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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 113 58 it is the complementary color RGB 95 142 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 113 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 160 113 58: RGB 165 113 53, RGB 182 131 72, RGB 199 149 91, RGB 216 167 110 and RGB 233 185 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 113 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 160 113 58: RGB 160 113 58, RGB 143 95 39, RGB 126 77 20, RGB 109 59 1 and RGB 92 41 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 64 / 37

HEX #A0713A

RGB 160 113 58

HSL 32.35, 0.47%, 0.43%

LAB 51.37, 12.68, 37.32

 

Complementary color

CMYK 52 / 28 / 0 / 23

HEX #5F8EC5

RGB 95 142 197

HSL 212.35, 0.47%, 0.57%

LAB 57.86, -0.27, -33.39

 

CMYK 0 / 32 / 68 / 35

HEX #A57135

RGB 165 113 53

HSL 32.14, 0.51%, 0.43%

LAB 51.91, 14.57, 40.65

 

CMYK 0 / 28 / 60 / 29

HEX #B68348

RGB 182 131 72

HSL 32.18, 0.43%, 0.5%

LAB 58.64, 13.22, 39.17

 

CMYK 0 / 25 / 54 / 22

HEX #C7955B

RGB 199 149 91

HSL 32.22, 0.49%, 0.57%

LAB 65.27, 12.08, 37.69

 

CMYK 0 / 23 / 49 / 15

HEX #D8A76E

RGB 216 167 110

HSL 32.26, 0.58%, 0.64%

LAB 71.8, 11.11, 36.28

 

CMYK 0 / 21 / 45 / 9

HEX #E9B981

RGB 233 185 129

HSL 32.31, 0.7%, 0.71%

LAB 78.23, 10.27, 34.95

 

CMYK 0 / 29 / 64 / 37

HEX #A0713A

RGB 160 113 58

HSL 32.35, 0.47%, 0.43%

LAB 51.37, 12.68, 37.32

 

CMYK 0 / 34 / 73 / 44

HEX #8F5F27

RGB 143 95 39

HSL 32.31, 0.57%, 0.36%

LAB 44.48, 14.17, 38.78

 

CMYK 0 / 39 / 84 / 51

HEX #7E4D14

RGB 126 77 20

HSL 32.26, 0.73%, 0.29%

LAB 37.47, 15.99, 39.84

 

CMYK 0 / 46 / 99 / 57

HEX #6D3B01

RGB 109 59 1

HSL 32.22, 0.98%, 0.22%

LAB 30.35, 18.18, 40.24

 

CMYK 0 / 55 / 100 / 64

HEX #5C2900

RGB 92 41 0

HSL 26.74, 1%, 0.18%

LAB 23.21, 20.9, 33.28

 

CMYK 0 / 29 / 64 / 37

HEX #A0713A

RGB 160 113 58

HSL 32.35, 0.47%, 0.43%

LAB 51.37, 12.68, 37.32

 

CMYK 0 / 19 / 64 / 37

HEX #A1823A

RGB 161 130 58

HSL 41.94, 0.47%, 0.43%

LAB 55.94, 3.51, 42.52

 

CMYK 0 / 9 / 64 / 37

HEX #A1933A

RGB 161 147 58

HSL 51.84, 0.47%, 0.43%

LAB 60.56, -5.86, 47.58

 

CMYK 2 / 0 / 64 / 37

HEX #9DA13A

RGB 157 161 58

HSL 62.33, 0.47%, 0.43%

LAB 64.13, -15.04, 51.29

 

CMYK 13 / 0 / 64 / 37

HEX #8CA13A

RGB 140 161 58

HSL 72.23, 0.47%, 0.43%

LAB 62.82, -22.29, 49.5

 

CMYK 0 / 29 / 64 / 37

HEX #A0713A

RGB 160 113 58

HSL 32.35, 0.47%, 0.43%

LAB 51.37, 12.68, 37.32

 

CMYK 0 / 29 / 64 / 17

HEX #D3954C

RGB 211 149 76

HSL 32.44, 0.61%, 0.56%

LAB 66.42, 16.03, 46.99

 

CMYK 0 / 29 / 57 / 97

HEX #070503

RGB 7 5 3

HSL 30, 0.4%, 0.02%

LAB 1.45, 0.25, 0.94

 

CMYK 0 / 29 / 64 / 77

HEX #3A2915

RGB 58 41 21

HSL 32.43, 0.47%, 0.15%

LAB 18.1, 5.09, 16.1

 

CMYK 0 / 29 / 63 / 57

HEX #6D4D28

RGB 109 77 40

HSL 32.17, 0.46%, 0.29%

LAB 35.42, 9.1, 26.96

 

CMYK 0 / 29 / 64 / 37

HEX #A0713A

RGB 160 113 58

HSL 32.35, 0.47%, 0.43%

LAB 51.37, 12.68, 37.32

 

CMYK 47 / 0 / 64 / 37

HEX #55A13A

RGB 85 161 58

HSL 104.27, 0.47%, 0.43%

LAB 59.64, -42.92, 45.12

 

CMYK 56 / 64 / 0 / 37

HEX #473AA1

RGB 71 58 161

HSL 247.57, 0.47%, 0.43%

LAB 31.67, 34.79, -54.17

 

CMYK 0 / 29 / 64 / 37

HEX #A0713A

RGB 160 113 58

HSL 32.35, 0.47%, 0.43%

LAB 51.37, 12.68, 37.32

 

CMYK 64 / 0 / 30 / 37

HEX #3AA171

RGB 58 161 113

HSL 152.04, 0.47%, 0.43%

LAB 59.51, -41.18, 16.45

 

CMYK 30 / 64 / 0 / 37

HEX #713AA1

RGB 113 58 161

HSL 272.04, 0.47%, 0.43%

LAB 36.2, 43.75, -46.62

 

CMYK 0 / 29 / 64 / 37

HEX #A0713A

RGB 160 113 58

HSL 32.35, 0.47%, 0.43%

LAB 51.37, 12.68, 37.32

 

CMYK 47 / 0 / 64 / 37

HEX #55A13A

RGB 85 161 58

HSL 104.27, 0.47%, 0.43%

LAB 59.64, -42.92, 45.12

 

CMYK 64 / 34 / 0 / 37

HEX #3A6AA1

RGB 58 106 161

HSL 212.04, 0.47%, 0.43%

LAB 43.92, 1.53, -34.57

 

CMYK 17 / 64 / 0 / 37

HEX #853AA1

RGB 133 58 161

HSL 283.69, 0.47%, 0.43%

LAB 38.87, 48.57, -42.18

 

CMYK 0 / 29 / 64 / 37

HEX #A0713A

RGB 160 113 58

HSL 32.35, 0.47%, 0.43%

LAB 51.37, 12.68, 37.32

 

CMYK 64 / 0 / 62 / 37

HEX #3AA13D

RGB 58 161 61

HSL 121.75, 0.47%, 0.43%

LAB 58.72, -49.89, 42.47

 

CMYK 64 / 34 / 0 / 37

HEX #3A6AA1

RGB 58 106 161

HSL 212.04, 0.47%, 0.43%

LAB 43.92, 1.53, -34.57

 

CMYK 0 / 64 / 2 / 37

HEX #A13A9D

RGB 161 58 157

HSL 302.33, 0.47%, 0.43%

LAB 42.82, 54.84, -33.25

 

Description

Color code: RGB 160 113 58 | qconv.com Color code: RGB 160 113 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 113 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 113 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 64 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 64% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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