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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 231 225 it is the complementary color RGB 97 24 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 231 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 158 231 225: RGB 163 231 220, RGB 180 249 239, RGB 197 255 255, RGB 214 255 255 and RGB 231 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 231 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 158 231 225: RGB 158 231 225, RGB 141 213 206, RGB 124 195 187, RGB 107 177 168 and RGB 90 159 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 3 / 9

HEX #9EE7E1

RGB 158 231 225

HSL 175.07, 0.6%, 0.76%

LAB 86.93, -23.82, -4.32

 

Complementary color

CMYK 0 / 75 / 69 / 62

HEX #61181E

RGB 97 24 30

HSL 355.07, 0.6%, 0.24%

LAB 21.16, 33.1, 15.36

 

CMYK 29 / 0 / 5 / 9

HEX #A3E7DC

RGB 163 231 220

HSL 170.29, 0.59%, 0.77%

LAB 87.05, -23.52, -1.48

 

CMYK 28 / 0 / 4 / 2

HEX #B4F9EF

RGB 180 249 239

HSL 171.3, 0.85%, 0.84%

LAB 93.31, -23.38, -2.11

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 32 / 0 / 3 / 9

HEX #9EE7E1

RGB 158 231 225

HSL 175.07, 0.6%, 0.76%

LAB 86.93, -23.82, -4.32

NCS® S0530-B60G

CMYK 34 / 0 / 3 / 16

HEX #8DD5CE

RGB 141 213 206

HSL 174.17, 0.46%, 0.69%

LAB 80.58, -23.94, -3.7

 

CMYK 36 / 0 / 4 / 24

HEX #7CC3BB

RGB 124 195 187

HSL 173.24, 0.37%, 0.63%

LAB 74.13, -24.07, -3.04

 

CMYK 40 / 0 / 5 / 31

HEX #6BB1A8

RGB 107 177 168

HSL 172.29, 0.31%, 0.56%

LAB 67.57, -24.19, -2.35

 

CMYK 43 / 0 / 6 / 38

HEX #5A9F95

RGB 90 159 149

HSL 171.3, 0.28%, 0.49%

LAB 60.9, -24.31, -1.61

 

CMYK 32 / 0 / 3 / 9

HEX #9EE7E1

RGB 158 231 225

HSL 175.07, 0.6%, 0.76%

LAB 86.93, -23.82, -4.32

NCS® S0530-B60G

CMYK 32 / 3 / 0 / 10

HEX #9DE0E6

RGB 157 224 230

HSL 184.93, 0.59%, 0.76%

LAB 85.09, -19.49, -9.67

 

CMYK 32 / 8 / 0 / 10

HEX #9DD4E6

RGB 157 212 230

HSL 194.79, 0.59%, 0.76%

LAB 81.82, -13.41, -14.56

 

CMYK 32 / 13 / 0 / 10

HEX #9DC7E6

RGB 157 199 230

HSL 205.48, 0.59%, 0.76%

LAB 78.3, -6.62, -19.87

 

CMYK 32 / 19 / 0 / 10

HEX #9DBBE6

RGB 157 187 230

HSL 215.34, 0.59%, 0.76%

LAB 75.09, -0.19, -24.75

 

CMYK 32 / 0 / 3 / 9

HEX #9EE7E1

RGB 158 231 225

HSL 175.07, 0.6%, 0.76%

LAB 86.93, -23.82, -4.32

NCS® S0530-B60G

CMYK 33 / 0 / 4 / 89

HEX #121B1A

RGB 18 27 26

HSL 173.33, 0.2%, 0.09%

LAB 8.88, -4.38, -0.65

 

CMYK 32 / 0 / 3 / 69

HEX #354E4C

RGB 53 78 76

HSL 175.2, 0.19%, 0.26%

LAB 31.18, -9.99, -1.89

 

CMYK 32 / 0 / 2 / 49

HEX #58817E

RGB 88 129 126

HSL 175.61, 0.19%, 0.43%

LAB 51.02, -14.86, -2.94

 

CMYK 32 / 0 / 3 / 29

HEX #7BB4AF

RGB 123 180 175

HSL 174.74, 0.28%, 0.59%

LAB 69.43, -19.59, -3.39

 

CMYK 32 / 0 / 3 / 9

HEX #9EE7E1

RGB 158 231 225

HSL 175.07, 0.6%, 0.76%

LAB 86.93, -23.82, -4.32

NCS® S0530-B60G

CMYK 28 / 32 / 0 / 10

HEX #A59DE6

RGB 165 157 230

HSL 246.58, 0.59%, 0.76%

LAB 67.89, 18.8, -35.8

 

CMYK 0 / 15 / 32 / 10

HEX #E6C39D

RGB 230 195 157

HSL 31.23, 0.59%, 0.76%

LAB 80.9, 7, 23.73

 

CMYK 32 / 0 / 3 / 9

HEX #9EE7E1

RGB 158 231 225

HSL 175.07, 0.6%, 0.76%

LAB 86.93, -23.82, -4.32

NCS® S0530-B60G

CMYK 3 / 32 / 0 / 10

HEX #E09DE6

RGB 224 157 230

HSL 295.07, 0.59%, 0.76%

LAB 73.33, 36.79, -26.95

 

CMYK 0 / 3 / 32 / 10

HEX #E6E09D

RGB 230 224 157

HSL 55.07, 0.59%, 0.76%

LAB 88.24, -7.96, 33.61

 

CMYK 32 / 0 / 3 / 9

HEX #9EE7E1

RGB 158 231 225

HSL 175.07, 0.6%, 0.76%

LAB 86.93, -23.82, -4.32

NCS® S0530-B60G

CMYK 28 / 32 / 0 / 10

HEX #A59DE6

RGB 165 157 230

HSL 246.58, 0.59%, 0.76%

LAB 67.89, 18.8, -35.8

 

CMYK 0 / 32 / 29 / 10

HEX #E69DA3

RGB 230 157 163

HSL 355.07, 0.59%, 0.76%

LAB 71.95, 28.01, 7.97

 

CMYK 4 / 0 / 32 / 10

HEX #DDE69D

RGB 221 230 157

HSL 67.4, 0.59%, 0.76%

LAB 89.11, -14.36, 34.63

 

CMYK 32 / 0 / 3 / 9

HEX #9EE7E1

RGB 158 231 225

HSL 175.07, 0.6%, 0.76%

LAB 86.93, -23.82, -4.32

NCS® S0530-B60G

CMYK 19 / 32 / 0 / 10

HEX #BB9DE6

RGB 187 157 230

HSL 264.66, 0.59%, 0.76%

LAB 69.75, 25.32, -32.77

 

CMYK 0 / 32 / 29 / 10

HEX #E69DA3

RGB 230 157 163

HSL 355.07, 0.59%, 0.76%

LAB 71.95, 28.01, 7.97

 

CMYK 13 / 0 / 32 / 10

HEX #C7E69D

RGB 199 230 157

HSL 85.48, 0.59%, 0.76%

LAB 87.57, -22.47, 32.31

 

Description

Color code: RGB 158 231 225 | qconv.com Color code: RGB 158 231 225 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 231 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 231 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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