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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 130 146 it is the complementary color RGB 95 125 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 130 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 160 130 146: RGB 165 130 141, RGB 182 148 160, RGB 199 166 179, RGB 216 184 198 and RGB 233 202 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 130 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 160 130 146: RGB 160 130 146, RGB 143 112 127, RGB 126 94 108, RGB 109 76 89 and RGB 92 58 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 9 / 37

HEX #A08292

RGB 160 130 146

HSL 328, 0.14%, 0.57%

LAB 57.57, 14.25, -4.24

 

Complementary color

CMYK 24 / 0 / 13 / 51

HEX #5F7D6D

RGB 95 125 109

HSL 148, 0.14%, 0.43%

LAB 49.74, -14.3, 5.23

 

CMYK 0 / 21 / 15 / 35

HEX #A5828D

RGB 165 130 141

HSL 341.14, 0.16%, 0.58%

LAB 57.93, 15.24, -0.77

 

CMYK 0 / 19 / 12 / 29

HEX #B694A0

RGB 182 148 160

HSL 338.82, 0.19%, 0.65%

LAB 64.69, 14.7, -1.49

 

CMYK 0 / 17 / 10 / 22

HEX #C7A6B3

RGB 199 166 179

HSL 336.36, 0.23%, 0.72%

LAB 71.33, 14.21, -2.17

 

CMYK 0 / 15 / 8 / 15

HEX #D8B8C6

RGB 216 184 198

HSL 333.75, 0.29%, 0.78%

LAB 77.85, 13.77, -2.81

 

CMYK 0 / 13 / 7 / 9

HEX #E9CAD9

RGB 233 202 217

HSL 330.97, 0.41%, 0.85%

LAB 84.26, 13.37, -3.42

 

CMYK 0 / 19 / 9 / 37

HEX #A08292

RGB 160 130 146

HSL 328, 0.14%, 0.57%

LAB 57.57, 14.25, -4.24

 

CMYK 0 / 22 / 11 / 44

HEX #8F707F

RGB 143 112 127

HSL 330.97, 0.12%, 0.5%

LAB 50.64, 14.8, -3.58

 

CMYK 0 / 25 / 14 / 51

HEX #7E5E6C

RGB 126 94 108

HSL 333.75, 0.15%, 0.43%

LAB 43.54, 15.43, -2.86

 

CMYK 0 / 30 / 18 / 57

HEX #6D4C59

RGB 109 76 89

HSL 336.36, 0.18%, 0.36%

LAB 36.26, 16.15, -2.06

 

CMYK 0 / 37 / 24 / 64

HEX #5C3A46

RGB 92 58 70

HSL 338.82, 0.23%, 0.29%

LAB 28.76, 16.99, -1.13

 

CMYK 0 / 19 / 9 / 37

HEX #A08292

RGB 160 130 146

HSL 328, 0.14%, 0.57%

LAB 57.57, 14.25, -4.24

 

CMYK 0 / 19 / 12 / 37

HEX #A0818D

RGB 160 129 141

HSL 336.77, 0.14%, 0.57%

LAB 57.17, 13.92, -1.95

 

CMYK 0 / 19 / 15 / 37

HEX #A08188

RGB 160 129 136

HSL 346.45, 0.14%, 0.57%

LAB 57.03, 13.06, 0.73

 

CMYK 0 / 19 / 18 / 37

HEX #A08183

RGB 160 129 131

HSL 356.13, 0.14%, 0.57%

LAB 56.89, 12.22, 3.42

 

CMYK 0 / 16 / 19 / 37

HEX #A08681

RGB 160 134 129

HSL 9.68, 0.14%, 0.57%

LAB 58.14, 9.05, 6.37

 

CMYK 0 / 19 / 9 / 37

HEX #A08292

RGB 160 130 146

HSL 328, 0.14%, 0.57%

LAB 57.57, 14.25, -4.24

 

CMYK 0 / 19 / 9 / 17

HEX #D3ABC1

RGB 211 171 193

HSL 327, 0.31%, 0.75%

LAB 74.08, 18.17, -5.69

 

CMYK 0 / 14 / 14 / 97

HEX #070606

RGB 7 6 6

HSL 0, 0.08%, 0.03%

LAB 1.7, 0.26, 0.09

 

CMYK 0 / 19 / 9 / 77

HEX #3A2F35

RGB 58 47 53

HSL 327.27, 0.1%, 0.21%

LAB 20.79, 6.24, -1.96

 

CMYK 0 / 18 / 9 / 57

HEX #6D5963

RGB 109 89 99

HSL 330, 0.1%, 0.39%

LAB 40.08, 10.04, -2.66

 

CMYK 0 / 19 / 9 / 37

HEX #A08292

RGB 160 130 146

HSL 328, 0.14%, 0.57%

LAB 57.57, 14.25, -4.24

 

CMYK 0 / 6 / 19 / 37

HEX #A09681

RGB 160 150 129

HSL 40.65, 0.14%, 0.57%

LAB 62.4, 0.09, 12.41

 

CMYK 19 / 1 / 0 / 37

HEX #819EA0

RGB 129 158 160

HSL 183.87, 0.14%, 0.57%

LAB 63.06, -9.57, -4.39

 

CMYK 0 / 19 / 9 / 37

HEX #A08292

RGB 160 130 146

HSL 328, 0.14%, 0.57%

LAB 57.57, 14.25, -4.24

 

CMYK 9 / 0 / 19 / 37

HEX #92A081

RGB 146 160 129

HSL 87.1, 0.14%, 0.57%

LAB 64.03, -10.73, 14.52

 

CMYK 19 / 9 / 0 / 37

HEX #8192A0

RGB 129 146 160

HSL 207.1, 0.14%, 0.57%

LAB 59.67, -2.95, -9.42

 

CMYK 0 / 19 / 9 / 37

HEX #A08292

RGB 160 130 146

HSL 328, 0.14%, 0.57%

LAB 57.57, 14.25, -4.24

 

CMYK 0 / 6 / 19 / 37

HEX #A09681

RGB 160 150 129

HSL 40.65, 0.14%, 0.57%

LAB 62.4, 0.09, 12.41

 

CMYK 19 / 0 / 10 / 37

HEX #81A090

RGB 129 160 144

HSL 149.03, 0.14%, 0.57%

LAB 63.2, -14.07, 4.8

 

CMYK 19 / 13 / 0 / 37

HEX #818CA0

RGB 129 140 160

HSL 218.71, 0.14%, 0.57%

LAB 58, 0.43, -11.93

 

CMYK 0 / 19 / 9 / 37

HEX #A08292

RGB 160 130 146

HSL 328, 0.14%, 0.57%

LAB 57.57, 14.25, -4.24

 

CMYK 0 / 1 / 19 / 37

HEX #A09F81

RGB 160 159 129

HSL 58.06, 0.14%, 0.57%

LAB 64.85, -4.83, 15.83

 

CMYK 19 / 0 / 10 / 37

HEX #81A090

RGB 129 160 144

HSL 149.03, 0.14%, 0.57%

LAB 63.2, -14.07, 4.8

 

CMYK 19 / 18 / 0 / 37

HEX #8183A0

RGB 129 131 160

HSL 236.13, 0.14%, 0.57%

LAB 55.52, 5.61, -15.68

 

Description

Color code: RGB 160 130 146 | qconv.com Color code: RGB 160 130 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 130 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 130 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 9 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 9% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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