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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 237 216 it is the complementary color RGB 97 18 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 237 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 158 237 216: RGB 163 237 211, RGB 180 255 230, RGB 197 255 249, RGB 214 255 255 and RGB 231 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 237 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 158 237 216: RGB 158 237 216, RGB 141 219 197, RGB 124 201 178, RGB 107 183 159 and RGB 90 165 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 9 / 7

HEX #9EEDD8

RGB 158 237 216

HSL 164.05, 0.69%, 0.77%

LAB 88.35, -28.68, 2.48

 

Complementary color

CMYK 0 / 81 / 60 / 62

HEX #611227

RGB 97 18 39

HSL 344.05, 0.69%, 0.23%

LAB 20.52, 36.12, 8.24

 

CMYK 31 / 0 / 11 / 7

HEX #A3EDD3

RGB 163 237 211

HSL 158.92, 0.67%, 0.78%

LAB 88.48, -28.32, 5.31

 

CMYK 29 / 0 / 10 / 0

HEX #B4FFE6

RGB 180 255 230

HSL 160, 1%, 0.85%

LAB 94.71, -28.12, 4.58

 

CMYK 23 / 0 / 2 / 0

HEX #C5FFF9

RGB 197 255 249

HSL 173.79, 1%, 0.89%

LAB 96.09, -19.31, -3.09

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 33 / 0 / 9 / 7

HEX #9EEDD8

RGB 158 237 216

HSL 164.05, 0.69%, 0.77%

LAB 88.35, -28.68, 2.48

 

CMYK 36 / 0 / 10 / 14

HEX #8DDBC5

RGB 141 219 197

HSL 163.08, 0.52%, 0.71%

LAB 82.03, -28.87, 3.22

 

CMYK 38 / 0 / 11 / 21

HEX #7CC9B2

RGB 124 201 178

HSL 162.08, 0.42%, 0.64%

LAB 75.62, -29.06, 4.01

 

CMYK 42 / 0 / 13 / 28

HEX #6BB79F

RGB 107 183 159

HSL 161.05, 0.35%, 0.57%

LAB 69.11, -29.26, 4.85

 

CMYK 45 / 0 / 15 / 35

HEX #5AA58C

RGB 90 165 140

HSL 160, 0.29%, 0.5%

LAB 62.49, -29.44, 5.75

 

CMYK 33 / 0 / 9 / 7

HEX #9EEDD8

RGB 158 237 216

HSL 164.05, 0.69%, 0.77%

LAB 88.35, -28.68, 2.48

 

CMYK 34 / 0 / 3 / 7

HEX #9BECE4

RGB 155 236 228

HSL 174.07, 0.68%, 0.77%

LAB 88.24, -26.38, -3.98

 

CMYK 34 / 2 / 0 / 7

HEX #9BE7EC

RGB 155 231 236

HSL 183.7, 0.68%, 0.77%

LAB 87.08, -22.1, -9.89

 

CMYK 34 / 8 / 0 / 7

HEX #9BD9EC

RGB 155 217 236

HSL 194.07, 0.68%, 0.77%

LAB 83.26, -15.08, -15.61

 

CMYK 34 / 14 / 0 / 7

HEX #9BCCEC

RGB 155 204 236

HSL 203.7, 0.68%, 0.77%

LAB 79.73, -8.34, -20.93

 

CMYK 33 / 0 / 9 / 7

HEX #9EEDD8

RGB 158 237 216

HSL 164.05, 0.69%, 0.77%

LAB 88.35, -28.68, 2.48

 

CMYK 33 / 0 / 9 / 87

HEX #16211E

RGB 22 33 30

HSL 163.64, 0.2%, 0.11%

LAB 11.63, -5.71, 0.45

 

CMYK 33 / 0 / 8 / 67

HEX #38544D

RGB 56 84 77

HSL 165, 0.2%, 0.27%

LAB 33.39, -12.24, 0.73

 

CMYK 33 / 0 / 9 / 47

HEX #5A877B

RGB 90 135 123

HSL 164, 0.2%, 0.44%

LAB 52.87, -18.2, 1.55

 

CMYK 33 / 0 / 9 / 27

HEX #7CBAAA

RGB 124 186 170

HSL 164.52, 0.31%, 0.61%

LAB 71.08, -23.48, 1.77

 

CMYK 33 / 0 / 9 / 7

HEX #9EEDD8

RGB 158 237 216

HSL 164.05, 0.69%, 0.77%

LAB 88.35, -28.68, 2.48

 

CMYK 34 / 32 / 0 / 7

HEX #9BA1EC

RGB 155 161 236

HSL 235.56, 0.68%, 0.77%

LAB 68.4, 15.24, -38.36

 

CMYK 0 / 23 / 34 / 7

HEX #ECB69B

RGB 236 182 155

HSL 20, 0.68%, 0.77%

LAB 78.26, 15.93, 21.28

 

CMYK 33 / 0 / 9 / 7

HEX #9EEDD8

RGB 158 237 216

HSL 164.05, 0.69%, 0.77%

LAB 88.35, -28.68, 2.48

 

CMYK 9 / 34 / 0 / 7

HEX #D79BEC

RGB 215 155 236

HSL 284.44, 0.68%, 0.77%

LAB 72.19, 36.23, -32.06

 

CMYK 0 / 9 / 34 / 7

HEX #ECD79B

RGB 236 215 155

HSL 44.44, 0.68%, 0.77%

LAB 86.41, -1.32, 32.28

 

CMYK 33 / 0 / 9 / 7

HEX #9EEDD8

RGB 158 237 216

HSL 164.05, 0.69%, 0.77%

LAB 88.35, -28.68, 2.48

 

CMYK 34 / 32 / 0 / 7

HEX #9BA1EC

RGB 155 161 236

HSL 235.56, 0.68%, 0.77%

LAB 68.4, 15.24, -38.36

 

CMYK 0 / 34 / 25 / 7

HEX #EC9BB1

RGB 236 155 177

HSL 343.7, 0.68%, 0.77%

LAB 72.53, 33.16, 1.15

 

CMYK 0 / 2 / 34 / 7

HEX #ECE79B

RGB 236 231 155

HSL 56.3, 0.68%, 0.77%

LAB 90.48, -9.42, 37.66

 

CMYK 33 / 0 / 9 / 7

HEX #9EEDD8

RGB 158 237 216

HSL 164.05, 0.69%, 0.77%

LAB 88.35, -28.68, 2.48

 

CMYK 26 / 34 / 0 / 7

HEX #AE9BEC

RGB 174 155 236

HSL 254.07, 0.68%, 0.77%

LAB 68.39, 23.99, -38.27

 

CMYK 0 / 34 / 25 / 7

HEX #EC9BB1

RGB 236 155 177

HSL 343.7, 0.68%, 0.77%

LAB 72.53, 33.16, 1.15

 

CMYK 8 / 0 / 34 / 7

HEX #D9EC9B

RGB 217 236 155

HSL 74.07, 0.68%, 0.77%

LAB 90.37, -19.05, 37.24

 

Description

Color code: RGB 158 237 216 | qconv.com Color code: RGB 158 237 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 237 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 237 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 9 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 9% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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