYK 53 / 62 / 0 / 31

HEX #5343B1

RGB 83 67 177

HSL 248.73, 0.45%, 0.48%

LAB 36.04, 36.64, -56.59

 

CMYK 0 / 62 / 22 / 31

HEX #B1438A

RGB 177 67 138

HSL 321.27, 0.45%, 0.48%

LAB 45.9, 52.37, -16.83

 

CMYK 10 / 0 / 62 / 31

HEX #A0B143

RGB 160 177 67

HSL 69.27, 0.45%, 0.48%

LAB 68.98, -21.28, 52.67

 

CMYK 62 / 0 / 22 / 31

HEX #43B18A

RGB 67 177 138

HSL 158.73, 0.45%, 0.48%

LAB 65.34, -40.71, 10.81

 

CMYK 53 / 62 / 0 / 31

HEX #5343B1

RGB 83 67 177

HSL 248.73, 0.45%, 0.48%

LAB 36.04, 36.64, -56.59

 

CMYK 0 / 62 / 41 / 31

HEX #B14369

RGB 177 67 105

HSL 339.27, 0.45%, 0.48%

LAB 44.77, 48.2, 1.62

 

Description

Color code: RGB 160 177 67 | qconv.com Color code: RGB 160 177 67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 177 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 177 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 62 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 62% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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