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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 98 202 it is the complementary color RGB 98 157 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 98 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 157 98 202: RGB 162 98 197, RGB 179 116 216, RGB 196 134 235, RGB 213 152 254 and RGB 230 170 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 98 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 157 98 202: RGB 157 98 202, RGB 140 80 183, RGB 123 62 164, RGB 106 44 145 and RGB 89 26 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 51 / 0 / 21

HEX #9D62CA

RGB 157 98 202

HSL 274.04, 0.5%, 0.59%

LAB 52.03, 43.13, -45.07

 

Complementary color

CMYK 38 / 0 / 66 / 38

HEX #629D35

RGB 98 157 53

HSL 94.04, 0.5%, 0.41%

LAB 58.94, -37.31, 46.73

 

CMYK 18 / 50 / 0 / 23

HEX #A262C5

RGB 162 98 197

HSL 278.79, 0.46%, 0.58%

LAB 52.34, 43.37, -41.67

 

CMYK 17 / 46 / 0 / 15

HEX #B374D8

RGB 179 116 216

HSL 277.8, 0.56%, 0.65%

LAB 59, 42.54, -41.82

 

CMYK 17 / 43 / 0 / 8

HEX #C486EB

RGB 196 134 235

HSL 276.83, 0.72%, 0.72%

LAB 65.58, 41.73, -41.95

 

CMYK 16 / 40 / 0 / 0

HEX #D598FE

RGB 213 152 254

HSL 275.88, 0.98%, 0.8%

LAB 72.07, 40.96, -42.07

 

CMYK 10 / 33 / 0 / 0

HEX #E6AAFF

RGB 230 170 255

HSL 282.35, 1%, 0.83%

LAB 77.75, 36.54, -33.65

 

CMYK 22 / 51 / 0 / 21

HEX #9D62CA

RGB 157 98 202

HSL 274.04, 0.5%, 0.59%

LAB 52.03, 43.13, -45.07

 

CMYK 23 / 56 / 0 / 28

HEX #8C50B7

RGB 140 80 183

HSL 274.95, 0.42%, 0.52%

LAB 45.26, 44, -44.95

 

CMYK 25 / 62 / 0 / 36

HEX #7B3EA4

RGB 123 62 164

HSL 275.88, 0.45%, 0.44%

LAB 38.44, 44.79, -44.74

 

CMYK 27 / 70 / 0 / 43

HEX #6A2C91

RGB 106 44 145

HSL 276.83, 0.53%, 0.37%

LAB 31.6, 45.35, -44.34

 

CMYK 29 / 79 / 0 / 51

HEX #591A7E

RGB 89 26 126

HSL 277.8, 0.66%, 0.3%

LAB 24.86, 45.33, -43.53

 

CMYK 22 / 51 / 0 / 21

HEX #9D62CA

RGB 157 98 202

HSL 274.04, 0.5%, 0.59%

LAB 52.03, 43.13, -45.07

 

CMYK 14 / 51 / 0 / 21

HEX #AE62CA

RGB 174 98 202

HSL 283.85, 0.5%, 0.59%

LAB 54.03, 47.75, -41.78

 

CMYK 5 / 51 / 0 / 21

HEX #C062CA

RGB 192 98 202

HSL 294.23, 0.5%, 0.59%

LAB 56.29, 52.7, -38.05

 

CMYK 0 / 51 / 3 / 21

HEX #CA62C3

RGB 202 98 195

HSL 304.04, 0.5%, 0.59%

LAB 57.3, 54.24, -32.38

 

CMYK 0 / 51 / 12 / 21

HEX #CA62B2

RGB 202 98 178

HSL 313.85, 0.5%, 0.59%

LAB 56.59, 51.4, -23.72

 

CMYK 22 / 51 / 0 / 21

HEX #9D62CA

RGB 157 98 202

HSL 274.04, 0.5%, 0.59%

LAB 52.03, 43.13, -45.07

 

CMYK 22 / 51 / 0 / 1

HEX #C57BFD

RGB 197 123 253

HSL 274.15, 0.97%, 0.74%

LAB 64.26, 51.76, -53.92

 

CMYK 22 / 51 / 0 / 81

HEX #261831

RGB 38 24 49

HSL 273.6, 0.34%, 0.14%

LAB 11.18, 13.08, -13.97

 

CMYK 22 / 51 / 0 / 61

HEX #4E3164

RGB 78 49 100

HSL 274.12, 0.34%, 0.29%

LAB 25.97, 23.99, -25.17

 

CMYK 23 / 52 / 0 / 41

HEX #754997

RGB 117 73 151

HSL 273.85, 0.35%, 0.44%

LAB 39.21, 34.04, -35.75

 

CMYK 22 / 51 / 0 / 21

HEX #9D62CA

RGB 157 98 202

HSL 274.04, 0.5%, 0.59%

LAB 52.03, 43.13, -45.07

 

CMYK 0 / 51 / 40 / 21

HEX #CA627A

RGB 202 98 122

HSL 346.15, 0.5%, 0.59%

LAB 54.76, 43.7, 6.27

 

CMYK 51 / 0 / 43 / 21

HEX #62CA73

RGB 98 202 115

HSL 129.81, 0.5%, 0.59%

LAB 73.59, -48.6, 34.38

 

CMYK 22 / 51 / 0 / 21

HEX #9D62CA

RGB 157 98 202

HSL 274.04, 0.5%, 0.59%

LAB 52.03, 43.13, -45.07

 

CMYK 0 / 22 / 51 / 21

HEX #CA9D62

RGB 202 157 98

HSL 34.04, 0.5%, 0.59%

LAB 67.69, 9.6, 37.09

 

CMYK 51 / 0 / 22 / 21

HEX #62CA9D

RGB 98 202 157

HSL 154.04, 0.5%, 0.59%

LAB 74.36, -40.78, 13.37

 

CMYK 22 / 51 / 0 / 21

HEX #9D62CA

RGB 157 98 202

HSL 274.04, 0.5%, 0.59%

LAB 52.03, 43.13, -45.07

 

CMYK 0 / 51 / 40 / 21

HEX #CA627A

RGB 202 98 122

HSL 346.15, 0.5%, 0.59%

LAB 54.76, 43.7, 6.27

 

CMYK 29 / 0 / 51 / 21

HEX #8FCA62

RGB 143 202 98

HSL 94.04, 0.5%, 0.59%

LAB 75.43, -36.89, 45.52

 

CMYK 51 / 0 / 12 / 21

HEX #62CAB2

RGB 98 202 178

HSL 166.15, 0.5%, 0.59%

LAB 74.86, -36.02, 2.77

 

CMYK 22 / 51 / 0 / 21

HEX #9D62CA

RGB 157 98 202

HSL 274.04, 0.5%, 0.59%

LAB 52.03, 43.13, -45.07

 

CMYK 0 / 48 / 51 / 21

HEX #CA6962

RGB 202 105 98

HSL 4.04, 0.5%, 0.59%

LAB 55.63, 37.7, 21.52

 

CMYK 29 / 0 / 51 / 21

HEX #8FCA62

RGB 143 202 98

HSL 94.04, 0.5%, 0.59%

LAB 75.43, -36.89, 45.52

 

CMYK 51 / 3 / 0 / 21

HEX #62C3CA

RGB 98 195 202

HSL 184.04, 0.5%, 0.59%

LAB 73.47, -26.56, -12.28

 

Description

Color code: RGB 157 98 202 | qconv.com Color code: RGB 157 98 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 98 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 98 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 51 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 51% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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