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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 206 139 it is the complementary color RGB 97 49 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 206 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 158 206 139: RGB 163 206 134, RGB 180 224 153, RGB 197 242 172, RGB 214 255 191 and RGB 231 255 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 206 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 158 206 139: RGB 158 206 139, RGB 141 188 120, RGB 124 170 101, RGB 107 152 82 and RGB 90 134 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 33 / 19

HEX #9ECE8B

RGB 158 206 139

HSL 102.99, 0.41%, 0.68%

LAB 78.04, -28.06, 28.39

 

Complementary color

CMYK 16 / 58 / 0 / 55

HEX #613174

RGB 97 49 116

HSL 282.99, 0.41%, 0.32%

LAB 29.41, 33.68, -29.82

 

CMYK 21 / 0 / 35 / 19

HEX #A3CE86

RGB 163 206 134

HSL 95.83, 0.42%, 0.67%

LAB 78.26, -27.03, 31.33

 

CMYK 20 / 0 / 32 / 12

HEX #B4E099

RGB 180 224 153

HSL 97.18, 0.53%, 0.74%

LAB 84.65, -26.91, 30.23

 

CMYK 19 / 0 / 29 / 5

HEX #C5F2AC

RGB 197 242 172

HSL 98.57, 0.73%, 0.81%

LAB 90.94, -26.8, 29.19

 

CMYK 16 / 0 / 25 / 0

HEX #D6FFBF

RGB 214 255 191

HSL 98.44, 1%, 0.87%

LAB 95.82, -24.31, 26.37

 

CMYK 9 / 0 / 18 / 0

HEX #E7FFD2

RGB 231 255 210

HSL 92, 1%, 0.91%

LAB 97.29, -15.56, 18.92

 

CMYK 23 / 0 / 33 / 19

HEX #9ECE8B

RGB 158 206 139

HSL 102.99, 0.41%, 0.68%

LAB 78.04, -28.06, 28.39

 

CMYK 25 / 0 / 36 / 26

HEX #8DBC78

RGB 141 188 120

HSL 101.47, 0.34%, 0.6%

LAB 71.54, -28.22, 29.52

 

CMYK 27 / 0 / 41 / 33

HEX #7CAA65

RGB 124 170 101

HSL 100, 0.29%, 0.53%

LAB 64.94, -28.38, 30.71

 

CMYK 30 / 0 / 46 / 40

HEX #6B9852

RGB 107 152 82

HSL 98.57, 0.3%, 0.46%

LAB 58.22, -28.51, 31.95

 

CMYK 33 / 0 / 53 / 47

HEX #5A863F

RGB 90 134 63

HSL 97.18, 0.36%, 0.39%

LAB 51.36, -28.59, 33.21

 

CMYK 23 / 0 / 33 / 19

HEX #9ECE8B

RGB 158 206 139

HSL 102.99, 0.41%, 0.68%

LAB 78.04, -28.06, 28.39

 

CMYK 28 / 0 / 33 / 19

HEX #94CE8B

RGB 148 206 139

HSL 111.94, 0.41%, 0.68%

LAB 77.46, -31.48, 27.52

 

CMYK 33 / 0 / 31 / 19

HEX #8BCE8E

RGB 139 206 142

HSL 122.69, 0.41%, 0.68%

LAB 77.03, -33.95, 25.29

 

CMYK 33 / 0 / 26 / 19

HEX #8BCE99

RGB 139 206 153

HSL 132.54, 0.41%, 0.68%

LAB 77.24, -32.05, 19.78

 

CMYK 33 / 0 / 20 / 19

HEX #8BCEA4

RGB 139 206 164

HSL 142.39, 0.41%, 0.68%

LAB 77.47, -30, 14.25

 

CMYK 23 / 0 / 33 / 19

HEX #9ECE8B

RGB 158 206 139

HSL 102.99, 0.41%, 0.68%

LAB 78.04, -28.06, 28.39

 

CMYK 0 / 0 / 50 / 99

HEX #020201

RGB 2 2 1

HSL 60, 0.33%, 0.01%

LAB 0.53, -0.14, 0.38

 

CMYK 23 / 0 / 32 / 79

HEX #293524

RGB 41 53 36

HSL 102.35, 0.19%, 0.17%

LAB 20.62, -9.01, 9.12

 

CMYK 23 / 0 / 33 / 59

HEX #506846

RGB 80 104 70

HSL 102.35, 0.2%, 0.34%

LAB 41.29, -16.02, 16.34

 

CMYK 23 / 0 / 32 / 39

HEX #779B69

RGB 119 155 105

HSL 103.2, 0.2%, 0.51%

LAB 60.23, -22.17, 22.31

 

CMYK 23 / 0 / 33 / 19

HEX #9ECE8B

RGB 158 206 139

HSL 102.99, 0.41%, 0.68%

LAB 78.04, -28.06, 28.39

 

CMYK 33 / 0 / 3 / 19

HEX #8BCEC8

RGB 139 206 200

HSL 174.63, 0.41%, 0.68%

LAB 78.35, -22.4, -3.77

 

CMYK 0 / 33 / 10 / 19

HEX #CE8BBA

RGB 206 139 186

HSL 317.91, 0.41%, 0.68%

LAB 65.85, 32.66, -14.14

 

CMYK 23 / 0 / 33 / 19

HEX #9ECE8B

RGB 158 206 139

HSL 102.99, 0.41%, 0.68%

LAB 78.04, -28.06, 28.39

 

CMYK 33 / 22 / 0 / 19

HEX #8BA0CE

RGB 139 160 206

HSL 221.19, 0.41%, 0.68%

LAB 65.82, 3.52, -25.91

 

CMYK 0 / 33 / 22 / 19

HEX #CE8BA0

RGB 206 139 160

HSL 341.19, 0.41%, 0.68%

LAB 65.06, 28.48, -0.66

 

CMYK 23 / 0 / 33 / 19

HEX #9ECE8B

RGB 158 206 139

HSL 102.99, 0.41%, 0.68%

LAB 78.04, -28.06, 28.39

 

CMYK 33 / 0 / 3 / 19

HEX #8BCEC8

RGB 139 206 200

HSL 174.63, 0.41%, 0.68%

LAB 78.35, -22.4, -3.77

 

CMYK 10 / 33 / 0 / 19

HEX #BA8BCE

RGB 186 139 206

HSL 282.09, 0.41%, 0.68%

LAB 64.45, 29.85, -27.67

 

CMYK 0 / 33 / 29 / 19

HEX #CE8B92

RGB 206 139 146

HSL 353.73, 0.41%, 0.68%

LAB 64.69, 26.48, 6.73

 

CMYK 23 / 0 / 33 / 19

HEX #9ECE8B

RGB 158 206 139

HSL 102.99, 0.41%, 0.68%

LAB 78.04, -28.06, 28.39

 

CMYK 33 / 6 / 0 / 19

HEX #8BC1CE

RGB 139 193 206

HSL 191.64, 0.41%, 0.68%

LAB 74.88, -14.36, -12.16

 

CMYK 10 / 33 / 0 / 19

HEX #BA8BCE

RGB 186 139 206

HSL 282.09, 0.41%, 0.68%

LAB 64.45, 29.85, -27.67

 

CMYK 0 / 26 / 33 / 19

HEX #CE998B

RGB 206 153 139

HSL 12.54, 0.41%, 0.68%

LAB 67.85, 17.92, 15.11

 

Description

Color code: RGB 158 206 139 | qconv.com Color code: RGB 158 206 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 206 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 206 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 33 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 33% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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