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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 124 105 it is the complementary color RGB 95 131 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 124 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 160 124 105: RGB 165 124 100, RGB 182 142 119, RGB 199 160 138, RGB 216 178 157 and RGB 233 196 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 124 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 160 124 105: RGB 160 124 105, RGB 143 106 86, RGB 126 88 67, RGB 109 70 48 and RGB 92 52 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 34 / 37

HEX #A07C69

RGB 160 124 105

HSL 20.73, 0.22%, 0.52%

LAB 54.98, 11.2, 15.73

 

Complementary color

CMYK 37 / 13 / 0 / 41

HEX #5F8396

RGB 95 131 150

HSL 200.73, 0.22%, 0.48%

LAB 52.8, -7.64, -14.23

 

CMYK 0 / 25 / 39 / 35

HEX #A57C64

RGB 165 124 100

HSL 22.15, 0.27%, 0.52%

LAB 55.42, 12.64, 19.28

 

CMYK 0 / 22 / 35 / 29

HEX #B68E77

RGB 182 142 119

HSL 21.9, 0.3%, 0.59%

LAB 62.19, 11.88, 18.05

 

CMYK 0 / 20 / 31 / 22

HEX #C7A08A

RGB 199 160 138

HSL 21.64, 0.35%, 0.66%

LAB 68.84, 11.23, 16.93

 

CMYK 0 / 18 / 27 / 15

HEX #D8B29D

RGB 216 178 157

HSL 21.36, 0.43%, 0.73%

LAB 75.37, 10.65, 15.89

 

CMYK 0 / 16 / 24 / 9

HEX #E9C4B0

RGB 233 196 176

HSL 21.05, 0.56%, 0.8%

LAB 81.8, 10.14, 14.93

 

CMYK 0 / 23 / 34 / 37

HEX #A07C69

RGB 160 124 105

HSL 20.73, 0.22%, 0.52%

LAB 54.98, 11.2, 15.73

 

CMYK 0 / 26 / 40 / 44

HEX #8F6A56

RGB 143 106 86

HSL 21.05, 0.25%, 0.45%

LAB 48.03, 11.99, 16.99

 

CMYK 0 / 30 / 47 / 51

HEX #7E5843

RGB 126 88 67

HSL 21.36, 0.31%, 0.38%

LAB 40.93, 12.94, 18.41

 

CMYK 0 / 36 / 56 / 57

HEX #6D4630

RGB 109 70 48

HSL 21.64, 0.39%, 0.31%

LAB 33.66, 14.11, 20.06

 

CMYK 0 / 43 / 68 / 64

HEX #5C341D

RGB 92 52 29

HSL 21.9, 0.52%, 0.24%

LAB 26.22, 15.6, 21.99

 

CMYK 0 / 23 / 34 / 37

HEX #A07C69

RGB 160 124 105

HSL 20.73, 0.22%, 0.52%

LAB 54.98, 11.2, 15.73

 

CMYK 0 / 17 / 34 / 38

HEX #9F8469

RGB 159 132 105

HSL 30, 0.22%, 0.52%

LAB 56.97, 6.25, 18.44

 

CMYK 0 / 11 / 34 / 38

HEX #9F8D69

RGB 159 141 105

HSL 40, 0.22%, 0.52%

LAB 59.38, 1.21, 21.7

 

CMYK 0 / 6 / 34 / 38

HEX #9F9669

RGB 159 150 105

HSL 50, 0.22%, 0.52%

LAB 61.83, -3.76, 24.97

 

CMYK 0 / 0 / 34 / 38

HEX #9F9F69

RGB 159 159 105

HSL 60, 0.22%, 0.52%

LAB 64.31, -8.62, 28.24

 

CMYK 0 / 23 / 34 / 37

HEX #A07C69

RGB 160 124 105

HSL 20.73, 0.22%, 0.52%

LAB 54.98, 11.2, 15.73

 

CMYK 0 / 22 / 35 / 17

HEX #D3A48A

RGB 211 164 138

HSL 21.37, 0.45%, 0.68%

LAB 71.03, 13.77, 20.15

 

CMYK 0 / 29 / 29 / 97

HEX #070505

RGB 7 5 5

HSL 0, 0.17%, 0.02%

LAB 1.49, 0.52, 0.18

 

CMYK 0 / 22 / 34 / 77

HEX #3A2D26

RGB 58 45 38

HSL 21, 0.21%, 0.19%

LAB 19.71, 4.69, 6.79

 

CMYK 0 / 23 / 34 / 57

HEX #6D5448

RGB 109 84 72

HSL 19.46, 0.2%, 0.35%

LAB 37.95, 8.48, 10.99

 

CMYK 0 / 23 / 34 / 37

HEX #A07C69

RGB 160 124 105

HSL 20.73, 0.22%, 0.52%

LAB 54.98, 11.2, 15.73

 

CMYK 18 / 0 / 34 / 38

HEX #829F69

RGB 130 159 105

HSL 92.22, 0.22%, 0.52%

LAB 62.14, -20.09, 24.97

 

CMYK 34 / 31 / 0 / 38

HEX #696D9F

RGB 105 109 159

HSL 235.56, 0.22%, 0.52%

LAB 47.55, 10.8, -27.5

 

CMYK 0 / 23 / 34 / 37

HEX #A07C69

RGB 160 124 105

HSL 20.73, 0.22%, 0.52%

LAB 54.98, 11.2, 15.73

 

CMYK 34 / 0 / 23 / 38

HEX #699F7B

RGB 105 159 123

HSL 140, 0.22%, 0.52%

LAB 60.98, -25.77, 13.22

 

CMYK 23 / 34 / 0 / 38

HEX #7B699F

RGB 123 105 159

HSL 260, 0.22%, 0.52%

LAB 48.03, 18.8, -26.64

 

CMYK 0 / 23 / 34 / 37

HEX #A07C69

RGB 160 124 105

HSL 20.73, 0.22%, 0.52%

LAB 54.98, 11.2, 15.73

 

CMYK 18 / 0 / 34 / 38

HEX #829F69

RGB 130 159 105

HSL 92.22, 0.22%, 0.52%

LAB 62.14, -20.09, 24.97

 

CMYK 34 / 11 / 0 / 38

HEX #698D9F

RGB 105 141 159

HSL 200, 0.22%, 0.52%

LAB 56.64, -7.94, -13.57

 

CMYK 16 / 34 / 0 / 38

HEX #86699F

RGB 134 105 159

HSL 272.22, 0.22%, 0.52%

LAB 49.1, 22.35, -24.89

 

CMYK 0 / 23 / 34 / 37

HEX #A07C69

RGB 160 124 105

HSL 20.73, 0.22%, 0.52%

LAB 54.98, 11.2, 15.73

 

CMYK 28 / 0 / 34 / 38

HEX #729F69

RGB 114 159 105

HSL 110, 0.22%, 0.52%

LAB 61.13, -25.98, 23.45

 

CMYK 34 / 11 / 0 / 38

HEX #698D9F

RGB 105 141 159

HSL 200, 0.22%, 0.52%

LAB 56.64, -7.94, -13.57

 

CMYK 6 / 34 / 0 / 38

HEX #96699F

RGB 150 105 159

HSL 290, 0.22%, 0.52%

LAB 50.79, 27.63, -22.14

 

Description

Color code: RGB 160 124 105 | qconv.com Color code: RGB 160 124 105 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 124 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 124 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 34 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 34% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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