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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 105 184 it is the complementary color RGB 96 150 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 105 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 159 105 184: RGB 164 105 179, RGB 181 123 198, RGB 198 141 217, RGB 215 159 236 and RGB 232 177 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 105 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 159 105 184: RGB 159 105 184, RGB 142 87 165, RGB 125 69 146, RGB 108 51 127 and RGB 91 33 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 43 / 0 / 28

HEX #9F69B8

RGB 159 105 184

HSL 281.01, 0.36%, 0.57%

LAB 52.88, 35.81, -33.37

 

Complementary color

CMYK 36 / 0 / 53 / 41

HEX #609647

RGB 96 150 71

HSL 101.01, 0.36%, 0.43%

LAB 56.84, -32.97, 35.8

 

CMYK 8 / 41 / 0 / 30

HEX #A469B3

RGB 164 105 179

HSL 287.84, 0.33%, 0.56%

LAB 53.22, 36.28, -29.9

 

CMYK 9 / 38 / 0 / 22

HEX #B57BC6

RGB 181 123 198

HSL 286.4, 0.4%, 0.63%

LAB 59.95, 35.51, -30.17

 

CMYK 9 / 35 / 0 / 15

HEX #C68DD9

RGB 198 141 217

HSL 285, 0.5%, 0.7%

LAB 66.57, 34.77, -30.43

 

CMYK 9 / 33 / 0 / 7

HEX #D79FEC

RGB 215 159 236

HSL 283.64, 0.67%, 0.77%

LAB 73.09, 34.07, -30.68

 

CMYK 9 / 31 / 0 / 0

HEX #E8B1FF

RGB 232 177 255

HSL 282.31, 1%, 0.85%

LAB 79.51, 33.41, -30.92

 

CMYK 14 / 43 / 0 / 28

HEX #9F69B8

RGB 159 105 184

HSL 281.01, 0.36%, 0.57%

LAB 52.88, 35.81, -33.37

 

CMYK 14 / 47 / 0 / 35

HEX #8E57A5

RGB 142 87 165

HSL 282.31, 0.31%, 0.49%

LAB 46.02, 36.64, -33.16

 

CMYK 14 / 53 / 0 / 43

HEX #7D4592

RGB 125 69 146

HSL 283.64, 0.36%, 0.42%

LAB 39.06, 37.46, -32.9

 

CMYK 15 / 60 / 0 / 50

HEX #6C337F

RGB 108 51 127

HSL 285, 0.43%, 0.35%

LAB 32.01, 38.2, -32.52

 

CMYK 16 / 69 / 0 / 58

HEX #5B216C

RGB 91 33 108

HSL 286.4, 0.53%, 0.28%

LAB 24.94, 38.63, -31.88

 

CMYK 14 / 43 / 0 / 28

HEX #9F69B8

RGB 159 105 184

HSL 281.01, 0.36%, 0.57%

LAB 52.88, 35.81, -33.37

 

CMYK 7 / 43 / 0 / 28

HEX #AC69B8

RGB 172 105 184

HSL 290.89, 0.36%, 0.57%

LAB 54.38, 39.76, -30.91

 

CMYK 0 / 43 / 1 / 28

HEX #B869B7

RGB 184 105 183

HSL 300.76, 0.36%, 0.57%

LAB 55.8, 43.24, -28.02

 

CMYK 0 / 43 / 8 / 28

HEX #B869AA

RGB 184 105 170

HSL 310.63, 0.36%, 0.57%

LAB 55.27, 40.89, -21.32

 

CMYK 0 / 43 / 15 / 28

HEX #B8699D

RGB 184 105 157

HSL 320.51, 0.36%, 0.57%

LAB 54.79, 38.69, -14.5

 

CMYK 14 / 43 / 0 / 28

HEX #9F69B8

RGB 159 105 184

HSL 281.01, 0.36%, 0.57%

LAB 52.88, 35.81, -33.37

 

CMYK 14 / 43 / 0 / 8

HEX #CB86EB

RGB 203 134 235

HSL 280.99, 0.72%, 0.72%

LAB 66.32, 43.74, -40.73

 

CMYK 13 / 42 / 0 / 88

HEX #1B121F

RGB 27 18 31

HSL 281.54, 0.27%, 0.1%

LAB 6.91, 7.66, -7.31

 

CMYK 13 / 43 / 0 / 68

HEX #472F52

RGB 71 47 82

HSL 281.14, 0.27%, 0.25%

LAB 23.61, 18.32, -17.12

 

CMYK 14 / 43 / 0 / 48

HEX #734C85

RGB 115 76 133

HSL 281.05, 0.27%, 0.41%

LAB 38.74, 27.42, -25.57

 

CMYK 14 / 43 / 0 / 28

HEX #9F69B8

RGB 159 105 184

HSL 281.01, 0.36%, 0.57%

LAB 52.88, 35.81, -33.37

 

CMYK 0 / 43 / 38 / 28

HEX #B86973

RGB 184 105 115

HSL 352.41, 0.36%, 0.57%

LAB 53.53, 32.67, 8.3

 

CMYK 43 / 0 / 30 / 28

HEX #69B880

RGB 105 184 128

HSL 137.47, 0.36%, 0.57%

LAB 68.64, -36.69, 21.05

 

CMYK 14 / 43 / 0 / 28

HEX #9F69B8

RGB 159 105 184

HSL 281.01, 0.36%, 0.57%

LAB 52.88, 35.81, -33.37

 

CMYK 0 / 14 / 43 / 28

HEX #B89F69

RGB 184 159 105

HSL 41.01, 0.36%, 0.57%

LAB 66.52, 1.7, 31.54

 

CMYK 43 / 0 / 14 / 28

HEX #69B89F

RGB 105 184 159

HSL 161.01, 0.36%, 0.57%

LAB 69.32, -30.28, 5.14

 

CMYK 14 / 43 / 0 / 28

HEX #9F69B8

RGB 159 105 184

HSL 281.01, 0.36%, 0.57%

LAB 52.88, 35.81, -33.37

 

CMYK 0 / 43 / 38 / 28

HEX #B86973

RGB 184 105 115

HSL 352.41, 0.36%, 0.57%

LAB 53.53, 32.67, 8.3

 

CMYK 29 / 0 / 43 / 28

HEX #82B869

RGB 130 184 105

HSL 101.01, 0.36%, 0.57%

LAB 69.5, -32.34, 34.55

 

CMYK 43 / 0 / 5 / 28

HEX #69B8AF

RGB 105 184 175

HSL 173.16, 0.36%, 0.57%

LAB 69.74, -26.49, -3.04

 

CMYK 14 / 43 / 0 / 28

HEX #9F69B8

RGB 159 105 184

HSL 281.01, 0.36%, 0.57%

LAB 52.88, 35.81, -33.37

 

CMYK 0 / 35 / 43 / 28

HEX #B87869

RGB 184 120 105

HSL 11.39, 0.36%, 0.57%

LAB 56.73, 23.26, 18.57

 

CMYK 29 / 0 / 43 / 28

HEX #82B869

RGB 130 184 105

HSL 101.01, 0.36%, 0.57%

LAB 69.5, -32.34, 34.55

 

CMYK 43 / 8 / 0 / 28

HEX #69AAB8

RGB 105 170 184

HSL 190.63, 0.36%, 0.57%

LAB 65.91, -17.05, -13.71

 

Description

Color code: RGB 159 105 184 | qconv.com Color code: RGB 159 105 184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 105 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 105 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 43 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 43% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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