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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 185 193 it is the complementary color RGB 240 70 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 185 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 185 193 shade: RGB 20 185 188, RGB 37 203 207, RGB 54 221 226, RGB 71 239 245 and RGB 88 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 185 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 185 193 shade: RGB 15 185 193, RGB 0 167 174, RGB 0 149 155, RGB 0 131 136 and RGB 0 113 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 185 193 shade: RGB 14 186 194, RGB 14 137 194, RGB 14 89 194, RGB 14 40 194 and RGB 36 14 194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 185 193 shade: RGB 14 186 194, RGB 14 137 194, RGB 14 89 194, RGB 14 40 194 and RGB 14 14 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 185 193 shade matches the following richer shades: RGB 14 186 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 185 193 shade: RGB 14 186 194, RGB 31 170 177, RGB 48 155 160, RGB 65 140 143 and RGB 82 124 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 185 193 shade: RGB 14 194 104, RGB 14 194 152, RGB 14 188 194, RGB 14 140 194 and RGB 14 92 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 185 193 shade: RGB 8 112 117, RGB 11 149 156, RGB 14 186 194, RGB 17 223 232 and RGB 51 231 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 185 193 shade: RGB 15 185 193, RGB 56 14 194 and RGB 194 128 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 185 193 shade: RGB 15 185 193, RGB 194 14 188 and RGB 188 194 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 185 193 shade: RGB 15 185 193, RGB 56 14 194, RGB 194 20 14 and RGB 152 194 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 185 193 shade: RGB 15 185 193, RGB 110 14 194, RGB 194 20 14 and RGB 98 194 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 4 / 0 / 24

HEX #0FB9C1

RGB 15 185 193

HSL 182.7, 0.86%, 0.41%

LAB 68.5, -34.83, -15.01

 

Complementary color

CMYK 0 / 71 / 74 / 6

HEX #F0463E

RGB 240 70 62

HSL 2.7, 0.86%, 0.59%

LAB 55.33, 64.06, 42.9

 

CMYK 89 / 2 / 0 / 26

HEX #14B9BC

RGB 20 185 188

HSL 181.07, 0.81%, 0.41%

LAB 68.37, -36.15, -12.45

 

CMYK 82 / 2 / 0 / 19

HEX #25CBCF

RGB 37 203 207

HSL 181.41, 0.7%, 0.48%

LAB 74.58, -37.65, -13.49

 

CMYK 76 / 2 / 0 / 11

HEX #36DDE2

RGB 54 221 226

HSL 181.74, 0.75%, 0.55%

LAB 80.73, -38.84, -14.42

 

CMYK 71 / 2 / 0 / 4

HEX #47EFF5

RGB 71 239 245

HSL 182.07, 0.9%, 0.62%

LAB 86.83, -39.76, -15.28

 

CMYK 65 / 0 / 0 / 0

HEX #58FFFF

RGB 88 255 255

HSL 180, 1%, 0.67%

LAB 92.05, -42.03, -12.65

 

CMYK 92 / 4 / 0 / 24

HEX #0FB9C1

RGB 15 185 193

HSL 182.7, 0.86%, 0.41%

LAB 68.5, -34.83, -15.01

 

CMYK 100 / 4 / 0 / 32

HEX #00A7AE

RGB 0 167 174

HSL 182.41, 1%, 0.34%

LAB 62.25, -32.82, -13.89

 

CMYK 100 / 4 / 0 / 39

HEX #00959B

RGB 0 149 155

HSL 182.32, 1%, 0.3%

LAB 55.95, -30.28, -12.61

 

CMYK 100 / 4 / 0 / 47

HEX #008388

RGB 0 131 136

HSL 182.21, 1%, 0.27%

LAB 49.51, -27.69, -11.3

 

CMYK 100 / 3 / 0 / 54

HEX #007175

RGB 0 113 117

HSL 182.05, 1%, 0.23%

LAB 42.91, -25.03, -9.96

 

CMYK 93 / 4 / 0 / 24

HEX #0EBAC2

RGB 14 186 194

HSL 182.67, 0.87%, 0.41%

LAB 68.83, -35.03, -15.06

 

CMYK 93 / 29 / 0 / 24

HEX #0E89C2

RGB 14 137 194

HSL 199, 0.87%, 0.41%

LAB 53.9, -9.63, -38.06

 

CMYK 93 / 54 / 0 / 24

HEX #0E59C2

RGB 14 89 194

HSL 215, 0.87%, 0.41%

LAB 39.8, 20.29, -60.59

 

CMYK 93 / 79 / 0 / 24

HEX #0E28C2

RGB 14 40 194

HSL 231.33, 0.87%, 0.41%

LAB 28.13, 51.04, -79.78

 

CMYK 81 / 93 / 0 / 24

HEX #240EC2

RGB 36 14 194

HSL 247.33, 0.87%, 0.41%

LAB 25.52, 61.89, -84.11

 

CMYK 93 / 4 / 0 / 24

HEX #0EBAC2

RGB 14 186 194

HSL 182.67, 0.87%, 0.41%

LAB 68.83, -35.03, -15.06

 

CMYK 93 / 29 / 0 / 24

HEX #0E89C2

RGB 14 137 194

HSL 199, 0.87%, 0.41%

LAB 53.9, -9.63, -38.06

 

CMYK 93 / 54 / 0 / 24

HEX #0E59C2

RGB 14 89 194

HSL 215, 0.87%, 0.41%

LAB 39.8, 20.29, -60.59

 

CMYK 93 / 79 / 0 / 24

HEX #0E28C2

RGB 14 40 194

HSL 231.33, 0.87%, 0.41%

LAB 28.13, 51.04, -79.78

 

CMYK 93 / 93 / 0 / 24

HEX #0E0EC2

RGB 14 14 194

HSL 240, 0.87%, 0.41%

LAB 24.65, 61.43, -85.58

 

CMYK 93 / 4 / 0 / 24

HEX #0EBAC2

RGB 14 186 194

HSL 182.67, 0.87%, 0.41%

LAB 68.83, -35.03, -15.06

 

CMYK 93 / 4 / 0 / 24

HEX #0EBAC2

RGB 14 186 194

HSL 182.67, 0.87%, 0.41%

LAB 68.83, -35.03, -15.06

 

CMYK 82 / 4 / 0 / 31

HEX #1FAAB1

RGB 31 170 177

HSL 182.88, 0.7%, 0.41%

LAB 63.52, -31.74, -13.62

 

CMYK 70 / 3 / 0 / 37

HEX #309BA0

RGB 48 155 160

HSL 182.68, 0.54%, 0.41%

LAB 58.61, -27.79, -11.4

 

CMYK 55 / 2 / 0 / 44

HEX #418C8F

RGB 65 140 143

HSL 182.31, 0.38%, 0.41%

LAB 53.88, -22.2, -8.69

 

CMYK 35 / 2 / 0 / 51

HEX #527C7E

RGB 82 124 126

HSL 182.73, 0.21%, 0.41%

LAB 49.15, -13.94, -5.73

 

CMYK 93 / 0 / 46 / 24

HEX #0EC268

RGB 14 194 104

HSL 150, 0.87%, 0.41%

LAB 69.24, -60.54, 34.04

 

CMYK 93 / 0 / 22 / 24

HEX #0EC298

RGB 14 194 152

HSL 166, 0.87%, 0.41%

LAB 70.14, -50.32, 9.85

 

CMYK 93 / 3 / 0 / 24

HEX #0EBCC2

RGB 14 188 194

HSL 182, 0.87%, 0.41%

LAB 69.44, -35.96, -14.15

 

CMYK 93 / 28 / 0 / 24

HEX #0E8CC2

RGB 14 140 194

HSL 198, 0.87%, 0.41%

LAB 54.81, -11.34, -36.63

 

CMYK 93 / 53 / 0 / 24

HEX #0E5CC2

RGB 14 92 194

HSL 214, 0.87%, 0.41%

LAB 40.64, 18.3, -59.23

 

CMYK 93 / 4 / 0 / 54

HEX #087075

RGB 8 112 117

HSL 182.75, 0.87%, 0.25%

LAB 42.65, -24.02, -10.34

 

CMYK 93 / 4 / 0 / 39

HEX #0B959C

RGB 11 149 156

HSL 182.9, 0.87%, 0.33%

LAB 56.05, -29.49, -13.02

 

CMYK 93 / 4 / 0 / 24

HEX #0EBAC2

RGB 14 186 194

HSL 182.67, 0.87%, 0.41%

LAB 68.83, -35.03, -15.06

 

CMYK 93 / 4 / 0 / 9

HEX #11DFE8

RGB 17 223 232

HSL 182.51, 0.86%, 0.49%

LAB 81.14, -40.34, -17.04

 

CMYK 79 / 3 / 0 / 6

HEX #33E7EF

RGB 51 231 239

HSL 182.55, 0.85%, 0.57%

LAB 84.01, -39.89, -16.39

 

CMYK 92 / 4 / 0 / 24

HEX #0FB9C1

RGB 15 185 193

HSL 182.7, 0.86%, 0.41%

LAB 68.5, -34.83, -15.01

 

CMYK 71 / 93 / 0 / 24

HEX #380EC2

RGB 56 14 194

HSL 254, 0.87%, 0.41%

LAB 26.88, 62.67, -81.81

 

CMYK 0 / 34 / 93 / 24

HEX #C2800E

RGB 194 128 14

HSL 38, 0.87%, 0.41%

LAB 58.92, 17.69, 62.51

 

CMYK 92 / 4 / 0 / 24

HEX #0FB9C1

RGB 15 185 193

HSL 182.7, 0.86%, 0.41%

LAB 68.5, -34.83, -15.01

 

CMYK 0 / 93 / 3 / 24

HEX #C20EBC

RGB 194 14 188

HSL 302, 0.87%, 0.41%

LAB 46.2, 77.86, -45.92

 

CMYK 3 / 0 / 93 / 24

HEX #BCC20E

RGB 188 194 14

HSL 62, 0.87%, 0.41%

LAB 75.64, -19.97, 74.87

 

CMYK 92 / 4 / 0 / 24

HEX #0FB9C1

RGB 15 185 193

HSL 182.7, 0.86%, 0.41%

LAB 68.5, -34.83, -15.01

 

CMYK 71 / 93 / 0 / 24

HEX #380EC2

RGB 56 14 194

HSL 254, 0.87%, 0.41%

LAB 26.88, 62.67, -81.81

 

CMYK 0 / 90 / 93 / 24

HEX #C2140E

RGB 194 20 14

HSL 2, 0.87%, 0.41%

LAB 41.22, 63.03, 50.26

 

CMYK 22 / 0 / 93 / 24

HEX #98C20E

RGB 152 194 14

HSL 74, 0.87%, 0.41%

LAB 73.08, -34.99, 71.77

 

CMYK 92 / 4 / 0 / 24

HEX #0FB9C1

RGB 15 185 193

HSL 182.7, 0.86%, 0.41%

LAB 68.5, -34.83, -15.01

 

CMYK 43 / 93 / 0 / 24

HEX #6E0EC2

RGB 110 14 194

HSL 272, 0.87%, 0.41%

LAB 32.97, 66.85, -71.53

 

CMYK 0 / 90 / 93 / 24

HEX #C2140E

RGB 194 20 14

HSL 2, 0.87%, 0.41%

LAB 41.22, 63.03, 50.26

 

CMYK 49 / 0 / 93 / 24

HEX #62C20E

RGB 98 194 14

HSL 92, 0.87%, 0.41%

LAB 70.32, -54.28, 68.4

 

Description

Color code: RGB 15 185 193 | qconv.com Color code: RGB 15 185 193 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 185 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 185 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 4 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 4% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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