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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 206 170 it is the complementary color RGB 97 49 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 206 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 158 206 170: RGB 163 206 165, RGB 180 224 184, RGB 197 242 203, RGB 214 255 222 and RGB 231 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 206 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 158 206 170: RGB 158 206 170, RGB 141 188 151, RGB 124 170 132, RGB 107 152 113 and RGB 90 134 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 17 / 19

HEX #9ECEAA

RGB 158 206 170

HSL 135, 0.33%, 0.71%

LAB 78.64, -22.85, 12.87

 

Complementary color

CMYK 0 / 49 / 12 / 62

HEX #613155

RGB 97 49 85

HSL 315, 0.33%, 0.29%

LAB 27.83, 27.13, -12.29

 

CMYK 21 / 0 / 20 / 19

HEX #A3CEA5

RGB 163 206 165

HSL 122.79, 0.3%, 0.72%

LAB 78.84, -22.09, 15.84

 

CMYK 20 / 0 / 18 / 12

HEX #B4E0B8

RGB 180 224 184

HSL 125.45, 0.42%, 0.79%

LAB 85.24, -21.92, 14.95

 

CMYK 19 / 0 / 16 / 5

HEX #C5F2CB

RGB 197 242 203

HSL 128, 0.63%, 0.86%

LAB 91.54, -21.78, 14.11

 

CMYK 16 / 0 / 13 / 0

HEX #D6FFDE

RGB 214 255 222

HSL 131.71, 1%, 0.92%

LAB 96.45, -19.23, 11.43

 

CMYK 9 / 0 / 5 / 0

HEX #E7FFF1

RGB 231 255 241

HSL 145, 1%, 0.95%

LAB 97.98, -10.33, 4.02

 

CMYK 23 / 0 / 17 / 19

HEX #9ECEAA

RGB 158 206 170

HSL 135, 0.33%, 0.71%

LAB 78.64, -22.85, 12.87

 

CMYK 25 / 0 / 20 / 26

HEX #8DBC97

RGB 141 188 151

HSL 132.77, 0.26%, 0.65%

LAB 72.14, -23.05, 13.76

 

CMYK 27 / 0 / 22 / 33

HEX #7CAA84

RGB 124 170 132

HSL 130.43, 0.21%, 0.58%

LAB 65.51, -23.28, 14.72

 

CMYK 30 / 0 / 26 / 40

HEX #6B9871

RGB 107 152 113

HSL 128, 0.18%, 0.51%

LAB 58.77, -23.52, 15.74

 

CMYK 33 / 0 / 30 / 47

HEX #5A865E

RGB 90 134 94

HSL 125.45, 0.2%, 0.44%

LAB 51.87, -23.79, 16.86

 

CMYK 23 / 0 / 17 / 19

HEX #9ECEAA

RGB 158 206 170

HSL 135, 0.33%, 0.71%

LAB 78.64, -22.85, 12.87

 

CMYK 24 / 0 / 14 / 20

HEX #9CCDB0

RGB 156 205 176

HSL 144.49, 0.33%, 0.71%

LAB 78.38, -21.86, 9.27

 

CMYK 24 / 0 / 10 / 20

HEX #9CCDB9

RGB 156 205 185

HSL 155.51, 0.33%, 0.71%

LAB 78.6, -20.09, 4.76

 

CMYK 24 / 0 / 6 / 20

HEX #9CCDC1

RGB 156 205 193

HSL 165.31, 0.33%, 0.71%

LAB 78.8, -18.44, 0.76

 

CMYK 24 / 0 / 2 / 20

HEX #9CCDC9

RGB 156 205 201

HSL 175.1, 0.33%, 0.71%

LAB 79.01, -16.73, -3.23

 

CMYK 23 / 0 / 17 / 19

HEX #9ECEAA

RGB 158 206 170

HSL 135, 0.33%, 0.71%

LAB 78.64, -22.85, 12.87

 

CMYK 0 / 0 / 0 / 99

HEX #020202

RGB 2 2 2

HSL 0, 0%, 0.01%

LAB 0.55, 0, -0

 

CMYK 23 / 0 / 17 / 79

HEX #29352C

RGB 41 53 44

HSL 135, 0.13%, 0.18%

LAB 20.83, -7.27, 4.03

 

CMYK 23 / 0 / 17 / 59

HEX #506856

RGB 80 104 86

HSL 135, 0.13%, 0.36%

LAB 41.65, -12.95, 7.25

 

CMYK 23 / 0 / 17 / 39

HEX #779B80

RGB 119 155 128

HSL 135, 0.15%, 0.54%

LAB 60.71, -18.07, 10.16

 

CMYK 23 / 0 / 17 / 19

HEX #9ECEAA

RGB 158 206 170

HSL 135, 0.33%, 0.71%

LAB 78.64, -22.85, 12.87

 

CMYK 24 / 11 / 0 / 20

HEX #9CB7CD

RGB 156 183 205

HSL 206.94, 0.33%, 0.71%

LAB 73.12, -4.31, -14.16

 

CMYK 0 / 24 / 20 / 20

HEX #CD9CA3

RGB 205 156 163

HSL 351.43, 0.33%, 0.71%

LAB 69.04, 19.29, 3.44

 

CMYK 23 / 0 / 17 / 19

HEX #9ECEAA

RGB 158 206 170

HSL 135, 0.33%, 0.71%

LAB 78.64, -22.85, 12.87

 

CMYK 18 / 24 / 0 / 20

HEX #A89CCD

RGB 168 156 205

HSL 254.69, 0.33%, 0.71%

LAB 66.91, 14.36, -23.49

 

CMYK 0 / 18 / 24 / 20

HEX #CDA89C

RGB 205 168 156

HSL 14.69, 0.33%, 0.71%

LAB 71.82, 11.7, 11.28

 

CMYK 23 / 0 / 17 / 19

HEX #9ECEAA

RGB 158 206 170

HSL 135, 0.33%, 0.71%

LAB 78.64, -22.85, 12.87

 

CMYK 24 / 11 / 0 / 20

HEX #9CB7CD

RGB 156 183 205

HSL 206.94, 0.33%, 0.71%

LAB 73.12, -4.31, -14.16

 

CMYK 0 / 24 / 6 / 20

HEX #CD9CC1

RGB 205 156 193

HSL 314.69, 0.33%, 0.71%

LAB 69.9, 24.26, -11.98

 

CMYK 0 / 13 / 24 / 20

HEX #CDB29C

RGB 205 178 156

HSL 26.94, 0.33%, 0.71%

LAB 74.33, 6.31, 14.83

 

CMYK 23 / 0 / 17 / 19

HEX #9ECEAA

RGB 158 206 170

HSL 135, 0.33%, 0.71%

LAB 78.64, -22.85, 12.87

 

CMYK 24 / 18 / 0 / 20

HEX #9CA8CD

RGB 156 168 205

HSL 225.31, 0.33%, 0.71%

LAB 69.1, 3.89, -20.23

 

CMYK 0 / 24 / 6 / 20

HEX #CD9CC1

RGB 205 156 193

HSL 314.69, 0.33%, 0.71%

LAB 69.9, 24.26, -11.98

 

CMYK 0 / 6 / 24 / 20

HEX #CDC19C

RGB 205 193 156

HSL 45.31, 0.33%, 0.71%

LAB 78.18, -1.66, 20.18

 

Description

Color code: RGB 158 206 170 | qconv.com Color code: RGB 158 206 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 206 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 206 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 17 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 17% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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