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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 175 84 it is the complementary color RGB 96 80 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 175 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 159 175 84: RGB 164 175 79, RGB 181 193 98, RGB 198 211 117, RGB 215 229 136 and RGB 232 247 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 175 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 159 175 84: RGB 159 175 84, RGB 142 157 65, RGB 125 139 46, RGB 108 121 27 and RGB 91 103 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 52 / 31

HEX #9FAF54

RGB 159 175 84

HSL 70.55, 0.36%, 0.51%

LAB 68.51, -19.26, 44.27

 

Complementary color

CMYK 44 / 53 / 0 / 33

HEX #6050AB

RGB 96 80 171

HSL 250.55, 0.36%, 0.49%

LAB 39.86, 29.7, -46.81

 

CMYK 6 / 0 / 55 / 31

HEX #A4AF4F

RGB 164 175 79

HSL 66.88, 0.38%, 0.5%

LAB 68.84, -17.65, 47.14

 

CMYK 6 / 0 / 49 / 24

HEX #B5C162

RGB 181 193 98

HSL 67.58, 0.43%, 0.57%

LAB 75.36, -18.05, 46.03

 

CMYK 6 / 0 / 45 / 17

HEX #C6D375

RGB 198 211 117

HSL 68.3, 0.52%, 0.64%

LAB 81.77, -18.36, 44.87

 

CMYK 6 / 0 / 41 / 10

HEX #D7E588

RGB 215 229 136

HSL 69.03, 0.64%, 0.72%

LAB 88.1, -18.61, 43.72

 

CMYK 6 / 0 / 37 / 3

HEX #E8F79B

RGB 232 247 155

HSL 69.78, 0.85%, 0.79%

LAB 94.33, -18.81, 42.59

 

CMYK 9 / 0 / 52 / 31

HEX #9FAF54

RGB 159 175 84

HSL 70.55, 0.36%, 0.51%

LAB 68.51, -19.26, 44.27

 

CMYK 10 / 0 / 59 / 38

HEX #8E9D41

RGB 142 157 65

HSL 69.78, 0.41%, 0.44%

LAB 61.87, -18.87, 45.34

 

CMYK 10 / 0 / 67 / 45

HEX #7D8B2E

RGB 125 139 46

HSL 69.03, 0.5%, 0.36%

LAB 55.1, -18.34, 46.18

 

CMYK 11 / 0 / 78 / 53

HEX #6C791B

RGB 108 121 27

HSL 68.3, 0.64%, 0.29%

LAB 48.19, -17.61, 46.41

 

CMYK 12 / 0 / 92 / 60

HEX #5B6708

RGB 91 103 8

HSL 67.58, 0.86%, 0.22%

LAB 41.12, -16.58, 45.29

 

CMYK 9 / 0 / 52 / 31

HEX #9FAF54

RGB 159 175 84

HSL 70.55, 0.36%, 0.51%

LAB 68.51, -19.26, 44.27

 

CMYK 17 / 0 / 51 / 31

HEX #91AF55

RGB 145 175 85

HSL 80, 0.36%, 0.51%

LAB 67.53, -24.8, 42.37

 

CMYK 26 / 0 / 51 / 31

HEX #82AF55

RGB 130 175 85

HSL 90, 0.36%, 0.51%

LAB 66.57, -30.59, 40.99

 

CMYK 34 / 0 / 51 / 31

HEX #73AF55

RGB 115 175 85

HSL 100, 0.36%, 0.51%

LAB 65.72, -36.03, 39.77

 

CMYK 43 / 0 / 51 / 31

HEX #64AF55

RGB 100 175 85

HSL 110, 0.36%, 0.51%

LAB 64.98, -41.02, 38.7

 

CMYK 9 / 0 / 52 / 31

HEX #9FAF54

RGB 159 175 84

HSL 70.55, 0.36%, 0.51%

LAB 68.51, -19.26, 44.27

 

CMYK 9 / 0 / 52 / 11

HEX #CDE26C

RGB 205 226 108

HSL 70.68, 0.67%, 0.65%

LAB 86.23, -23.8, 54.62

 

CMYK 9 / 0 / 50 / 91

HEX #14160B

RGB 20 22 11

HSL 70.91, 0.33%, 0.06%

LAB 6.74, -3.03, 5.52

 

CMYK 10 / 0 / 52 / 71

HEX #424923

RGB 66 73 35

HSL 71.05, 0.35%, 0.21%

LAB 29.52, -9.73, 21.67

 

CMYK 9 / 0 / 52 / 51

HEX #717C3C

RGB 113 124 60

HSL 70.31, 0.35%, 0.36%

LAB 49.8, -14.43, 33.27

 

CMYK 9 / 0 / 52 / 31

HEX #9FAF54

RGB 159 175 84

HSL 70.55, 0.36%, 0.51%

LAB 68.51, -19.26, 44.27

 

CMYK 51 / 0 / 33 / 31

HEX #55AF76

RGB 85 175 118

HSL 142, 0.36%, 0.51%

LAB 64.88, -40.03, 21.2

 

CMYK 12 / 51 / 0 / 31

HEX #9A55AF

RGB 154 85 175

HSL 286, 0.36%, 0.51%

LAB 47.58, 43.37, -36.5

 

CMYK 9 / 0 / 52 / 31

HEX #9FAF54

RGB 159 175 84

HSL 70.55, 0.36%, 0.51%

LAB 68.51, -19.26, 44.27

 

CMYK 51 / 9 / 0 / 31

HEX #55A0AF

RGB 85 160 175

HSL 190, 0.36%, 0.51%

LAB 61.8, -19.07, -14.96

 

CMYK 0 / 51 / 9 / 31

HEX #AF55A0

RGB 175 85 160

HSL 310, 0.36%, 0.51%

LAB 49.68, 46.7, -24.19

 

CMYK 9 / 0 / 52 / 31

HEX #9FAF54

RGB 159 175 84

HSL 70.55, 0.36%, 0.51%

LAB 68.51, -19.26, 44.27

 

CMYK 51 / 0 / 33 / 31

HEX #55AF76

RGB 85 175 118

HSL 142, 0.36%, 0.51%

LAB 64.88, -40.03, 21.2

 

CMYK 43 / 51 / 0 / 31

HEX #6455AF

RGB 100 85 175

HSL 250, 0.36%, 0.51%

LAB 41.69, 28.79, -46.21

 

CMYK 0 / 51 / 19 / 31

HEX #AF558E

RGB 175 85 142

HSL 322, 0.36%, 0.51%

LAB 48.96, 43.77, -14.6

 

CMYK 9 / 0 / 52 / 31

HEX #9FAF54

RGB 159 175 84

HSL 70.55, 0.36%, 0.51%

LAB 68.51, -19.26, 44.27

 

CMYK 51 / 0 / 17 / 31

HEX #55AF91

RGB 85 175 145

HSL 160, 0.36%, 0.51%

LAB 65.46, -34.29, 7.21

 

CMYK 43 / 51 / 0 / 31

HEX #6455AF

RGB 100 85 175

HSL 250, 0.36%, 0.51%

LAB 41.69, 28.79, -46.21

 

CMYK 0 / 51 / 34 / 31

HEX #AF5573

RGB 175 85 115

HSL 340, 0.36%, 0.51%

LAB 48.07, 39.97, 0.28

 

Description

Color code: RGB 159 175 84 | qconv.com Color code: RGB 159 175 84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 175 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 175 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 52 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 52% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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