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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 172 237 it is the complementary color RGB 97 83 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 172 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 158 172 237: RGB 163 172 232, RGB 180 190 251, RGB 197 208 255, RGB 214 226 255 and RGB 231 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 172 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 158 172 237: RGB 158 172 237, RGB 141 154 218, RGB 124 136 199, RGB 107 118 180 and RGB 90 100 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 27 / 0 / 7

HEX #9EACED

RGB 158 172 237

HSL 229.37, 0.69%, 0.77%

LAB 71.48, 10.13, -34.1

 

Complementary color

CMYK 0 / 14 / 81 / 62

HEX #615312

RGB 97 83 18

HSL 49.37, 0.69%, 0.23%

LAB 35.54, -1.84, 37.57

 

CMYK 30 / 26 / 0 / 9

HEX #A3ACE8

RGB 163 172 232

HSL 232.17, 0.6%, 0.77%

LAB 71.63, 10.29, -31.11

 

CMYK 28 / 24 / 0 / 2

HEX #B4BEFB

RGB 180 190 251

HSL 231.55, 0.9%, 0.85%

LAB 78.17, 9.88, -31.21

 

CMYK 23 / 18 / 0 / 0

HEX #C5D0FF

RGB 197 208 255

HSL 228.62, 1%, 0.89%

LAB 84.07, 6.06, -24.2

 

CMYK 16 / 11 / 0 / 0

HEX #D6E2FF

RGB 214 226 255

HSL 222.44, 1%, 0.92%

LAB 89.82, 1.74, -15.41

 

CMYK 9 / 4 / 0 / 0

HEX #E7F4FF

RGB 231 244 255

HSL 207.5, 1%, 0.95%

LAB 95.54, -2.19, -6.76

 

CMYK 33 / 27 / 0 / 7

HEX #9EACED

RGB 158 172 237

HSL 229.37, 0.69%, 0.77%

LAB 71.48, 10.13, -34.1

 

CMYK 35 / 29 / 0 / 15

HEX #8D9ADA

RGB 141 154 218

HSL 229.87, 0.51%, 0.7%

LAB 64.83, 10.63, -34.07

 

CMYK 38 / 32 / 0 / 22

HEX #7C88C7

RGB 124 136 199

HSL 230.4, 0.4%, 0.63%

LAB 58.05, 11.21, -34.08

 

CMYK 41 / 34 / 0 / 29

HEX #6B76B4

RGB 107 118 180

HSL 230.96, 0.33%, 0.56%

LAB 51.13, 11.87, -34.14

 

CMYK 44 / 38 / 0 / 37

HEX #5A64A1

RGB 90 100 161

HSL 231.55, 0.28%, 0.49%

LAB 44.03, 12.67, -34.27

 

CMYK 33 / 27 / 0 / 7

HEX #9EACED

RGB 158 172 237

HSL 229.37, 0.69%, 0.77%

LAB 71.48, 10.13, -34.1

 

CMYK 34 / 33 / 0 / 7

HEX #9B9DEC

RGB 155 157 236

HSL 238.52, 0.68%, 0.77%

LAB 67.38, 17.51, -39.95

 

CMYK 29 / 34 / 0 / 7

HEX #A89BEC

RGB 168 155 236

HSL 249.63, 0.68%, 0.77%

LAB 67.89, 22.27, -39.07

 

CMYK 23 / 34 / 0 / 7

HEX #B59BEC

RGB 181 155 236

HSL 259.26, 0.68%, 0.77%

LAB 68.98, 26.02, -37.29

 

CMYK 17 / 34 / 0 / 7

HEX #C39BEC

RGB 195 155 236

HSL 269.63, 0.68%, 0.77%

LAB 70.25, 30.17, -35.23

 

CMYK 33 / 27 / 0 / 7

HEX #9EACED

RGB 158 172 237

HSL 229.37, 0.69%, 0.77%

LAB 71.48, 10.13, -34.1

 

CMYK 33 / 27 / 0 / 87

HEX #161821

RGB 22 24 33

HSL 229.09, 0.2%, 0.11%

LAB 8.43, 1.74, -6.56

 

CMYK 33 / 27 / 0 / 67

HEX #383D54

RGB 56 61 84

HSL 229.29, 0.2%, 0.27%

LAB 26.21, 4.14, -14.53

 

CMYK 33 / 27 / 0 / 47

HEX #5A6287

RGB 90 98 135

HSL 229.33, 0.2%, 0.44%

LAB 42.24, 6.28, -21.53

 

CMYK 33 / 27 / 0 / 27

HEX #7C87BA

RGB 124 135 186

HSL 229.35, 0.31%, 0.61%

LAB 57.23, 8.26, -27.99

 

CMYK 33 / 27 / 0 / 7

HEX #9EACED

RGB 158 172 237

HSL 229.37, 0.69%, 0.77%

LAB 71.48, 10.13, -34.1

 

CMYK 0 / 34 / 0 / 7

HEX #EC9BEB

RGB 236 155 235

HSL 300.74, 0.68%, 0.77%

LAB 74.36, 42.51, -27.99

 

CMYK 14 / 0 / 34 / 7

HEX #CBEC9B

RGB 203 236 155

HSL 84.44, 0.68%, 0.77%

LAB 89.42, -24.19, 35.81

 

CMYK 33 / 27 / 0 / 7

HEX #9EACED

RGB 158 172 237

HSL 229.37, 0.69%, 0.77%

LAB 71.48, 10.13, -34.1

 

CMYK 0 / 34 / 28 / 7

HEX #EC9BAA

RGB 236 155 170

HSL 348.89, 0.68%, 0.77%

LAB 72.35, 32.2, 4.76

 

CMYK 28 / 0 / 34 / 7

HEX #AAEC9B

RGB 170 236 155

HSL 108.89, 0.68%, 0.77%

LAB 87.44, -35.64, 32.83

 

CMYK 33 / 27 / 0 / 7

HEX #9EACED

RGB 158 172 237

HSL 229.37, 0.69%, 0.77%

LAB 71.48, 10.13, -34.1

 

CMYK 0 / 34 / 0 / 7

HEX #EC9BEB

RGB 236 155 235

HSL 300.74, 0.68%, 0.77%

LAB 74.36, 42.51, -27.99

 

CMYK 0 / 6 / 34 / 7

HEX #ECDD9B

RGB 236 221 155

HSL 48.89, 0.68%, 0.77%

LAB 87.93, -4.38, 34.3

 

CMYK 34 / 0 / 33 / 7

HEX #9BEC9D

RGB 155 236 157

HSL 121.48, 0.68%, 0.77%

LAB 86.7, -40.12, 30.7

 

CMYK 33 / 27 / 0 / 7

HEX #9EACED

RGB 158 172 237

HSL 229.37, 0.69%, 0.77%

LAB 71.48, 10.13, -34.1

 

CMYK 0 / 34 / 11 / 7

HEX #EC9BD3

RGB 236 155 211

HSL 318.52, 0.68%, 0.77%

LAB 73.53, 38.36, -16.12

 

CMYK 0 / 6 / 34 / 7

HEX #ECDD9B

RGB 236 221 155

HSL 48.89, 0.68%, 0.77%

LAB 87.93, -4.38, 34.3

 

CMYK 34 / 0 / 23 / 7

HEX #9BECB5

RGB 155 236 181

HSL 139.26, 0.68%, 0.77%

LAB 87.14, -36.02, 18.98

 

Description

Color code: RGB 158 172 237 | qconv.com Color code: RGB 158 172 237 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 172 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 172 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 27 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 27% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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