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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 194 152 it is the complementary color RGB 241 61 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 194 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 194 152 shade: RGB 19 194 147, RGB 36 212 166, RGB 53 230 185, RGB 70 248 204 and RGB 87 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 194 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 194 152 shade: RGB 14 194 152, RGB 0 176 133, RGB 0 158 114, RGB 0 140 95 and RGB 0 122 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 194 152 shade: RGB 13 195 153, RGB 13 195 104, RGB 13 195 54, RGB 21 195 13 and RGB 70 195 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 194 152 shade: RGB 13 195 153, RGB 13 188 195, RGB 13 139 195, RGB 13 90 195 and RGB 13 41 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 194 152 shade matches the following richer shades: RGB 13 195 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 194 152 shade: RGB 13 195 153, RGB 30 178 144, RGB 47 161 135, RGB 64 144 125 and RGB 81 127 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 194 152 shade: RGB 13 195 56, RGB 13 195 104, RGB 13 195 153, RGB 13 189 195 and RGB 13 140 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 194 152 shade: RGB 8 118 92, RGB 10 156 122, RGB 13 195 153, RGB 16 234 183 and RGB 50 240 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 194 152 shade: RGB 14 194 152, RGB 13 19 195 and RGB 195 80 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 194 152 shade: RGB 14 194 152, RGB 153 13 195 and RGB 195 153 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 194 152 shade: RGB 14 194 152, RGB 13 19 195, RGB 195 13 56 and RGB 195 189 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 194 152 shade: RGB 14 194 152, RGB 62 13 195, RGB 195 13 56 and RGB 146 195 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 22 / 24

HEX #0EC298

RGB 14 194 152

HSL 166, 0.87%, 0.41%

LAB 70.14, -50.32, 9.85

 

Complementary color

CMYK 0 / 75 / 57 / 5

HEX #F13D67

RGB 241 61 103

HSL 346, 0.87%, 0.59%

LAB 55.09, 69.49, 18.94

 

CMYK 90 / 0 / 24 / 24

HEX #13C293

RGB 19 194 147

HSL 163.89, 0.82%, 0.42%

LAB 70.06, -51.31, 12.45

 

CMYK 83 / 0 / 22 / 17

HEX #24D4A6

RGB 36 212 166

HSL 164.32, 0.71%, 0.49%

LAB 76.2, -52.68, 10.96

 

CMYK 77 / 0 / 20 / 10

HEX #35E6B9

RGB 53 230 185

HSL 164.75, 0.78%, 0.55%

LAB 82.3, -53.68, 9.61

 

CMYK 72 / 0 / 18 / 3

HEX #46F8CC

RGB 70 248 204

HSL 165.17, 0.93%, 0.62%

LAB 88.35, -54.42, 8.38

 

CMYK 66 / 0 / 13 / 0

HEX #57FFDF

RGB 87 255 223

HSL 168.57, 1%, 0.67%

LAB 91.18, -50.4, 2.65

 

CMYK 93 / 0 / 22 / 24

HEX #0EC298

RGB 14 194 152

HSL 166, 0.87%, 0.41%

LAB 70.14, -50.32, 9.85

 

CMYK 100 / 0 / 24 / 31

HEX #00B085

RGB 0 176 133

HSL 165.34, 1%, 0.35%

LAB 63.95, -48.43, 11.48

 

CMYK 100 / 0 / 28 / 38

HEX #009E72

RGB 0 158 114

HSL 163.29, 1%, 0.31%

LAB 57.72, -45.99, 13.28

 

CMYK 100 / 0 / 32 / 45

HEX #008C5F

RGB 0 140 95

HSL 160.71, 1%, 0.27%

LAB 51.36, -43.46, 15.19

 

CMYK 100 / 0 / 38 / 52

HEX #007A4C

RGB 0 122 76

HSL 157.38, 1%, 0.24%

LAB 44.86, -40.81, 17.2

 

CMYK 93 / 0 / 22 / 24

HEX #0DC399

RGB 13 195 153

HSL 166.15, 0.88%, 0.41%

LAB 70.47, -50.51, 9.78

 

CMYK 93 / 0 / 47 / 24

HEX #0DC368

RGB 13 195 104

HSL 150, 0.88%, 0.41%

LAB 69.55, -60.93, 34.44

 

CMYK 93 / 0 / 72 / 24

HEX #0DC336

RGB 13 195 54

HSL 133.52, 0.88%, 0.41%

LAB 69.03, -67.39, 56.31

 

CMYK 89 / 0 / 93 / 24

HEX #15C30D

RGB 21 195 13

HSL 117.36, 0.88%, 0.41%

LAB 68.91, -69.1, 66.65

 

CMYK 64 / 0 / 93 / 24

HEX #46C30D

RGB 70 195 13

HSL 101.21, 0.88%, 0.41%

LAB 69.73, -61.99, 67.66

 

CMYK 93 / 0 / 22 / 24

HEX #0DC399

RGB 13 195 153

HSL 166.15, 0.88%, 0.41%

LAB 70.47, -50.51, 9.78

 

CMYK 93 / 4 / 0 / 24

HEX #0DBCC3

RGB 13 188 195

HSL 182.31, 0.88%, 0.41%

LAB 69.46, -35.69, -14.66

 

CMYK 93 / 29 / 0 / 24

HEX #0D8BC3

RGB 13 139 195

HSL 198.46, 0.88%, 0.41%

LAB 54.54, -10.44, -37.61

 

CMYK 93 / 54 / 0 / 24

HEX #0D5AC3

RGB 13 90 195

HSL 214.62, 0.88%, 0.41%

LAB 40.14, 19.98, -60.62

 

CMYK 93 / 79 / 0 / 24

HEX #0D29C3

RGB 13 41 195

HSL 230.77, 0.88%, 0.41%

LAB 28.41, 50.82, -79.9

 

CMYK 93 / 0 / 22 / 24

HEX #0DC399

RGB 13 195 153

HSL 166.15, 0.88%, 0.41%

LAB 70.47, -50.51, 9.78

 

CMYK 93 / 0 / 22 / 24

HEX #0DC399

RGB 13 195 153

HSL 166.15, 0.88%, 0.41%

LAB 70.47, -50.51, 9.78

 

CMYK 83 / 0 / 19 / 30

HEX #1EB290

RGB 30 178 144

HSL 166.22, 0.71%, 0.41%

LAB 65.07, -44.82, 7.02

 

CMYK 71 / 0 / 16 / 37

HEX #2FA187

RGB 47 161 135

HSL 166.32, 0.55%, 0.41%

LAB 59.75, -37.83, 4.43

 

CMYK 56 / 0 / 13 / 44

HEX #40907D

RGB 64 144 125

HSL 165.75, 0.38%, 0.41%

LAB 54.57, -29.33, 2.71

 

CMYK 36 / 0 / 9 / 50

HEX #517F74

RGB 81 127 116

HSL 165.65, 0.22%, 0.41%

LAB 49.72, -18.39, 0.99

 

CMYK 93 / 0 / 71 / 24

HEX #0DC338

RGB 13 195 56

HSL 134.18, 0.88%, 0.41%

LAB 69.04, -67.22, 55.58

 

CMYK 93 / 0 / 47 / 24

HEX #0DC368

RGB 13 195 104

HSL 150, 0.88%, 0.41%

LAB 69.55, -60.93, 34.44

 

CMYK 93 / 0 / 22 / 24

HEX #0DC399

RGB 13 195 153

HSL 166.15, 0.88%, 0.41%

LAB 70.47, -50.51, 9.78

 

CMYK 93 / 3 / 0 / 24

HEX #0DBDC3

RGB 13 189 195

HSL 181.98, 0.88%, 0.41%

LAB 69.77, -36.15, -14.2

 

CMYK 93 / 28 / 0 / 24

HEX #0D8CC3

RGB 13 140 195

HSL 198.13, 0.88%, 0.41%

LAB 54.85, -11.01, -37.14

 

CMYK 93 / 0 / 22 / 54

HEX #08765C

RGB 8 118 92

HSL 165.82, 0.87%, 0.25%

LAB 43.92, -34.58, 6.53

 

CMYK 94 / 0 / 22 / 39

HEX #0A9C7A

RGB 10 156 122

HSL 166.03, 0.88%, 0.33%

LAB 57.31, -42.69, 8.22

 

CMYK 93 / 0 / 22 / 24

HEX #0DC399

RGB 13 195 153

HSL 166.15, 0.88%, 0.41%

LAB 70.47, -50.51, 9.78

 

CMYK 93 / 0 / 22 / 8

HEX #10EAB7

RGB 16 234 183

HSL 165.96, 0.87%, 0.49%

LAB 83.11, -58.27, 11.77

 

CMYK 79 / 0 / 18 / 6

HEX #32F0C4

RGB 50 240 196

HSL 166.11, 0.86%, 0.57%

LAB 85.5, -55.32, 8.41

 

CMYK 93 / 0 / 22 / 24

HEX #0EC298

RGB 14 194 152

HSL 166, 0.87%, 0.41%

LAB 70.14, -50.32, 9.85

 

CMYK 93 / 90 / 0 / 24

HEX #0D13C3

RGB 13 19 195

HSL 238.02, 0.88%, 0.41%

LAB 25.23, 60.26, -85.19

 

CMYK 0 / 59 / 93 / 24

HEX #C3500D

RGB 195 80 13

HSL 22.09, 0.88%, 0.41%

LAB 48.72, 43.29, 55.57

 

CMYK 93 / 0 / 22 / 24

HEX #0EC298

RGB 14 194 152

HSL 166, 0.87%, 0.41%

LAB 70.14, -50.32, 9.85

 

CMYK 22 / 93 / 0 / 24

HEX #990DC3

RGB 153 13 195

HSL 286.15, 0.88%, 0.41%

LAB 39.58, 72.6, -61.03

 

CMYK 0 / 22 / 93 / 24

HEX #C3990D

RGB 195 153 13

HSL 46.15, 0.88%, 0.41%

LAB 65.29, 4.44, 67.44

 

CMYK 93 / 0 / 22 / 24

HEX #0EC298

RGB 14 194 152

HSL 166, 0.87%, 0.41%

LAB 70.14, -50.32, 9.85

 

CMYK 93 / 90 / 0 / 24

HEX #0D13C3

RGB 13 19 195

HSL 238.02, 0.88%, 0.41%

LAB 25.23, 60.26, -85.19

 

CMYK 0 / 93 / 71 / 24

HEX #C30D38

RGB 195 13 56

HSL 345.82, 0.88%, 0.41%

LAB 41.49, 65.39, 28.18

 

CMYK 0 / 3 / 93 / 24

HEX #C3BD0D

RGB 195 189 13

HSL 58.02, 0.88%, 0.41%

LAB 74.84, -14.46, 74.63

 

CMYK 93 / 0 / 22 / 24

HEX #0EC298

RGB 14 194 152

HSL 166, 0.87%, 0.41%

LAB 70.14, -50.32, 9.85

 

CMYK 68 / 93 / 0 / 24

HEX #3E0DC3

RGB 62 13 195

HSL 256.15, 0.88%, 0.41%

LAB 27.44, 63.45, -81.44

 

CMYK 0 / 93 / 71 / 24

HEX #C30D38

RGB 195 13 56

HSL 345.82, 0.88%, 0.41%

LAB 41.49, 65.39, 28.18

 

CMYK 25 / 0 / 93 / 24

HEX #92C30D

RGB 146 195 13

HSL 76.15, 0.88%, 0.41%

LAB 73, -37.84, 71.68

 

Description

Color code: RGB 14 194 152 | qconv.com Color code: RGB 14 194 152 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 194 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 194 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 22 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 22% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - 社員採用TOP | まいばすけっと
Link: https://www.mybstaff.aeon.biz

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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