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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 212 17 it is the complementary color RGB 98 43 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 212 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 157 212 17: RGB 162 212 12, RGB 179 230 31, RGB 196 248 50, RGB 213 255 69 and RGB 230 255 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 212 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 157 212 17: RGB 157 212 17, RGB 140 194 0, RGB 123 176 0, RGB 106 158 0 and RGB 89 140 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 92 / 17

HEX #9DD411

RGB 157 212 17

HSL 76.92, 0.85%, 0.45%

LAB 78.63, -41.02, 75.94

 

Complementary color

CMYK 59 / 82 / 0 / 7

HEX #622BEE

RGB 98 43 238

HSL 256.92, 0.85%, 0.55%

LAB 38.72, 68, -87.46

 

CMYK 24 / 0 / 94 / 17

HEX #A2D40C

RGB 162 212 12

HSL 75, 0.89%, 0.44%

LAB 78.92, -39.17, 76.88

 

CMYK 22 / 0 / 87 / 10

HEX #B3E61F

RGB 179 230 31

HSL 75.38, 0.8%, 0.51%

LAB 85.14, -40.17, 79.55

 

CMYK 21 / 0 / 80 / 3

HEX #C4F832

RGB 196 248 50

HSL 75.76, 0.93%, 0.58%

LAB 91.28, -40.99, 81.02

 

CMYK 16 / 0 / 73 / 0

HEX #D5FF45

RGB 213 255 69

HSL 73.55, 1%, 0.64%

LAB 94.35, -36.79, 78.78

 

CMYK 10 / 0 / 65 / 0

HEX #E6FF58

RGB 230 255 88

HSL 68.98, 1%, 0.67%

LAB 95.6, -29.17, 73.78

 

CMYK 26 / 0 / 92 / 17

HEX #9DD411

RGB 157 212 17

HSL 76.92, 0.85%, 0.45%

LAB 78.63, -41.02, 75.94

 

CMYK 28 / 0 / 100 / 24

HEX #8CC200

RGB 140 194 0

HSL 76.7, 1%, 0.38%

LAB 72.33, -39.92, 72.42

 

CMYK 30 / 0 / 100 / 31

HEX #7BB000

RGB 123 176 0

HSL 78.07, 1%, 0.35%

LAB 65.95, -38.56, 67.11

 

CMYK 33 / 0 / 100 / 38

HEX #6A9E00

RGB 106 158 0

HSL 79.75, 1%, 0.31%

LAB 59.45, -37.18, 61.7

 

CMYK 36 / 0 / 100 / 45

HEX #598C00

RGB 89 140 0

HSL 81.86, 1%, 0.27%

LAB 52.82, -35.77, 56.18

 

CMYK 26 / 0 / 92 / 17

HEX #9DD411

RGB 157 212 17

HSL 76.92, 0.85%, 0.45%

LAB 78.63, -41.02, 75.94

 

CMYK 40 / 0 / 92 / 17

HEX #7FD411

RGB 127 212 17

HSL 86.15, 0.85%, 0.45%

LAB 77.06, -51.87, 74.02

 

CMYK 55 / 0 / 92 / 17

HEX #5FD411

RGB 95 212 17

HSL 96, 0.85%, 0.45%

LAB 75.8, -61.56, 72.46

 

CMYK 71 / 0 / 92 / 17

HEX #3ED411

RGB 62 212 17

HSL 106.15, 0.85%, 0.45%

LAB 74.92, -68.87, 71.37

 

CMYK 86 / 0 / 92 / 17

HEX #1ED411

RGB 30 212 17

HSL 116, 0.85%, 0.45%

LAB 74.45, -73.04, 70.78

 

CMYK 26 / 0 / 92 / 17

HEX #9DD411

RGB 157 212 17

HSL 76.92, 0.85%, 0.45%

LAB 78.63, -41.02, 75.94

 

CMYK 25 / 0 / 88 / 97

HEX #060801

RGB 6 8 1

HSL 77.14, 0.78%, 0.02%

LAB 1.94, -1.5, 2.46

 

CMYK 25 / 0 / 92 / 77

HEX #2C3B05

RGB 44 59 5

HSL 76.67, 0.84%, 0.13%

LAB 22.56, -14.99, 28.69

 

CMYK 26 / 0 / 92 / 57

HEX #516E09

RGB 81 110 9

HSL 77.23, 0.85%, 0.23%

LAB 42.64, -24.72, 46.01

 

CMYK 26 / 0 / 92 / 37

HEX #77A10D

RGB 119 161 13

HSL 77.03, 0.85%, 0.34%

LAB 61.17, -33.14, 61.49

 

CMYK 26 / 0 / 92 / 17

HEX #9DD411

RGB 157 212 17

HSL 76.92, 0.85%, 0.45%

LAB 78.63, -41.02, 75.94

 

CMYK 92 / 0 / 49 / 17

HEX #11D46C

RGB 17 212 108

HSL 148, 0.85%, 0.45%

LAB 75.01, -65.7, 39.35

 

CMYK 12 / 92 / 0 / 17

HEX #BA11D4

RGB 186 17 212

HSL 292, 0.85%, 0.45%

LAB 46.44, 79.92, -59.53

 

CMYK 26 / 0 / 92 / 17

HEX #9DD411

RGB 157 212 17

HSL 76.92, 0.85%, 0.45%

LAB 78.63, -41.02, 75.94

 

CMYK 92 / 25 / 0 / 17

HEX #11A0D4

RGB 17 160 212

HSL 196, 0.85%, 0.45%

LAB 61.67, -15.76, -36.02

 

CMYK 0 / 92 / 25 / 17

HEX #D411A0

RGB 212 17 160

HSL 316, 0.85%, 0.45%

LAB 48.18, 77.24, -26.02

 

CMYK 26 / 0 / 92 / 17

HEX #9DD411

RGB 157 212 17

HSL 76.92, 0.85%, 0.45%

LAB 78.63, -41.02, 75.94

 

CMYK 92 / 0 / 49 / 17

HEX #11D46C

RGB 17 212 108

HSL 148, 0.85%, 0.45%

LAB 75.01, -65.7, 39.35

 

CMYK 67 / 92 / 0 / 17

HEX #4511D4

RGB 69 17 212

HSL 256, 0.85%, 0.45%

LAB 30.45, 67.2, -86.36

 

CMYK 0 / 92 / 43 / 17

HEX #D41179

RGB 212 17 121

HSL 328, 0.85%, 0.45%

LAB 46.68, 73.26, -4.68

 

CMYK 26 / 0 / 92 / 17

HEX #9DD411

RGB 157 212 17

HSL 76.92, 0.85%, 0.45%

LAB 78.63, -41.02, 75.94

 

CMYK 92 / 0 / 22 / 17

HEX #11D4A6

RGB 17 212 166

HSL 165.85, 0.85%, 0.45%

LAB 76.04, -53.84, 10.72

 

CMYK 67 / 92 / 0 / 17

HEX #4511D4

RGB 69 17 212

HSL 256, 0.85%, 0.45%

LAB 30.45, 67.2, -86.36

 

CMYK 0 / 92 / 71 / 17

HEX #D4113E

RGB 212 17 62

HSL 346.15, 0.85%, 0.45%

LAB 45.28, 69.41, 29.91

 

Description

Color code: RGB 157 212 17 | qconv.com Color code: RGB 157 212 17 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 212 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 212 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 92 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 92% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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