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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 166 175 it is the complementary color RGB 97 89 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 166 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 158 166 175: RGB 163 166 170, RGB 180 184 189, RGB 197 202 208, RGB 214 220 227 and RGB 231 238 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 166 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 158 166 175: RGB 158 166 175, RGB 141 148 156, RGB 124 130 137, RGB 107 112 118 and RGB 90 94 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 5 / 0 / 31

HEX #9EA6AF

RGB 158 166 175

HSL 211.76, 0.1%, 0.65%

LAB 67.75, -1, -5.62

 

Complementary color

CMYK 0 / 8 / 18 / 62

HEX #615950

RGB 97 89 80

HSL 31.76, 0.1%, 0.35%

LAB 38.31, 1.54, 6.37

 

CMYK 4 / 2 / 0 / 33

HEX #A3A6AA

RGB 163 166 170

HSL 214.29, 0.04%, 0.65%

LAB 67.99, -0.28, -2.44

 

CMYK 5 / 3 / 0 / 26

HEX #B4B8BD

RGB 180 184 189

HSL 213.33, 0.06%, 0.72%

LAB 74.61, -0.43, -3.02

 

CMYK 5 / 3 / 0 / 18

HEX #C5CAD0

RGB 197 202 208

HSL 212.73, 0.1%, 0.79%

LAB 81.11, -0.57, -3.59

 

CMYK 6 / 3 / 0 / 11

HEX #D6DCE3

RGB 214 220 227

HSL 212.31, 0.19%, 0.86%

LAB 87.5, -0.71, -4.14

 

CMYK 6 / 3 / 0 / 4

HEX #E7EEF6

RGB 231 238 246

HSL 212, 0.45%, 0.94%

LAB 93.79, -0.84, -4.67

 

CMYK 10 / 5 / 0 / 31

HEX #9EA6AF

RGB 158 166 175

HSL 211.76, 0.1%, 0.65%

LAB 67.75, -1, -5.62

 

CMYK 10 / 5 / 0 / 39

HEX #8D949C

RGB 141 148 156

HSL 212, 0.07%, 0.58%

LAB 61, -0.88, -5.09

 

CMYK 9 / 5 / 0 / 46

HEX #7C8289

RGB 124 130 137

HSL 212.31, 0.05%, 0.51%

LAB 54.09, -0.74, -4.54

 

CMYK 9 / 5 / 0 / 54

HEX #6B7076

RGB 107 112 118

HSL 212.73, 0.05%, 0.44%

LAB 47, -0.6, -3.98

 

CMYK 9 / 5 / 0 / 61

HEX #5A5E63

RGB 90 94 99

HSL 213.33, 0.05%, 0.37%

LAB 39.71, -0.46, -3.4

 

CMYK 10 / 5 / 0 / 31

HEX #9EA6AF

RGB 158 166 175

HSL 211.76, 0.1%, 0.65%

LAB 67.75, -1, -5.62

 

CMYK 10 / 7 / 0 / 32

HEX #9CA2AE

RGB 156 162 174

HSL 220, 0.1%, 0.65%

LAB 66.49, 0.3, -6.94

 

CMYK 10 / 9 / 0 / 32

HEX #9C9FAE

RGB 156 159 174

HSL 230, 0.1%, 0.65%

LAB 65.69, 1.96, -8.14

 

CMYK 10 / 10 / 0 / 32

HEX #9D9CAE

RGB 157 156 174

HSL 243.33, 0.1%, 0.65%

LAB 64.96, 3.97, -9.21

 

CMYK 8 / 10 / 0 / 32

HEX #A09CAE

RGB 160 156 174

HSL 253.33, 0.1%, 0.65%

LAB 65.21, 5, -8.83

 

CMYK 10 / 5 / 0 / 31

HEX #9EA6AF

RGB 158 166 175

HSL 211.76, 0.1%, 0.65%

LAB 67.75, -1, -5.62

 

CMYK 10 / 5 / 0 / 11

HEX #CCD6E2

RGB 204 214 226

HSL 212.73, 0.28%, 0.84%

LAB 85.21, -1.05, -7.07

 

CMYK 9 / 5 / 0 / 91

HEX #141516

RGB 20 21 22

HSL 210, 0.05%, 0.08%

LAB 6.71, -0.19, -0.81

 

CMYK 10 / 5 / 0 / 71

HEX #424549

RGB 66 69 73

HSL 214.29, 0.05%, 0.27%

LAB 29.15, -0.3, -2.84

 

CMYK 10 / 5 / 0 / 51

HEX #70767C

RGB 112 118 124

HSL 210, 0.05%, 0.46%

LAB 49.32, -0.96, -4.07

 

CMYK 10 / 5 / 0 / 31

HEX #9EA6AF

RGB 158 166 175

HSL 211.76, 0.1%, 0.65%

LAB 67.75, -1, -5.62

 

CMYK 3 / 10 / 0 / 32

HEX #A99CAE

RGB 169 156 174

HSL 283.33, 0.1%, 0.65%

LAB 65.96, 8.13, -7.63

 

CMYK 1 / 0 / 10 / 32

HEX #ACAE9C

RGB 172 174 156

HSL 66.67, 0.1%, 0.65%

LAB 70.49, -3.95, 8.99

 

CMYK 10 / 5 / 0 / 31

HEX #9EA6AF

RGB 158 166 175

HSL 211.76, 0.1%, 0.65%

LAB 67.75, -1, -5.62

 

CMYK 0 / 10 / 5 / 32

HEX #AE9CA5

RGB 174 156 165

HSL 330, 0.1%, 0.65%

LAB 66.13, 8.21, -2.28

 

CMYK 5 / 0 / 10 / 32

HEX #A5AE9C

RGB 165 174 156

HSL 90, 0.1%, 0.65%

LAB 69.95, -6.51, 8.15

 

CMYK 10 / 5 / 0 / 31

HEX #9EA6AF

RGB 158 166 175

HSL 211.76, 0.1%, 0.65%

LAB 67.75, -1, -5.62

 

CMYK 3 / 10 / 0 / 32

HEX #A99CAE

RGB 169 156 174

HSL 283.33, 0.1%, 0.65%

LAB 65.96, 8.13, -7.63

 

CMYK 0 / 5 / 10 / 32

HEX #AEA69C

RGB 174 166 156

HSL 33.33, 0.1%, 0.65%

LAB 68.51, 1.11, 6.19

 

CMYK 7 / 0 / 10 / 32

HEX #A1AE9C

RGB 161 174 156

HSL 103.33, 0.1%, 0.65%

LAB 69.65, -7.96, 7.68

 

CMYK 10 / 5 / 0 / 31

HEX #9EA6AF

RGB 158 166 175

HSL 211.76, 0.1%, 0.65%

LAB 67.75, -1, -5.62

 

CMYK 0 / 10 / 0 / 32

HEX #AE9CAE

RGB 174 156 174

HSL 300, 0.1%, 0.65%

LAB 66.39, 9.9, -6.93

 

CMYK 0 / 5 / 10 / 32

HEX #AEA69C

RGB 174 166 156

HSL 33.33, 0.1%, 0.65%

LAB 68.51, 1.11, 6.19

 

CMYK 10 / 0 / 10 / 32

HEX #9CAE9D

RGB 156 174 157

HSL 123.33, 0.1%, 0.65%

LAB 69.31, -9.56, 6.6

 

Description

Color code: RGB 158 166 175 | qconv.com Color code: RGB 158 166 175 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 166 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 166 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 5 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 5% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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