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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 37 58 it is the complementary color RGB 96 218 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 37 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 159 37 58: RGB 164 37 53, RGB 181 55 72, RGB 198 73 91, RGB 215 91 110 and RGB 232 109 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 37 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 159 37 58: RGB 159 37 58, RGB 142 19 39, RGB 125 1 20, RGB 108 0 1 and RGB 91 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 64 / 38

HEX #9F253A

RGB 159 37 58

HSL 349.67, 0.62%, 0.38%

LAB 35.98, 50.41, 18.43

 

Complementary color

CMYK 56 / 0 / 10 / 15

HEX #60DAC5

RGB 96 218 197

HSL 169.67, 0.62%, 0.62%

LAB 79.99, -39.13, 0.04

 

CMYK 0 / 77 / 68 / 36

HEX #A42535

RGB 164 37 53

HSL 352.44, 0.63%, 0.39%

LAB 36.88, 51.64, 22.95

 

CMYK 0 / 70 / 60 / 29

HEX #B53748

RGB 181 55 72

HSL 351.9, 0.53%, 0.46%

LAB 42.8, 51.64, 19.37

 

CMYK 0 / 63 / 54 / 22

HEX #C6495B

RGB 198 73 91

HSL 351.36, 0.52%, 0.53%

LAB 48.92, 51.13, 16.5

 

CMYK 0 / 58 / 49 / 16

HEX #D75B6E

RGB 215 91 110

HSL 350.81, 0.61%, 0.6%

LAB 55.13, 50.35, 14.15

 

CMYK 0 / 53 / 44 / 9

HEX #E86D81

RGB 232 109 129

HSL 350.24, 0.73%, 0.67%

LAB 61.38, 49.46, 12.18

 

CMYK 0 / 77 / 64 / 38

HEX #9F253A

RGB 159 37 58

HSL 349.67, 0.62%, 0.38%

LAB 35.98, 50.41, 18.43

 

CMYK 0 / 87 / 73 / 44

HEX #8E1327

RGB 142 19 39

HSL 350.24, 0.76%, 0.32%

LAB 30.31, 49.5, 22.79

 

CMYK 0 / 99 / 84 / 51

HEX #7D0114

RGB 125 1 20

HSL 350.81, 0.98%, 0.25%

LAB 25.05, 47.48, 28.02

 

CMYK 0 / 100 / 99 / 58

HEX #6C0001

RGB 108 0 1

HSL 359.44, 1%, 0.21%

LAB 20.79, 42.58, 31.29

 

CMYK 0 / 100 / 100 / 64

HEX #5B0000

RGB 91 0 0

HSL 0, 1%, 0.18%

LAB 16.62, 37.75, 25.77

 

CMYK 0 / 77 / 64 / 38

HEX #9F253A

RGB 159 37 58

HSL 349.67, 0.62%, 0.38%

LAB 35.98, 50.41, 18.43

 

CMYK 0 / 77 / 76 / 39

HEX #9C2426

RGB 156 36 38

HSL 359, 0.63%, 0.38%

LAB 34.94, 48.75, 29.55

 

CMYK 0 / 65 / 77 / 39

HEX #9C3624

RGB 156 54 36

HSL 9, 0.63%, 0.38%

LAB 37.54, 41.49, 33.58

 

CMYK 0 / 53 / 77 / 39

HEX #9C4A24

RGB 156 74 36

HSL 19, 0.63%, 0.38%

LAB 41.36, 31.54, 37.6

 

CMYK 0 / 40 / 77 / 39

HEX #9C5E24

RGB 156 94 36

HSL 29, 0.63%, 0.38%

LAB 45.91, 20.45, 42.23

 

CMYK 0 / 77 / 64 / 38

HEX #9F253A

RGB 159 37 58

HSL 349.67, 0.62%, 0.38%

LAB 35.98, 50.41, 18.43

 

CMYK 0 / 77 / 63 / 18

HEX #D2314D

RGB 210 49 77

HSL 349.57, 0.64%, 0.51%

LAB 47.54, 62.8, 23.53

 

CMYK 0 / 83 / 67 / 98

HEX #060102

RGB 6 1 2

HSL 348, 0.71%, 0.01%

LAB 0.59, 1.45, 0.08

 

CMYK 0 / 77 / 63 / 78

HEX #390D15

RGB 57 13 21

HSL 349.09, 0.63%, 0.14%

LAB 10.64, 22.42, 6.34

 

CMYK 0 / 77 / 64 / 58

HEX #6C1927

RGB 108 25 39

HSL 349.88, 0.62%, 0.26%

LAB 23.77, 37.14, 13.01

 

CMYK 0 / 77 / 64 / 38

HEX #9F253A

RGB 159 37 58

HSL 349.67, 0.62%, 0.38%

LAB 35.98, 50.41, 18.43

 

CMYK 1 / 0 / 77 / 39

HEX #9A9C24

RGB 154 156 36

HSL 61, 0.63%, 0.38%

LAB 62.32, -14.95, 57.82

 

CMYK 77 / 32 / 0 / 39

HEX #246A9C

RGB 36 106 156

HSL 205, 0.63%, 0.38%

LAB 42.89, -3.82, -33.29

 

CMYK 0 / 77 / 64 / 38

HEX #9F253A

RGB 159 37 58

HSL 349.67, 0.62%, 0.38%

LAB 35.98, 50.41, 18.43

 

CMYK 63 / 0 / 77 / 39

HEX #3A9C24

RGB 58 156 36

HSL 109, 0.63%, 0.38%

LAB 56.88, -50.4, 50.75

 

CMYK 77 / 63 / 0 / 39

HEX #243A9C

RGB 36 58 156

HSL 229, 0.63%, 0.38%

LAB 28.91, 27.74, -55.74

 

CMYK 0 / 77 / 64 / 38

HEX #9F253A

RGB 159 37 58

HSL 349.67, 0.62%, 0.38%

LAB 35.98, 50.41, 18.43

 

CMYK 1 / 0 / 77 / 39

HEX #9A9C24

RGB 154 156 36

HSL 61, 0.63%, 0.38%

LAB 62.32, -14.95, 57.82

 

CMYK 77 / 0 / 14 / 39

HEX #249C86

RGB 36 156 134

HSL 169, 0.63%, 0.38%

LAB 57.92, -37.34, 2.33

 

CMYK 76 / 77 / 0 / 39

HEX #26249C

RGB 38 36 156

HSL 241, 0.63%, 0.38%

LAB 23.91, 41.75, -63.94

 

CMYK 0 / 77 / 64 / 38

HEX #9F253A

RGB 159 37 58

HSL 349.67, 0.62%, 0.38%

LAB 35.98, 50.41, 18.43

 

CMYK 24 / 0 / 77 / 39

HEX #769C24

RGB 118 156 36

HSL 79, 0.63%, 0.38%

LAB 59.67, -30.36, 54.4

 

CMYK 77 / 0 / 14 / 39

HEX #249C86

RGB 36 156 134

HSL 169, 0.63%, 0.38%

LAB 57.92, -37.34, 2.33

 

CMYK 53 / 77 / 0 / 39

HEX #4A249C

RGB 74 36 156

HSL 259, 0.63%, 0.38%

LAB 27.07, 46.04, -58.64

 

Description

Color code: RGB 159 37 58 | qconv.com Color code: RGB 159 37 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 37 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 37 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 64 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 64% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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