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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 97 28 it is the complementary color RGB 240 158 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 97 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 15 97 28: RGB 20 97 23, RGB 37 115 42, RGB 54 133 61, RGB 71 151 80 and RGB 88 169 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 97 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 15 97 28: RGB 15 97 28, RGB 0 79 9, RGB 0 61 0, RGB 0 43 0 and RGB 0 25 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 71 / 62

HEX #0F611C

RGB 15 97 28

HSL 129.51, 0.73%, 0.22%

LAB 35.47, -38.57, 31.61

 

Complementary color

CMYK 0 / 34 / 5 / 6

HEX #F09EE3

RGB 240 158 227

HSL 309.51, 0.73%, 0.78%

LAB 75.15, 40.79, -22.38

 

CMYK 79 / 0 / 76 / 62

HEX #146117

RGB 20 97 23

HSL 122.34, 0.66%, 0.23%

LAB 35.52, -38.31, 33.92

 

CMYK 68 / 0 / 63 / 55

HEX #25732A

RGB 37 115 42

HSL 123.85, 0.51%, 0.3%

LAB 42.49, -39.48, 32.85

 

CMYK 59 / 0 / 54 / 48

HEX #36853D

RGB 54 133 61

HSL 125.32, 0.42%, 0.37%

LAB 49.37, -39.96, 31.45

 

CMYK 53 / 0 / 47 / 41

HEX #479750

RGB 71 151 80

HSL 126.75, 0.36%, 0.44%

LAB 56.14, -40.07, 30.02

 

CMYK 48 / 0 / 41 / 34

HEX #58A963

RGB 88 169 99

HSL 128.15, 0.32%, 0.5%

LAB 62.8, -39.99, 28.65

 

CMYK 85 / 0 / 71 / 62

HEX #0F611C

RGB 15 97 28

HSL 129.51, 0.73%, 0.22%

LAB 35.47, -38.57, 31.61

NCS® S4550-G20Y

CMYK 100 / 0 / 89 / 69

HEX #004F09

RGB 0 79 9

HSL 126.84, 1%, 0.15%

LAB 28.41, -36.18, 32.17

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 100 / 0 / 100 / 90

HEX #001900

RGB 0 25 0

HSL 120, 1%, 0.05%

LAB 6.28, -12.83, 9.17

 

CMYK 85 / 0 / 71 / 62

HEX #0F611C

RGB 15 97 28

HSL 129.51, 0.73%, 0.22%

LAB 35.47, -38.57, 31.61

NCS® S4550-G20Y

CMYK 85 / 0 / 58 / 62

HEX #0F6129

RGB 15 97 41

HSL 139.02, 0.73%, 0.22%

LAB 35.62, -36.76, 25.15

 

CMYK 85 / 0 / 44 / 62

HEX #0F6136

RGB 15 97 54

HSL 148.54, 0.73%, 0.22%

LAB 35.82, -34.33, 18.02

 

CMYK 85 / 0 / 30 / 62

HEX #0F6144

RGB 15 97 68

HSL 158.78, 0.73%, 0.22%

LAB 36.12, -31.06, 10.01

 

CMYK 85 / 0 / 15 / 62

HEX #0F6152

RGB 15 97 82

HSL 169.02, 0.73%, 0.22%

LAB 36.48, -27.18, 1.92

 

CMYK 85 / 0 / 71 / 62

HEX #0F611C

RGB 15 97 28

HSL 129.51, 0.73%, 0.22%

LAB 35.47, -38.57, 31.61

NCS® S4550-G20Y

CMYK 84 / 0 / 71 / 42

HEX #17942B

RGB 23 148 43

HSL 129.6, 0.73%, 0.34%

LAB 53.53, -53.27, 44.45

 

CMYK 84 / 0 / 71 / 22

HEX #1FC739

RGB 31 199 57

HSL 129.29, 0.73%, 0.45%

LAB 70.48, -67.03, 56.74

 

CMYK 84 / 0 / 71 / 2

HEX #27FA48

RGB 39 250 72

HSL 129.38, 0.95%, 0.57%

LAB 86.64, -80, 68.03

 

CMYK 85 / 0 / 72 / 82

HEX #072E0D

RGB 7 46 13

HSL 129.23, 0.74%, 0.1%

LAB 15.63, -22, 16.77

 

CMYK 85 / 0 / 71 / 62

HEX #0F611C

RGB 15 97 28

HSL 129.51, 0.73%, 0.22%

LAB 35.47, -38.57, 31.61

NCS® S4550-G20Y

CMYK 85 / 30 / 0 / 62

HEX #0F4461

RGB 15 68 97

HSL 201.22, 0.73%, 0.22%

LAB 27.01, -5.58, -21.89

 

CMYK 0 / 85 / 64 / 62

HEX #610F23

RGB 97 15 35

HSL 345.37, 0.73%, 0.22%

LAB 20.06, 36.83, 10.43

 

CMYK 85 / 0 / 71 / 62

HEX #0F611C

RGB 15 97 28

HSL 129.51, 0.73%, 0.22%

LAB 35.47, -38.57, 31.61

NCS® S4550-G20Y

CMYK 72 / 85 / 0 / 62

HEX #1B0F61

RGB 27 15 97

HSL 248.78, 0.73%, 0.22%

LAB 12.21, 32.48, -45.74

 

CMYK 0 / 72 / 85 / 62

HEX #611B0F

RGB 97 27 15

HSL 8.78, 0.73%, 0.22%

LAB 21.43, 30.97, 25.29

 

CMYK 85 / 0 / 71 / 62

HEX #0F611C

RGB 15 97 28

HSL 129.51, 0.73%, 0.22%

LAB 35.47, -38.57, 31.61

NCS® S4550-G20Y

CMYK 85 / 30 / 0 / 62

HEX #0F4461

RGB 15 68 97

HSL 201.22, 0.73%, 0.22%

LAB 27.01, -5.58, -21.89

 

CMYK 0 / 85 / 13 / 62

HEX #610F54

RGB 97 15 84

HSL 309.51, 0.73%, 0.22%

LAB 22.03, 42.64, -20.62

 

CMYK 0 / 56 / 85 / 62

HEX #612B0F

RGB 97 43 15

HSL 20.49, 0.73%, 0.22%

LAB 24.65, 22.53, 28.59

 

CMYK 85 / 0 / 71 / 62

HEX #0F611C

RGB 15 97 28

HSL 129.51, 0.73%, 0.22%

LAB 35.47, -38.57, 31.61

NCS® S4550-G20Y

CMYK 85 / 56 / 0 / 62

HEX #0F2B61

RGB 15 43 97

HSL 219.51, 0.73%, 0.22%

LAB 18.77, 11.9, -35.03

 

CMYK 0 / 85 / 13 / 62

HEX #610F54

RGB 97 15 84

HSL 309.51, 0.73%, 0.22%

LAB 22.03, 42.64, -20.62

 

CMYK 0 / 30 / 85 / 62

HEX #61440F

RGB 97 68 15

HSL 38.78, 0.73%, 0.22%

LAB 31.14, 7.23, 34.71

 

Description

Color code: RGB 15 97 28 | qconv.com Color code: RGB 15 97 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 97 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 97 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 71 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 71% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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