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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 168 192 it is the complementary color RGB 96 87 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 168 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 159 168 192: RGB 164 168 187, RGB 181 186 206, RGB 198 204 225, RGB 215 222 244 and RGB 232 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 168 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 159 168 192: RGB 159 168 192, RGB 142 150 173, RGB 125 132 154, RGB 108 114 135 and RGB 91 96 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 13 / 0 / 25

HEX #9FA8C0

RGB 159 168 192

HSL 223.64, 0.21%, 0.69%

LAB 68.88, 1.87, -13.35

 

Complementary color

CMYK 0 / 9 / 34 / 62

HEX #60573F

RGB 96 87 63

HSL 43.64, 0.21%, 0.31%

LAB 37.23, -0.45, 15.3

 

CMYK 12 / 10 / 0 / 27

HEX #A4A8BB

RGB 164 168 187

HSL 229.57, 0.14%, 0.69%

LAB 69.1, 2.43, -10.22

 

CMYK 12 / 10 / 0 / 19

HEX #B5BACE

RGB 181 186 206

HSL 228, 0.2%, 0.76%

LAB 75.7, 2.24, -10.66

 

CMYK 12 / 9 / 0 / 12

HEX #C6CCE1

RGB 198 204 225

HSL 226.67, 0.31%, 0.83%

LAB 82.18, 2.06, -11.09

 

CMYK 12 / 9 / 0 / 4

HEX #D7DEF4

RGB 215 222 244

HSL 225.52, 0.57%, 0.9%

LAB 88.55, 1.89, -11.52

 

CMYK 9 / 6 / 0 / 0

HEX #E8F0FF

RGB 232 240 255

HSL 219.13, 1%, 0.95%

LAB 94.61, 0.17, -8.13

 

CMYK 17 / 13 / 0 / 25

HEX #9FA8C0

RGB 159 168 192

HSL 223.64, 0.21%, 0.69%

LAB 68.88, 1.87, -13.35

 

CMYK 18 / 13 / 0 / 32

HEX #8E96AD

RGB 142 150 173

HSL 224.52, 0.16%, 0.62%

LAB 62.15, 2.07, -12.98

 

CMYK 19 / 14 / 0 / 40

HEX #7D849A

RGB 125 132 154

HSL 225.52, 0.13%, 0.55%

LAB 55.27, 2.28, -12.62

 

CMYK 20 / 16 / 0 / 47

HEX #6C7287

RGB 108 114 135

HSL 226.67, 0.11%, 0.48%

LAB 48.22, 2.51, -12.26

 

CMYK 22 / 17 / 0 / 55

HEX #5B6074

RGB 91 96 116

HSL 228, 0.12%, 0.41%

LAB 40.98, 2.77, -11.93

 

CMYK 17 / 13 / 0 / 25

HEX #9FA8C0

RGB 159 168 192

HSL 223.64, 0.21%, 0.69%

LAB 68.88, 1.87, -13.35

 

CMYK 17 / 15 / 0 / 25

HEX #9FA3C0

RGB 159 163 192

HSL 232.73, 0.21%, 0.69%

LAB 67.55, 4.64, -15.35

 

CMYK 16 / 17 / 0 / 25

HEX #A19FC0

RGB 161 159 192

HSL 243.64, 0.21%, 0.69%

LAB 66.66, 7.52, -16.7

 

CMYK 14 / 17 / 0 / 25

HEX #A69FC0

RGB 166 159 192

HSL 252.73, 0.21%, 0.69%

LAB 67.06, 9.16, -16.05

 

CMYK 10 / 17 / 0 / 25

HEX #AC9FC0

RGB 172 159 192

HSL 263.64, 0.21%, 0.69%

LAB 67.56, 11.16, -15.25

 

CMYK 17 / 13 / 0 / 25

HEX #9FA8C0

RGB 159 168 192

HSL 223.64, 0.21%, 0.69%

LAB 68.88, 1.87, -13.35

 

CMYK 17 / 12 / 0 / 5

HEX #C9D5F3

RGB 201 213 243

HSL 222.86, 0.64%, 0.87%

LAB 85.24, 2, -16.06

 

CMYK 18 / 13 / 0 / 85

HEX #202227

RGB 32 34 39

HSL 222.86, 0.1%, 0.14%

LAB 13.22, 0.42, -3.66

 

CMYK 17 / 12 / 0 / 65

HEX #4B4F5A

RGB 75 79 90

HSL 224, 0.09%, 0.32%

LAB 33.62, 1, -6.99

 

CMYK 17 / 13 / 0 / 45

HEX #757B8D

RGB 117 123 141

HSL 225, 0.1%, 0.51%

LAB 51.69, 1.74, -10.51

 

CMYK 17 / 13 / 0 / 25

HEX #9FA8C0

RGB 159 168 192

HSL 223.64, 0.21%, 0.69%

LAB 68.88, 1.87, -13.35

 

CMYK 2 / 17 / 0 / 25

HEX #BD9FC0

RGB 189 159 192

HSL 294.55, 0.21%, 0.69%

LAB 69.06, 16.92, -12.84

 

CMYK 5 / 0 / 17 / 25

HEX #B6C09F

RGB 182 192 159

HSL 78.18, 0.21%, 0.69%

LAB 76.16, -9.28, 15.49

 

CMYK 17 / 13 / 0 / 25

HEX #9FA8C0

RGB 159 168 192

HSL 223.64, 0.21%, 0.69%

LAB 68.88, 1.87, -13.35

 

CMYK 0 / 17 / 13 / 25

HEX #C09FA8

RGB 192 159 168

HSL 343.64, 0.21%, 0.69%

LAB 68.63, 13.64, -0.1

 

CMYK 13 / 0 / 17 / 25

HEX #A8C09F

RGB 168 192 159

HSL 103.64, 0.21%, 0.69%

LAB 75.16, -14.34, 13.93

 

CMYK 17 / 13 / 0 / 25

HEX #9FA8C0

RGB 159 168 192

HSL 223.64, 0.21%, 0.69%

LAB 68.88, 1.87, -13.35

 

CMYK 2 / 17 / 0 / 25

HEX #BD9FC0

RGB 189 159 192

HSL 294.55, 0.21%, 0.69%

LAB 69.06, 16.92, -12.84

 

CMYK 0 / 5 / 17 / 25

HEX #C0B79F

RGB 192 183 159

HSL 43.64, 0.21%, 0.69%

LAB 74.56, -0.84, 13.35

 

CMYK 16 / 0 / 17 / 25

HEX #A2C09F

RGB 162 192 159

HSL 114.55, 0.21%, 0.69%

LAB 74.75, -16.45, 13.31

 

CMYK 17 / 13 / 0 / 25

HEX #9FA8C0

RGB 159 168 192

HSL 223.64, 0.21%, 0.69%

LAB 68.88, 1.87, -13.35

 

CMYK 0 / 17 / 4 / 25

HEX #C09FB9

RGB 192 159 185

HSL 312.73, 0.21%, 0.69%

LAB 69.12, 16.64, -8.84

 

CMYK 0 / 5 / 17 / 25

HEX #C0B79F

RGB 192 183 159

HSL 43.64, 0.21%, 0.69%

LAB 74.56, -0.84, 13.35

 

CMYK 17 / 0 / 14 / 25

HEX #9FC0A6

RGB 159 192 166

HSL 132.73, 0.21%, 0.69%

LAB 74.71, -16.22, 9.44

 

Description

Color code: RGB 159 168 192 | qconv.com Color code: RGB 159 168 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 168 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 168 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 13 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 13% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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