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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 191 150 it is the complementary color RGB 97 64 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 191 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 158 191 150: RGB 163 191 145, RGB 180 209 164, RGB 197 227 183, RGB 214 245 202 and RGB 231 255 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 191 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 158 191 150: RGB 158 191 150, RGB 141 173 131, RGB 124 155 112, RGB 107 137 93 and RGB 90 119 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 21 / 25

HEX #9EBF96

RGB 158 191 150

HSL 108.29, 0.24%, 0.67%

LAB 74.02, -18.91, 17.09

 

Complementary color

CMYK 8 / 39 / 0 / 59

HEX #614069

RGB 97 64 105

HSL 288.29, 0.24%, 0.33%

LAB 32.32, 22.23, -18.28

 

CMYK 15 / 0 / 24 / 25

HEX #A3BF91

RGB 163 191 145

HSL 96.52, 0.26%, 0.66%

LAB 74.25, -17.95, 20.14

 

CMYK 14 / 0 / 22 / 18

HEX #B4D1A4

RGB 180 209 164

HSL 98.67, 0.33%, 0.73%

LAB 80.73, -17.88, 19.17

 

CMYK 13 / 0 / 19 / 11

HEX #C5E3B7

RGB 197 227 183

HSL 100.91, 0.44%, 0.8%

LAB 87.11, -17.81, 18.26

 

CMYK 13 / 0 / 18 / 4

HEX #D6F5CA

RGB 214 245 202

HSL 103.26, 0.68%, 0.88%

LAB 93.39, -17.75, 17.38

 

CMYK 9 / 0 / 13 / 0

HEX #E7FFDD

RGB 231 255 221

HSL 102.35, 1%, 0.93%

LAB 97.52, -13.79, 13.63

 

CMYK 17 / 0 / 21 / 25

HEX #9EBF96

RGB 158 191 150

HSL 108.29, 0.24%, 0.67%

LAB 74.02, -18.91, 17.09

 

CMYK 18 / 0 / 24 / 32

HEX #8DAD83

RGB 141 173 131

HSL 105.71, 0.2%, 0.6%

LAB 67.42, -19.04, 18.07

 

CMYK 20 / 0 / 28 / 39

HEX #7C9B70

RGB 124 155 112

HSL 103.26, 0.18%, 0.52%

LAB 60.69, -19.18, 19.11

 

CMYK 22 / 0 / 32 / 46

HEX #6B895D

RGB 107 137 93

HSL 100.91, 0.19%, 0.45%

LAB 53.82, -19.33, 20.24

 

CMYK 24 / 0 / 38 / 53

HEX #5A774A

RGB 90 119 74

HSL 98.67, 0.23%, 0.38%

LAB 46.79, -19.48, 21.45

 

CMYK 17 / 0 / 21 / 25

HEX #9EBF96

RGB 158 191 150

HSL 108.29, 0.24%, 0.67%

LAB 74.02, -18.91, 17.09

 

CMYK 20 / 0 / 21 / 25

HEX #98BF96

RGB 152 191 150

HSL 117.07, 0.24%, 0.67%

LAB 73.64, -21, 16.5

 

CMYK 21 / 0 / 18 / 25

HEX #96BF9C

RGB 150 191 156

HSL 128.78, 0.24%, 0.67%

LAB 73.64, -20.61, 13.25

 

CMYK 21 / 0 / 15 / 25

HEX #96BFA2

RGB 150 191 162

HSL 137.56, 0.24%, 0.67%

LAB 73.77, -19.49, 10.2

 

CMYK 21 / 0 / 12 / 25

HEX #96BFA9

RGB 150 191 169

HSL 147.8, 0.24%, 0.67%

LAB 73.94, -18.14, 6.64

 

CMYK 17 / 0 / 21 / 25

HEX #9EBF96

RGB 158 191 150

HSL 108.29, 0.24%, 0.67%

LAB 74.02, -18.91, 17.09

 

CMYK 17 / 0 / 21 / 5

HEX #C8F2BE

RGB 200 242 190

HSL 108.46, 0.67%, 0.85%

LAB 91.46, -22.98, 20.73

 

CMYK 18 / 0 / 21 / 85

HEX #1F261E

RGB 31 38 30

HSL 112.5, 0.12%, 0.13%

LAB 14.24, -5.13, 4.28

 

CMYK 17 / 0 / 21 / 65

HEX #4A5946

RGB 74 89 70

HSL 107.37, 0.12%, 0.31%

LAB 36.07, -9.95, 9.1

 

CMYK 17 / 0 / 21 / 45

HEX #748C6E

RGB 116 140 110

HSL 108, 0.12%, 0.49%

LAB 55.68, -14.6, 13.25

 

CMYK 17 / 0 / 21 / 25

HEX #9EBF96

RGB 158 191 150

HSL 108.29, 0.24%, 0.67%

LAB 74.02, -18.91, 17.09

 

CMYK 21 / 0 / 0 / 25

HEX #96BFBF

RGB 150 191 191

HSL 180, 0.24%, 0.67%

LAB 74.51, -13.55, -4.49

 

CMYK 0 / 21 / 9 / 25

HEX #BF96AE

RGB 191 150 174

HSL 324.88, 0.24%, 0.67%

LAB 66.48, 19.29, -6.63

 

CMYK 17 / 0 / 21 / 25

HEX #9EBF96

RGB 158 191 150

HSL 108.29, 0.24%, 0.67%

LAB 74.02, -18.91, 17.09

 

CMYK 21 / 17 / 0 / 25

HEX #969EBF

RGB 150 158 191

HSL 228.29, 0.24%, 0.67%

LAB 65.51, 4.31, -17.95

 

CMYK 0 / 21 / 17 / 25

HEX #BF969E

RGB 191 150 158

HSL 348.29, 0.24%, 0.67%

LAB 66.03, 16.59, 1.68

 

CMYK 17 / 0 / 21 / 25

HEX #9EBF96

RGB 158 191 150

HSL 108.29, 0.24%, 0.67%

LAB 74.02, -18.91, 17.09

 

CMYK 21 / 0 / 0 / 25

HEX #96BFBF

RGB 150 191 191

HSL 180, 0.24%, 0.67%

LAB 74.51, -13.55, -4.49

 

CMYK 5 / 21 / 0 / 25

HEX #B696BF

RGB 182 150 191

HSL 286.83, 0.24%, 0.67%

LAB 66.15, 19.35, -16.73

 

CMYK 0 / 21 / 21 / 25

HEX #BF9696

RGB 191 150 150

HSL 0, 0.24%, 0.67%

LAB 65.82, 15.34, 5.88

 

CMYK 17 / 0 / 21 / 25

HEX #9EBF96

RGB 158 191 150

HSL 108.29, 0.24%, 0.67%

LAB 74.02, -18.91, 17.09

 

CMYK 21 / 7 / 0 / 25

HEX #96B2BF

RGB 150 178 191

HSL 199.02, 0.24%, 0.67%

LAB 70.93, -6.67, -9.8

 

CMYK 5 / 21 / 0 / 25

HEX #B696BF

RGB 182 150 191

HSL 286.83, 0.24%, 0.67%

LAB 66.15, 19.35, -16.73

 

CMYK 0 / 15 / 21 / 25

HEX #BFA296

RGB 191 162 150

HSL 17.56, 0.24%, 0.67%

LAB 68.84, 8.74, 10.19

 

Description

Color code: RGB 158 191 150 | qconv.com Color code: RGB 158 191 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 191 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 191 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 21 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 21% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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