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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 108 204 it is the complementary color RGB 96 147 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 108 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 159 108 204: RGB 164 108 199, RGB 181 126 218, RGB 198 144 237, RGB 215 162 255 and RGB 232 180 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 108 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 159 108 204: RGB 159 108 204, RGB 142 90 185, RGB 125 72 166, RGB 108 54 147 and RGB 91 36 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 47 / 0 / 20

HEX #9F6CCC

RGB 159 108 204

HSL 271.88, 0.48%, 0.61%

LAB 54.51, 38.63, -42.27

 

Complementary color

CMYK 35 / 0 / 65 / 42

HEX #609333

RGB 96 147 51

HSL 91.88, 0.48%, 0.39%

LAB 55.68, -33.72, 44.04

 

CMYK 18 / 46 / 0 / 22

HEX #A46CC7

RGB 164 108 199

HSL 276.92, 0.45%, 0.6%

LAB 54.8, 38.91, -38.91

 

CMYK 17 / 42 / 0 / 15

HEX #B57EDA

RGB 181 126 218

HSL 275.87, 0.55%, 0.67%

LAB 61.49, 38.09, -39.03

 

CMYK 16 / 39 / 0 / 7

HEX #C690ED

RGB 198 144 237

HSL 274.84, 0.72%, 0.75%

LAB 68.07, 37.31, -39.14

 

CMYK 16 / 36 / 0 / 0

HEX #D7A2FF

RGB 215 162 255

HSL 274.19, 1%, 0.82%

LAB 74.51, 36.37, -38.78

 

CMYK 9 / 29 / 0 / 0

HEX #E8B4FF

RGB 232 180 255

HSL 281.6, 1%, 0.85%

LAB 80.19, 31.81, -29.88

 

CMYK 22 / 47 / 0 / 20

HEX #9F6CCC

RGB 159 108 204

HSL 271.88, 0.48%, 0.61%

LAB 54.51, 38.63, -42.27

 

CMYK 23 / 51 / 0 / 27

HEX #8E5AB9

RGB 142 90 185

HSL 272.84, 0.4%, 0.54%

LAB 47.71, 39.52, -42.22

 

CMYK 25 / 57 / 0 / 35

HEX #7D48A6

RGB 125 72 166

HSL 273.83, 0.39%, 0.47%

LAB 40.81, 40.42, -42.13

 

CMYK 27 / 63 / 0 / 42

HEX #6C3693

RGB 108 54 147

HSL 274.84, 0.46%, 0.39%

LAB 33.84, 41.25, -41.94

 

CMYK 29 / 72 / 0 / 50

HEX #5B2480

RGB 91 36 128

HSL 275.87, 0.56%, 0.32%

LAB 26.86, 41.81, -41.53

 

CMYK 22 / 47 / 0 / 20

HEX #9F6CCC

RGB 159 108 204

HSL 271.88, 0.48%, 0.61%

LAB 54.51, 38.63, -42.27

 

CMYK 15 / 47 / 0 / 20

HEX #AD6BCB

RGB 173 107 203

HSL 281.25, 0.48%, 0.61%

LAB 55.8, 42.91, -39.56

 

CMYK 7 / 47 / 0 / 20

HEX #BC6BCB

RGB 188 107 203

HSL 290.63, 0.48%, 0.61%

LAB 57.58, 47.2, -36.64

 

CMYK 0 / 47 / 1 / 20

HEX #CB6BC9

RGB 203 107 201

HSL 301.25, 0.48%, 0.61%

LAB 59.37, 51.16, -32.57

 

CMYK 0 / 47 / 9 / 20

HEX #CB6BB9

RGB 203 107 185

HSL 311.25, 0.48%, 0.61%

LAB 58.71, 48.39, -24.47

 

CMYK 22 / 47 / 0 / 20

HEX #9F6CCC

RGB 159 108 204

HSL 271.88, 0.48%, 0.61%

LAB 54.51, 38.63, -42.27

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 22 / 47 / 0 / 80

HEX #281B33

RGB 40 27 51

HSL 272.5, 0.31%, 0.15%

LAB 12.44, 12.26, -13.43

 

CMYK 22 / 47 / 0 / 60

HEX #503666

RGB 80 54 102

HSL 272.5, 0.31%, 0.31%

LAB 27.58, 21.99, -23.9

 

CMYK 22 / 47 / 0 / 40

HEX #775199

RGB 119 81 153

HSL 271.67, 0.31%, 0.46%

LAB 41.39, 30.44, -33.5

 

CMYK 22 / 47 / 0 / 20

HEX #9F6CCC

RGB 159 108 204

HSL 271.88, 0.48%, 0.61%

LAB 54.51, 38.63, -42.27

 

CMYK 0 / 47 / 34 / 20

HEX #CB6B86

RGB 203 107 134

HSL 343.13, 0.48%, 0.61%

LAB 57.01, 40.89, 2.5

 

CMYK 47 / 0 / 42 / 20

HEX #6BCB76

RGB 107 203 118

HSL 126.88, 0.48%, 0.61%

LAB 74.28, -46.13, 33.81

 

CMYK 22 / 47 / 0 / 20

HEX #9F6CCC

RGB 159 108 204

HSL 271.88, 0.48%, 0.61%

LAB 54.51, 38.63, -42.27

 

CMYK 0 / 23 / 47 / 20

HEX #CB9D6B

RGB 203 157 107

HSL 31.25, 0.48%, 0.61%

LAB 67.93, 10.87, 32.65

 

CMYK 47 / 0 / 23 / 20

HEX #6BCB9D

RGB 107 203 157

HSL 151.25, 0.48%, 0.61%

LAB 75, -39.02, 14.31

 

CMYK 22 / 47 / 0 / 20

HEX #9F6CCC

RGB 159 108 204

HSL 271.88, 0.48%, 0.61%

LAB 54.51, 38.63, -42.27

 

CMYK 0 / 47 / 34 / 20

HEX #CB6B86

RGB 203 107 134

HSL 343.13, 0.48%, 0.61%

LAB 57.01, 40.89, 2.5

 

CMYK 25 / 0 / 47 / 20

HEX #99CB6B

RGB 153 203 107

HSL 91.25, 0.48%, 0.61%

LAB 76.4, -32.72, 42.48

 

CMYK 47 / 0 / 13 / 20

HEX #6BCBB0

RGB 107 203 176

HSL 163.13, 0.48%, 0.61%

LAB 75.43, -34.86, 4.73

 

CMYK 22 / 47 / 0 / 20

HEX #9F6CCC

RGB 159 108 204

HSL 271.88, 0.48%, 0.61%

LAB 54.51, 38.63, -42.27

 

CMYK 0 / 46 / 47 / 20

HEX #CB6D6B

RGB 203 109 107

HSL 1.25, 0.48%, 0.61%

LAB 56.78, 36.84, 17.89

 

CMYK 25 / 0 / 47 / 20

HEX #99CB6B

RGB 153 203 107

HSL 91.25, 0.48%, 0.61%

LAB 76.4, -32.72, 42.48

 

CMYK 47 / 1 / 0 / 20

HEX #6BC9CB

RGB 107 201 203

HSL 181.25, 0.48%, 0.61%

LAB 75.58, -27.28, -9.64

 

Description

Color code: RGB 159 108 204 | qconv.com Color code: RGB 159 108 204 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 108 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 108 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 47 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 47% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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