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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 217 2 it is the complementary color RGB 96 38 253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 217 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 159 217 2: RGB 164 217 0, RGB 181 235 16, RGB 198 253 35, RGB 215 255 54 and RGB 232 255 73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 217 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 159 217 2: RGB 159 217 2, RGB 142 199 0, RGB 125 181 0, RGB 108 163 0 and RGB 91 145 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 99 / 15

HEX #9FD902

RGB 159 217 2

HSL 76.19, 0.98%, 0.43%

LAB 80.18, -42.64, 78.71

 

Complementary color

CMYK 62 / 85 / 0 / 1

HEX #6026FD

RGB 96 38 253

HSL 256.19, 0.98%, 0.57%

LAB 39.52, 73.37, -94.59

 

CMYK 24 / 0 / 100 / 15

HEX #A4D900

RGB 164 217 0

HSL 74.65, 1%, 0.43%

LAB 80.47, -40.74, 79.25

 

CMYK 23 / 0 / 93 / 8

HEX #B5EB10

RGB 181 235 16

HSL 74.79, 0.87%, 0.49%

LAB 86.64, -41.89, 83.02

 

CMYK 22 / 0 / 86 / 1

HEX #C6FD23

RGB 198 253 35

HSL 75.14, 0.98%, 0.56%

LAB 92.74, -42.87, 85.6

 

CMYK 16 / 0 / 79 / 0

HEX #D7FF36

RGB 215 255 54

HSL 71.94, 1%, 0.61%

LAB 94.41, -36.64, 83.23

 

CMYK 9 / 0 / 71 / 0

HEX #E8FF49

RGB 232 255 73

HSL 67.58, 1%, 0.64%

LAB 95.65, -29.18, 79.16

 

CMYK 27 / 0 / 99 / 15

HEX #9FD902

RGB 159 217 2

HSL 76.19, 0.98%, 0.43%

LAB 80.18, -42.64, 78.71

 

CMYK 29 / 0 / 100 / 22

HEX #8EC700

RGB 142 199 0

HSL 77.19, 1%, 0.39%

LAB 73.93, -41.33, 73.7

 

CMYK 31 / 0 / 100 / 29

HEX #7DB500

RGB 125 181 0

HSL 78.56, 1%, 0.35%

LAB 67.58, -39.99, 68.41

 

CMYK 34 / 0 / 100 / 36

HEX #6CA300

RGB 108 163 0

HSL 80.25, 1%, 0.32%

LAB 61.12, -38.61, 63.03

 

CMYK 37 / 0 / 100 / 43

HEX #5B9100

RGB 91 145 0

HSL 82.34, 1%, 0.28%

LAB 54.53, -37.2, 57.54

 

CMYK 27 / 0 / 99 / 15

HEX #9FD902

RGB 159 217 2

HSL 76.19, 0.98%, 0.43%

LAB 80.18, -42.64, 78.71

 

CMYK 43 / 0 / 99 / 15

HEX #7BD902

RGB 123 217 2

HSL 86.23, 0.98%, 0.43%

LAB 78.37, -55.37, 76.53

 

CMYK 59 / 0 / 99 / 15

HEX #58D902

RGB 88 217 2

HSL 96, 0.98%, 0.43%

LAB 77.1, -65.29, 74.99

 

CMYK 76 / 0 / 99 / 15

HEX #34D902

RGB 52 217 2

HSL 106.05, 0.98%, 0.43%

LAB 76.29, -72.23, 74

 

CMYK 93 / 0 / 99 / 15

HEX #10D902

RGB 16 217 2

HSL 116.09, 0.98%, 0.43%

LAB 75.91, -75.64, 73.53

 

CMYK 27 / 0 / 99 / 15

HEX #9FD902

RGB 159 217 2

HSL 76.19, 0.98%, 0.43%

LAB 80.18, -42.64, 78.71

 

CMYK 23 / 0 / 100 / 95

HEX #0A0D00

RGB 10 13 0

HSL 73.85, 1%, 0.03%

LAB 3.18, -2.7, 4.72

 

CMYK 27 / 0 / 98 / 75

HEX #2F4001

RGB 47 64 1

HSL 76.19, 0.97%, 0.13%

LAB 24.56, -16.6, 32.4

 

CMYK 27 / 0 / 99 / 55

HEX #547301

RGB 84 115 1

HSL 76.32, 0.98%, 0.23%

LAB 44.45, -26.14, 49.39

 

CMYK 27 / 0 / 99 / 35

HEX #7AA602

RGB 122 166 2

HSL 76.1, 0.98%, 0.33%

LAB 62.86, -34.43, 64.44

 

CMYK 27 / 0 / 99 / 15

HEX #9FD902

RGB 159 217 2

HSL 76.19, 0.98%, 0.43%

LAB 80.18, -42.64, 78.71

 

CMYK 99 / 0 / 53 / 15

HEX #02D966

RGB 2 217 102

HSL 147.91, 0.98%, 0.43%

LAB 76.43, -68.79, 44

 

CMYK 13 / 99 / 0 / 15

HEX #BC02D9

RGB 188 2 217

HSL 291.91, 0.98%, 0.43%

LAB 46.64, 82.44, -62.06

 

CMYK 27 / 0 / 99 / 15

HEX #9FD902

RGB 159 217 2

HSL 76.19, 0.98%, 0.43%

LAB 80.18, -42.64, 78.71

 

CMYK 99 / 27 / 0 / 15

HEX #029FD9

RGB 2 159 217

HSL 196.19, 0.98%, 0.43%

LAB 61.5, -13.91, -39.07

 

CMYK 0 / 99 / 27 / 15

HEX #D9029F

RGB 217 2 159

HSL 316.19, 0.98%, 0.43%

LAB 48.63, 79.43, -24.65

 

CMYK 27 / 0 / 99 / 15

HEX #9FD902

RGB 159 217 2

HSL 76.19, 0.98%, 0.43%

LAB 80.18, -42.64, 78.71

 

CMYK 99 / 0 / 53 / 15

HEX #02D966

RGB 2 217 102

HSL 147.91, 0.98%, 0.43%

LAB 76.43, -68.79, 44

 

CMYK 73 / 99 / 0 / 15

HEX #3B02D9

RGB 59 2 217

HSL 255.91, 0.98%, 0.43%

LAB 29.37, 70.68, -91.08

 

CMYK 0 / 99 / 47 / 15

HEX #D90274

RGB 217 2 116

HSL 328.19, 0.98%, 0.43%

LAB 47.05, 75.31, -0.95

 

CMYK 27 / 0 / 99 / 15

HEX #9FD902

RGB 159 217 2

HSL 76.19, 0.98%, 0.43%

LAB 80.18, -42.64, 78.71

 

CMYK 99 / 0 / 24 / 15

HEX #02D9A6

RGB 2 217 166

HSL 165.77, 0.98%, 0.43%

LAB 77.51, -56.26, 12.79

 

CMYK 73 / 99 / 0 / 15

HEX #3B02D9

RGB 59 2 217

HSL 255.91, 0.98%, 0.43%

LAB 29.37, 70.68, -91.08

 

CMYK 0 / 99 / 76 / 15

HEX #D90234

RGB 217 2 52

HSL 346.05, 0.98%, 0.43%

LAB 45.69, 71.68, 36.66

 

Description

Color code: RGB 159 217 2 | qconv.com Color code: RGB 159 217 2 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 217 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 217 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 99 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 99% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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